V. Penelope Pelizzon is an American poet and essayist. Her first poetry collection, Nostos (2000), won the Hollis Summers Prize and the Poetry Society of America’s Norma Farber First Book Award. Her second poetry collection, Whose Flesh Is Flame, Whose Bone Is Time (2014), was a finalist for the Anthony Hecht Poetry Prize. She is also co-author of Tabloid, Inc. (2010), a critical study of film, photography, and crime narratives. She is a professor at the University of Connecticut.

She graduated from University of Massachusetts, Boston, summa cum laude, University of California, Irvine, and University of Missouri in 1998.

She has taught at University of California, Irvine, University of Missouri, Washington and Jefferson College, and University of Connecticut.^[1][2]

Her work has appeared in Poetry,^[3] Orion,^[4] The Hudson Review, Ecotone,^[5] 32 Poems,^[6] The Kenyon Review,^[7] Field, The New England Review, Narrative,^[8] The Harvard Review,^[9] The Gettysburg Review, The Missouri Review,^[10] Plume^[11], ZYZZYVA,^[12] and Fourth Genre.

She is married to Anthony Deaton, a foreign service officer.^[13]

• 2021 Editor's Choice Selection for the Quarterly West Chapbook Award,^[14] for Of Vinegar Of Pearl
• 2019 Hawthornden Residency Fellowship for poetry
• 2012 The Amy Lowell Poetry Travelling Scholarship^[15]
• 2012 Center for Book Arts chapbook award for Human Field^[16]
• 2008 Lannan Writing Residency Fellowship^[17]
• 2003 Campbell Corner Poetry Prize
• 2001 Norma Farber First Book Award, for Nostos, by Poetry Society of America^[18]
• 1999 Hollis Summers Prize^[19]
• The Kenneth Rexroth Translation Award (for Umberto Saba's poems from Italian)
• 1997 The 92nd Street Y's “Discovery”/ The Nation Award

• “Animals & Instruments,” Narrative, Spring 2022.
• “A Gaze Hound That Hunteth By the Eye,” Plume, issue 120, August 2021.
• “Some Say,” Ecotone no. 28, Spring 2020.
• “Elegy for Estrogen,” Ecotone, no. 27, spring/summer 2019.
• “Orts & Slarts,” Tin House online, May 2019.
• The Village Voice, National Poetry Month Feature, 21 April 2015.
• “Light Speaking: Notes on Poetry and Photography.” Poetry, vol. 202, no. 2, May 2013.
• “Nulla Dies Sine Linea.” Poetry, vol. 200, no. 1, Apr. 2012.
• “Blood Memory.” Poetry, vol. 195, no. 4, Jan. 2010.
• “Seven Penitential Psalms.” Poetry, vol. 187, no. 2, Nov. 2005.
• "Clever and Poor". poemhunter. 20 January 2003.
• "The Monongahela Book of Hours". Language Exchange. 2003. Archived from the original on 2008-07-20. Retrieved 2009-06-10.
• Whose Flesh Is Flame, Whose Bone Is Time. The Waywiser Press. 2014. ISBN 978-1-904130-60-4.^[20] Pelizzon's second book of poems was a finalist for the Anthony Hecht Poetry Prize.
• “Memoire on the Heliograph.” Fourth Genre, vol. 6, no. 2, 2004.
• Nostos. Ohio University Press. 2000. ISBN 978-0-8214-1298-5. Pelizzon's first book of poems won the Hollis Summers Poetry Prize.^[21]
• Tabloid, Inc: Crimes, Newspapers, Narratives. Ohio State University Press. 2010. ISBN 978-0814292150. Pelizzon and Nancy M. West discuss tabloid newspapers, especially those of the late 1920s and early 1930s, using a combination of narrative and film theory.^[22]

• “Runic Signature from Cynewulf’s Fates of the Apostles,” with accompanying translator’s note, Poetry, vol.198, no. 3, June 2011.
• Umberto Saba (1999). "two poems". The Seneca Review. 24 (1): 76–77.
• Umberto Saba (1997–1998). "four poems". Compost. 9: 34–35.