Talk:Teenagers (song)

Good articleTeenagers (song) has been listed as one of the Music good articles under the good article criteria. If you can improve it further, please do so. If it no longer meets these criteria, you can reassess it.
Good topic starTeenagers (song) is part of the May Death Never Stop You series, a good topic. This is identified as among the best series of articles produced by the Wikipedia community. If you can update or improve it, please do so.
Article milestones
DateProcessResult
February 8, 2007Articles for deletionDeleted
April 24, 2025Good article nomineeNot listed
July 23, 2025Good article nomineeListed
February 10, 2026Good topic candidatePromoted
Current status: Good article

Smells Like Teen Spirit? ummmm.... no

I've been looking all over the place for something citable to allow the comparison between the two videos - it seems, on the surface, to be totally original research. I did find one blog-like site that had this rundown:

  • Dreary High School Gathering Place
    • MCR: Auditorium.
    • Nirvana: Gym.
  • “Edgy” Accessory Flaunted By Cheerleaders
    • MCR: Gas masks, gun-looking objects.
    • Nirvana: Armpit hair, anarchy symbols.
  • Semi-Synchronized Gesture That Indicates Crowd Approval
    • MCR: Saluting.
    • Nirvana: Headbanging.
  • Crowd-Storming-Stage-Scene?
    • MCR: Yes–and the cheerleaders look scared.
    • Nirvana: Yes–and the cheerleaders hold their own, even though the possibility of crowd-surfers clocking them in the head with a steel-toed boot is high.
  • Solitary Figure At Clip’s End
    • MCR: Hotline for “reaching out” if you’re feeling violent. (Wait, what about working out your aggressions in the pit?)
    • Nirvana: Tied-up guy in a dunce cap–who, no doubt, would love to “reach out,” given the chance.

Seems more tongue-in-cheek than anything, but it does serve to point out that the supposed similarities are actually pretty clearly differences. Add in the fact that MCR were actually going for "The Wall" and substituting a high school for the movie's arena setting, and I think the only thing that ties this video to "Smells Like Teen Spirit" is the fact that there's a high school involved.

I'm removing that uncited opinion as Original Research; if anyone has a problem with that, please address it here. Rockypedia (talk) 01:44, 19 March 2014 (UTC)[reply]

GA review

The following discussion is closed. Please do not modify it. Subsequent comments should be made on the appropriate discussion page. No further edits should be made to this discussion.


This review is transcluded from Talk:Teenagers (song)/GA1. The edit link for this section can be used to add comments to the review.

Nominator: Leafy46 (talk · contribs) 02:53, 5 January 2025 (UTC)[reply]

Reviewer: PSA (talk · contribs) 23:23, 20 March 2025 (UTC)[reply]


Hello, I can take this review. I recommend reviewing other noms in the GAN backlog. Elias 🦗🐜 [Chat, they chattin', they chat] 23:23, 20 March 2025 (UTC)[reply]

Hey there, thanks for taking on this review! I'm definitely considering starting to do GA reviews, but I don't think I'm ready for that yet; maybe I'll take some on during the next newbie backlog drive :) Leafy46 (talk) 00:03, 21 March 2025 (UTC)[reply]
@PSA: Hey there! Not to rush you, but it's been a bit over a week since the last post here, and I was wondering if you had an ETA of sorts for when I could expect a completed review? Sorry if this is sounding a bit antsy, but this article was previously picked up by an editor who went inactive without completing their review, and thus I'm a little bit paranoid lol. Leafy46 (talk) 16:16, 28 March 2025 (UTC)[reply]
Hello @Leafy46. Sorry for the wait. My schoolwork became more burdensome this past week, so the only edits I could do were not super labor-intensive ones. Expect this review to wrap by the next weekend at the latest; if I have time this weekend, then we might end way earlier. I understand the apprehension with this review, so allow me to continue by doing the spotchecks. Prose review will follow. Elias 🦗🐜 [Chat, they chattin', they chat] 17:32, 28 March 2025 (UTC)[reply]
No problem! I'm kinda the other way lol; my schoolwork this week is pretty light, but it's going to be a lot worse next week. Again though, do take your time! And thank you for the prompt follow-up. