The Martian Chronicles

1st edition
Author	Ray Bradbury
Language	English
Genre	Science fiction short story collection
Publisher	Doubleday
Publication date	1950
Publication place	United States
Media type	Print (Hardcover & Paperback)
Pages	222 pp
ISBN	NA {{isbn}}: Check isbn value: invalid character (help)

The Martian Chronicles is a 1950 science fiction short story collection by Ray Bradbury that chronicles the colonization of Mars by humans fleeing from a troubled and eventually atomically devastated Earth, and the conflict between aboriginal Martians and the new colonists. The book lies somewhere between a short story collection and an episodic novel, containing stories Bradbury originally published in the late 1940s in science fiction magazines. The stories were loosely woven together with a series of short, interstitial vignettes for publication.

Bradbury has credited Sherwood Anderson's Winesburg, Ohio^[1] and John Steinbeck's The Grapes of Wrath^[2] as influences on the structure of the book. He has called it a "half-cousin to a novel" and "a book of stories pretending to be a novel". As such, it is similar in structure to Bradbury's short story collection, The Illustrated Man, which also uses a thin frame story to link various unrelated short stories.

Like Isaac Asimov's Foundation series, The Martian Chronicles follows a "future history" structure. The stories, complete in themselves, come together as episodes in a larger sequential narrative framework. The overall structure is in three parts, punctuated by two catastrophes: the near-extinction of the Martians and the parallel near-extinction of the human race.

The first third (set in the period from January 1999—April 2000) details the attempts of the Earthmen to reach Mars, and the various ways in which the Martians keep them from returning. In the crucial story, "—And the Moon be Still as Bright", it is revealed by the fourth exploratory expedition that the Martians have all but perished in a plague caused by germs brought by one of the previous expeditions. This unexpected development sets the stage for the second act (December 2001—November 2005), in which humans from Earth colonize the deserted planet, occasionally having contact with the few surviving Martians, but for the most part preoccupied with making Mars a second Earth. However, as war on Earth threatens, most of the settlers pack up and return home. A global nuclear war ensues, cutting off contact between Mars and Earth. The third act (December 2005—October 2026) deals with the aftermath of the war, and concludes with the prospect of the few surviving humans becoming the new Martians, a prospect already foreshadowed in "—And the Moon be Still as Bright", and which allows the book to return to its beginning.

The book was published in the United Kingdom under the title The Silver Locusts (1951), with slightly different contents. In some editions the story "The Fire Balloons" was added, and the story "Usher II" was removed to make room for it.^[3] In the Spanish language version, the stories were preceded by a prologue by Argentinian writer Jorge Luis Borges.

The book was published in 1963 as part of the Time Reading Program with an introduction by Fred Hoyle. In 1979 Bantam Books published a trade paperback edition with illustrations by Ian Miller. A 1997 edition of the book advances all the dates by 31 years (thus running from 2030 to 2057), includes "The Fire Balloons", and replaces "Way in the Middle of the Air" (a story less topical in 1997 than in 1950) with the 1952 short story "The Wilderness", dated May 2034 (equivalent to May 2003 in the earlier chronology).

The background of Mars shared by most of the stories, as a desert planet crisscrossed by giant canals built by an ancient civilization to bring water from the polar ice caps, is a common scenario in science fiction of the early-20th century. It stems from early telescope observations of Mars by astronomers from the 19th-century who believed they saw straight lines on the planet, the first of them being the Italian Giovanni Schiaparelli in 1877. Schiaparelli called them canali (a generic Italian term used for both natural and artificial "grooves" or "channels"), which was popularly mistranslated into English as "canals", man-made water channels. Based on this and other evidence, the idea that Mars was inhabited by intelligent life was put forward by a number of prominent scientists around the turn of the century, notably American astronomer Percival Lowell. This ignited a popular fascination with the planet which has been called "Mars fever". Planetary astronomer Carl Sagan wrote:

"Mars has become a kind of mythic arena onto which we have projected our Earthly hopes and fears."^[4]

In a later introduction to the stories, Bradbury cites the Barsoom stories by Edgar Rice Burroughs and Winesburg, Ohio by Sherwood Anderson as literary influences.

