Mahvash (Persian: مهوش), born Masoumeh Azizi Borujerdi (Persian: معصومه عزيزى بروجردى), was an Iranian singer, dancer, film actress and stage performer.[1] She came from a poor family and was lauded as a singer (performer) of the people in the 1950s.[2]

Early life and early career

Mahvash was born Masoumeh Azizi Borujerdi in Borujerd, Iran to a poor family, when Mahvash was a teenager the family came to Tehran. At an early age, Mahvash lost her mother. Later she went on to perform in Tehran's cabarets (Persian: kafe-i motrebi) and cafes in the late 1940s to early 1950s and drew large support from the working people.[3]

However, there is confusion around her biography, and different accounts of what type of performances were happening at this age and where.[4] The most common story is that she performed risqué songs in the cabarets, on the radio and in movies.[5] Another prevalent story is she began in a classical ruhowzi dance troupe as a dancer, pishparde singer, and actress;[3] and she married a violinist who secured her entertainment engagements.[3]

Career

She gained the admiration of the masses’ by articulating in her songs the problems, difficulties, and frustrations of the common people, struggles which she knew very well.[1][6] Her most famous songs involved a call and response-style singing with her male audience.[5]

The grave of Mahvash at Ibn Babawayh Cemetery, Rey

She published a book in 1957 which she termed an "autobiography" which was entitled Secrets of Sexual Fulfillment (Persian: Raz-e Kamyabi-ye Jensi). This book was more of a sex manual had pictures of her in a bathing suit and was published and widely distributed despite being prosecuted for the book in June 1960.[5] It seems that Mahvash's ability to speak to the marginalized majority absolved her of her forays into prostitution and other publicly indecent behavior.

When Mahvash died in a car accident in 1961, her public funeral went down in Iran's history as the largest of its day, with thousands of Iranians on the streets to mark her passing.[2] Iranian religious authorities were unwilling to accept burying her in a Muslim cemetery because as an entertainer she was considered "unclean" and "unchaste",[5] however when the large amount of mourners celebrated her passing they relented.[5]

She is buried in the Ibn Babawayh Cemetery in Tehran.

Filmography

Acting

Singing

See also

References

  1. ^ a b Matthee, Rudolph (Rudi); Baron, Beth (2000). Iran and Beyond: Essays in Middle Eastern History in Honor of Nikki R. Keddie. "Voices Unveiled: Women Singers in Modern Iran,” Chehabi, Houchang E. Costa Mesa, Calif.: Mazda Publishing. ISBN 1-56859-099-7. Retrieved October 17, 2014.
  2. ^ a b "Big Girl, Iran's Mahvash". Six Pillars. April 24, 2013. Retrieved October 17, 2014.
  3. ^ a b c Breyley, G. J.; Fatemi, Sasan (November 19, 2015). Iranian Music and Popular Entertainment: From Motrebi to Losanjelesi and Beyond. Routledge. pp. 68–69. ISBN 978-1-317-33680-8.
  4. ^ Breyley, GJ; Fatemi, Sasan (2015). Iranian Music and Popular Entertainment: From Motrebi to Losanjelesi and Beyond. Routledge. ISBN 978-1317336792.
  5. ^ a b c d e f Naficy, Hamid (September 16, 2011). A Social History of Iranian Cinema, Volume 2: The Industrializing Years, 1941–1978. United States: Duke University Press. ISBN 978-0822347743.
  6. ^ Talattof, Kamran (June 1, 2011). Modernity, Sexuality, and Ideology in Iran: The Life and Legacy of a Popular Female Artist. Syracuse University Press. pp. 101–102. ISBN 978-0-8156-5139-0.
  7. ^ a b c d "Mahvash". Soureh Cinema. SourehCinema.com. 2013. Retrieved October 17, 2014.
  8. ^ "Nostalgia". Iranian.com.
Allikas: http://en.wikipedia.org/wiki/Mahvash
No tags for this post.