First published in Planet Stories, spring 1947.

The stories of the book are arranged in chronological order, starting in January 1999, with the blasting off of the first rocket. "Rocket Summer" is a short vignette which describes Ohio's winter turning briefly into "summer" due to the extreme heat of the rocket's take-off, as well as the reaction of the citizens nearby.

First published as "I'll Not Ask for Wine" in Maclean's, January 1, 1950.

The following chapter, "Ylla", moves the story to Mars. Ylla, a Martian woman trapped in an unromantic marriage, dreams of the coming astronauts through telepathy. Her husband, though he pretends to deny the reality of the dreams, becomes bitterly jealous, sensing his wife's inchoate romantic feelings for one of the astronauts. After taking his gun under the pretense of hunting, he kills astronauts Nathaniel York and "Bert" as soon as they arrive.

First published as "The Spring Night" in The Arkham Sampler, Winter 1948.

This short vignette tells of Martians throughout Mars who, like Ylla, begin subconsciously picking up stray thoughts from the humans aboard the Second Expedition's ship. As the ship approaches their planet, the Martians begin to adopt aspects of human culture such as playing and singing American songs, without any idea where the inspirations are coming from.

First published in Thrilling Wonder Stories, August 1948.

This story tells of the "Second Expedition" to Mars. The astronauts arrive to find the Martians to be strangely unresponsive to their presence. The one exception to this is a group of Martians in a building who greet them with a parade. Several of the Martians in the building claim to be from Earth or from other planets of the solar system, and the captain slowly realizes that the Martian gift for telepathy allows others to view the hallucinations of the insane, and that they have been placed in an insane asylum. The Martians they have encountered all believed that their unusual appearance was a projected hallucination. Because the "hallucinations" are so detailed and the captain refuses to admit he is not from Earth, Mr. Xxx, a psychiatrist, declares him incurable and kills him. When the "imaginary" crew does not disappear as well, Mr. Xxx shoots and kills them too. Finally, as the "imaginary" rocket remains in existence, Mr. Xxx concludes that he too must be crazy and shoots himself. The ship of the Second Expedition is sold as scrap at a junkyard.

First appeared in The Martian Chronicles.

A man insists that he has a right to be on the next rocket to Mars, because he is a taxpayer. He strongly insists on boarding the ship due to the impending nuclear war on Earth. He is not allowed on the ship and eventually gets taken away by the police.

First published as "Mars is Heaven!" in Planet Stories, fall 1948.

The arrival and demise of the third group of Americans to land on Mars is described by this story. This time the Martians are prepared for the Earthlings. When the crew arrives, they see a typical town of the 1920s filled with the long-lost loved ones of the astronauts. Captain John Black tells his crew to stay in the rocket. The crew are so happy to see their dead family members that they ignore their captain's orders and join their supposed family members. The Martians use the memories of the astronauts to lure them into their "old" houses where they are killed in the middle of the night by the Martians themselves. The next morning, sixteen coffins exit sixteen houses and are buried.

The original short story was set in the 1960s and dealt with characters nostalgic for their childhoods in the Midwestern United States in the 1920s. In the Chronicles version, which takes place forty years later but which still relies on 1920s nostalgia, the story contains a brief paragraph about medical treatments that slow the aging process, so that the characters can be traveling to Mars in the 2000s but still remember the 1920s.

First published in Thrilling Wonder Stories, June 1948.

The next chapter opens with the men of the Fourth Expedition gathering firewood against the cold Martian evening. The scientists have found that all of the Martians have died of chickenpox (brought by one of the first three expeditions)—analogous to the devastation of Native American populations by smallpox. The men, except for the archaeologist Spender and Captain Wilder, become more boisterous. Spender loses his temper when one of his crew-mates starts dropping empty wine bottles into a clear blue canal. He knocks him into the canal. When questioned by his captain, Spender replies "We'll rip it up, rip the skin off, and change it to fit ourselves...We Earth Men have a talent for ruining big, beautiful things", referring to Earth. He leaves the rest of the landing party to explore Martian ruins.

In some editions the two stories relating to Jeff Spender were combined as one.

Spender returns to the rest of the expedition. He carries a gun and shoots six of his crewmates, claiming to be the last Martian. Captain Wilder approaches under a white flag and has a short discussion with Spender during which the archaeologist explains that if he manages to kill off the expedition it may delay human colonization of the planet for a few more years, possibly long enough that the expected nuclear war on Earth will protect Mars from human colonization completely. Although he opposes Spender's methods, Captain Wilder somewhat agrees with his attitude towards colonization and wishes for him a humane death. He returns to the others and joins them as they pursue Spender, and Wilder shoots Spender in the chest during the fight before he has the opportunity to be killed by anyone else.

The captain later knocks out the teeth of Parkhill, another expedition member, when he disrespectfully damages some Martian glass structures while "target practicin'". Many of the characters of the Fourth Expedition—Parkhill, Captain Wilder, and Hathaway—re-appear in later stories. This is the first story that focuses on a central motif of The Martian Chronicles: the colonization of the Western frontier in the United States. Like Spender, Bradbury's message is that some types of colonization are right and others are wrong. Trying to recreate Earth is viewed as wrong, but an approach that respects the fallen civilization that is being replaced is right.

In the previously mentioned version, this short story describes the first settlers coming to Mars, the "Lonely Ones", the ones that came to start over on the planet. It first appeared in The Martian Chronicles.

First appeared in The Martian Chronicles.

The next several chapters describe the transformation of Mars into another Earth. Small towns similar to those on Earth begin to grow. In "The Green Morning", Benjamin Driscoll, makes it his mission to plant thousands of trees on the red plains to increase oxygen levels. Due to some property of the Martian soil, the trees he plants grow into a mighty forest in a single night.

First appeared in The Martian Chronicles.

This vignette concerns the swift colonization of Mars. The title refers to the rockets and settlers which quickly spread across all of Mars.

First appeared in The Martian Chronicles.

This story begins with a conversation between an old man and a young traveler, Tomás Gomez. The older man explains that he came to Mars because he appreciates the new and novel. Even everyday things have become amazing to him once again. He has returned full circle to his childhood. Later, Tomás encounters a Martian named Muhe Ca. Each can see the Mars he is accustomed to, in his own time frame, but the other person is transparent to him and has the appearance of a phantom. The young man sees ruins where the Martian sees a thriving city, while the Martian sees an ocean where Tomás sees the new Earth settlement. Neither knows if he precedes the other in time, but Bradbury makes the point that any one civilization is ultimately fleeting.

This is the only full-length story in The Martian Chronicles that had not previously appeared in another publication.

This story describes the rippling outward of colonization, the first wave being loner, pioneer types, and the second, also Americans, being from the "cabbage tenements and subways" of New York.

First appeared as "…In This Sign" in Imagination, April 1951.

A missionary expedition of Episcopal priests from the United States anticipates sins unknown to them on Mars. Instead, they meet ethereal creatures glowing as blue flames in crystal spheres, who have left behind the material world, and thus have escaped sin.

This story appeared only in The Silver Locusts, the British edition of The Martian Chronicles, the 1974 edition from The Heritage Press, the September 1979 illustrated trade edition from Bantam Books, the "40th Anniversary Edition" from Doubleday Dell Publishing Group and in the 2001 Book-of-the-Month Club edition. It otherwise appeared in The Illustrated Man.

First appeared in Weird Tales, July 1947.

This story describes the building of a Martian town by colonists and how much it was made to resemble an average Midwestern American town. The town was said to have appeared to have been swept up by a tornado on Earth, and brought to Mars.

First appeared in The Martian Chronicles.

Several boys venture into the ruins of Martian cities. They enter houses and play with the debris, imagining that they are on earth playing with the autumn leaves. They have fun playing "white xylophones"—Martian ribcages. They play with a sense of urgency because the firemen, men whose job is to clean up the ruins of Martian cities, will presently come and clean everything up, eliminating this source of fun.

First appeared in The Magazine of Fantasy and Science Fiction, November 1952.

Two women, Janice Smith and Leonora Holmes, prepare to depart on a rocket to Mars, to find husbands or lovers waiting for them there. Janice muses on the terrors of space, drinks in last memories of the Earth she will soon be leaving, and compares her situation to that of the pioneer women of the 19th-century American frontier.

This story only appears in the 1974 edition of The Martian Chronicles by The Heritage Press, the 1979 Bantam Books illustrated trade edition, and the 1997 edition of The Martian Chronicles. In its original form, the story was dated 2003, and this date is consistent with the other stories. As it appears in the 1997 edition, the date (together with all the other dates) has been shifted ahead 31 years, to May 2034.

First appeared in Other Worlds, July 1950.

In an unnamed Southern town, a group of white men learn that all African Americans are planning to emigrate to Mars. Samuel Teece is an obviously racist white man who loudly decries their departure as he watches a great mass of humanity passing his shop porch. He tries to stop several black men from leaving. One man is harassed because of an old debt, and other black passers-by contribute money to relieve the debt. Teece then tries to keep a younger black man (named "Silly") from leaving, claiming that his work contract (signed with an "X" on a contract, as it is implied that Silly could not read or write) forbids his departure from Teece's business. After an argument and a threat to lock him in a shed, some of Teece's white companions stand up to Teece and force him to let Silly depart with his family.

As he drives off, Silly yells to Teece, "what will you do nights now, Mr. Teece?" Teece realizes that Silly is referring to his nocturnal visits to black homes, destroying houses, and lynching black men. Enraged at Silly's comment, Teece and his father set off to get him. After giving chase in a car, the road becomes impassable, blocked by the discarded belongings of all the departing African Americans. Teece and his father walk back to the shop, after which the rockets for Mars lift off. Teece, saying that he will be "damned" if he looks at the rockets, sits back in the quiet afternoon, and wonders what he really "will do nights," taking one last bit of triumph in the fact that Silly always addressed him as "Mister" even as he was leaving.

This episode is a poignant depiction of racial prejudice in America. However, it was eliminated from the 2006 William Morrow/Harper Collins, and the 2001 DoubleDay Science Fiction reprinting of The Martian Chronicles.

First appeared in The Martian Chronicles. Not to be confused with the short story "The Naming of Names", first published in Thrilling Wonder Stories, August 1949, later published as "Dark They Were, and Golden-Eyed".

This story is about later waves of immigrants to Mars, and how the geography of Mars is now largely named after the people from the first four expeditions (e.g., Spender Hill, Driscoll Forest) rather than after physical descriptions of the terrain.

First published as Carnival of Madness in Thrilling Wonder Stories, April 1950.

"Usher II" is about censorship. A literary expert named William Stendahl retreats to Mars and builds his image of the perfect haunted mansion, complete with mechanical creatures, creepy soundtracks, and literal tons of poison to kill every living thing in the surrounding area. He is assisted by Pikes, a film aficionado and former actor whose collection was confiscated and destroyed by the government and was subsequently banned from performing. When the "Moral Climate Monitors" come to visit, Stendahl and Pikes arrange to kill each of them in ways that allude to different horror masterpieces, culminating in the murder of Inspector Garrett in a sequence reminiscent of Edgar Allan Poe's "The Cask of Amontillado". When Stendahl's persecutors are dead, the house sinks into the lake as in Poe’s short story, "The Fall of the House of Usher".

Bradbury hints at past events on Earth, set in 1975–30 years prior to the events in "Usher II". Government sponsored a "Great Burning" of books and made them illegal, which leads to the formation of an underground society of book owners. Those found to possess books had them seized and burned by fire crews. Mars apparently emerged as a refuge from the fascist censorship laws of Earth, until the arrival of a government organization referred to only as "Moral Climates" and their enforcement divisions, the "Dismantlers" and "Burning Crew". Bradbury would reuse the concept of massive government censorship (to the point of abolishing all literature) in his book Fahrenheit 451.

In 2010 Los Angeles artist Allois, in collaboration with Bradbury, released an illustrated copies of "Usher" and "Usher II".^[5]

First appeared in The Martian Chronicles.

A very brief prelude to the following story, describing the immigration of elderly people to Mars.

First published in Super Science Stories, November 1949.

LaFarge and his wife Anna have forged a new life for themselves, but they still miss their dead son Tom. A night thunderstorm startles the elderly pair, who see a figure standing outside their home in the rain. Afraid, Anna goes to bed, while LaFarge believes that somehow Tom is standing before him. He leaves his house unlocked.

That morning, "Tom" is busy helping Anna with chores. LaFarge sees that Anna is somehow unaware of Tom's death, and after speaking privately with him, LaFarge learns that "Tom" is a Martian with an empathic shapeshifting ability: it appears as their dead son to them.

Later that day, Anna insists on a visit to the town. "Tom" is deathly afraid of being so close to so many people. LaFarge promises to keep him close, but at the town they become separated. While searching for "Tom", LaFarge hears that the Spaulding family in town has miraculously found their lost daughter Lavinia. Desperate to avoid a second devastating heartbreak to his wife, LaFarge stands outside Spaulding's home and finds "Tom" now masquerading as Lavinia. He is able to coax "Tom" to come back, and they run desperately back for their boat to leave town. However, everyone "Tom" passes sees a person of their own—a lost husband, a son, a criminal. The Martian, exhausted from his constant shape-changing, spasms, and dies.

First appeared in The Martian Chronicles.

The story of Mars and its inhabitants is continued in a discussion between a priest and a luggage storeowner. Nuclear war is imminent on Earth, and the priest predicts that most of the colonists will return to help.

First published in Thrilling Wonder Stories, December 1948.

On Mars former Fourth Expedition member Parkhill has opened a hot-dog stand, when a lone Martian walks in. Parkhill panics and kills him. Suddenly, numerous Martians appear in sand ships. Parkhill takes his wife to his own sand ship and flees. The Martians catch up and give Parkhill a message: he now owns half of Mars. Unfortunately, the fleet of rockets filled with "hungry customers" would not be patronizing his restaurant, as the nuclear war had begun on Earth.

First appeared in The Martian Chronicles.

The colonists witness a nuclear war on Earth from Mars. They immediately return out of concern for their friends and families.

First published in Charm, March 1949.

Everybody has left Mars to go to Earth, except Walter Gripp—a single miner who lives in the mountains and does not hear of the departure. At first excited by his find of an empty town, he enjoys himself with money, food, clothes, and movies. He soon realizes he misses human companionship. One night he hears a telephone ringing in someone's home, and suddenly realizes that someone else is alive on Mars. Missing the call, and several others, he sits down with a phone book of Mars and starts dialing at A.

After days of calling without answers, he starts calling hotels. After guessing where he thinks a woman would most likely spend her time, he calls the biggest beauty salon on Mars and is delighted when a woman answers. They talk, but are cut off. Overcome with romantic dreams, he drives hundreds of miles to New Texas City, only to realize that she drove to find him on a back road. He drives back to his town, and meets Genevieve Selsor as he pulls in.

Their meeting is the opposite of what he had hoped for in his dreams; she is unattractive (due to her weight and pallor), foolish, and insipid. After a sullen day, she slyly proposes marriage to him at dinner, as they believe they are the last man and the last woman on Mars. Gripp decides to run, driving across Mars to another tiny town to spend his life alone, ceasing all contact with Genevieve.

First published as "Dwellers in Silence" in Maclean's, September 15, 1948.

Hathaway (the doctor from the Fourth Expedition) is living retired on Mars with his family, even though everyone else has departed. Hathaway is a mechanical tinkerer, who has wired an old town below their house to sound alive at night with noise and phone calls. One night, he sees a rocket in orbit, and sets fire to the old town to signal the rocket.

Captain Wilder (also from the earlier stories about the Fourth Expedition) finally returns to Mars after twenty years exploring the outer solar system. They land and have a reunion with Hathaway, who is troubled by his heart. Undeterred, Hathaway brings the crew to his house for breakfast. Wilder remarks that Hathaway's wife looks exactly as she did many years ago, as he knows her real age and knew her in the past. One of Wilder's crew pales when he sees Hathaway's children, knowing that the son should be the same age as he. Wilder sends the crewmember off to check some headstones that he saw when they landed. He returns, and says that the adults now before them are buried.

Wilder offers Hathaway a rescue back to Earth, but Hathaway's heart fails and he dies, begging Wilder not to call his family because they "would not understand". Wilder then confirms that Hathaway's wife and adult children are androids.

As Wilder prepares to depart, one of the crew returns to the house with a pistol, but shortly after returns, having been unable to bring himself to kill the robotic family even knowing that they were not truly human. The rocket departs, and the android family continues on with its meaningless daily life.

First published in Collier's, May 6, 1950.

The story concerns a household in Allendale, California, after the nuclear war has wiped out the population. Though the family is dead, the automated house that had taken care of the family still functions.

The reader learns a great deal about what the family was like from how the robots continue on in their functions. Breakfast is automatically made, clothes are laid out, voice reminders of daily activities are called out, but no one is there. Robotic mice vacuum the home and tidy up. As the day progresses, the rain quits, and the house prepares lunch and opens like a flower to the warm weather. A starving dog, apparently the family pet, whines at the door, is admitted and dies. Outside, a vivid image is given: the family's silhouettes were permanently burned onto the side of the house (as occurred at Hiroshima) when they were vaporized by the nuclear explosion. That night, a storm crashes a tree into the home, starting a fire that the house cannot combat, as the municipal water supply has dried up and failed.

The title of the story comes from a randomly selected bedtime poem called "There Will Come Soft Rains", which is an actual poem by Sara Teasdale published in 1920. The theme of the poem is that nature will survive after humanity is gone, reflecting the theme of the story; that even the vast cities of humanity will eventually be reclaimed by nature. In the original story in Collier's, the story takes place 35 years in the future.^[6]

First published in Planet Stories, summer 1946.

A family saves a rocket that the government would have used in the nuclear war and leaves Earth on a "fishing trip" to Mars. The family picks a city to live in and call home. They enter and the father burns tax documents and other government papers in a camp fire, explaining that he is burning a misguided way of life. A map of Earth is the last thing to be burned. Later, he offers his sons a gift in the form of their new world. He introduces them to Martians—their own reflections in a canal.

The Martian Chronicles: The Complete Edition published by Subterranean Press (2010) contains The Other Martian Tales section:

• "The Lonely Ones" (Startling Stories, July 1949, reprinted in [Bradbury Stories: 100 of His Most Celebrated Tales])
• "The Exiles" (The Magazine of Fantasy and Science Fiction, Winter/Spring 1950, reprinted in The Illustrated Man)
• "The One Who Waits" (The Arkham Sampler, summer 1949, reprinted in The Machineries of Joy)
• "The Disease" (previously unpublished)
• "Dead of Summer" (previously unpublished)
• "The Martian Ghosts" (previously unpublished)
• "Jemima True" (previously unpublished)
• "They All Had Grandfathers" (previously unpublished)
• "The Strawberry Window" (Star Science Fiction Stories #3, ed. Frederik Pohl, Ballantine, 1954, reprinted in A Medicine for Melancholy)
• "Way in the Middle of the Air" (see above)
• "The Other Foot" (New Story, March 1951, reprinted in The Illustrated Man)
• "The Wheel" (previously unpublished)
• "The Love Affair" (The Love Affair, Lord John Press 1982, reprinted in The Toynbee Convector)
• "The Marriage" (previously unpublished)
• "The Visitor" (Startling Stories, November 1948, reprinted in The Illustrated Man)
• "The Lost City of Mars" (Playboy, January 1967, reprinted in I Sing the Body Electric)
• "Holiday" (The Arkham Sampler, Autumn 1949)
• "Payment in Full" (Thrilling Wonder Stories, February 1950)
• "The Messiah" (Welcome Aboard, spring 1971, reprinted in Long After Midnight)
• "Night Call, Collect" (Super Science Stories, April 1949, reprinted in I Sing the Body Electric)
• "The Blue Bottle" (Planet Stories, Fall 1950, reprinted in Long After Midnight)
• "Dark They Were, and Golden-Eyed" (Thrilling Wonder Stories, August 1949, reprinted in A Medicine for Melancholy)

Boucher and McComas praised Chronicles as "a poet's interpretation of future history beyond the limits of any fictional form".^[7] In his "Books" column for F&SF, Damon Knight listed The Martian Chronicles on his top-ten science fiction books of the 1950s.^[8] L. Sprague de Camp, however, declared that Bradbury would improve "when he escapes from the influence of Hemingway and Saroyan", placing him in "the tradition of anti-science-fiction writers [who] see no good in the machine age". Still, de Camp acknowledged that "[Bradbury's] stories have considerable emotional impact, and many will love them".^[9]

In 1988, the Soviet Armenian studio Armenfilm produced the feature film The Thirteenth Apostle (Russian: Тринадцатый апостол), starring Juozas Budraitis, Donatas Banionis, Armen Dzhigarkhanyan, based on the The Martian Chronicles.^[10]

The Martian Chronicles was adapted for radio in the science fiction radio series Dimension X. This truncated version contained elements of the stories "Rocket Summer", "Ylla", "–and the Moon be Still as Bright", "The Settlers", "The Locusts", "The Shore", "The Off Season", "There Will Come Soft Rains", and "The Million-Year Picnic".

"—and the Moon be Still as Bright" and "There Will Come Soft Rains" were also adapted for separate episodes in the same series. The short stories "Mars Is Heaven" and "Dwellers in Silence" also appeared as episodes of Dimension X. The latter is in a very different form from the one found in The Martian Chronicles.

A very abridged spoken word reading of "There Will Come Soft Rains" and "Usher II" was made in 1975 with Leonard Nimoy as narrator.

In 1979 NBC partnered with BBC to commission The Martian Chronicles, a three-episode miniseries adaptation running just over four hours. It was written by Richard Matheson and was directed by Michael Anderson. Rock Hudson starred as Wilder, Darren McGavin as Parkhill, Bernadette Peters as Genevieve Selsor, Bernie Casey as Jeff Spender, Roddy McDowall as Father Stone, and Barry Morse as Hathaway, as well as Fritz Weaver. Bradbury found the miniseries "just boring".^[11]

The cable television series The Ray Bradbury Theater adapted some individual short stories from The Martian Chronicles including "Mars is Heaven","Usher II", "And the Moon Be Still as Bright" and "The Martian".^[12] Video releases of the series included a VHS tape entitled Ray Bradbury's Chronicles: The Martian Episodes with some editions with three episodes and others with five.^[13][14][15]

Several of the short stories in The Martian Chronicles were adapted into graphic novel-style stories in the EC Comics magazines, including "There Will Come Soft Rains" in Weird Fantasy #17, "The Million-Year Picnic" in Weird Fantasy #21, "The Silent Towns" in Weird Fantasy #22.

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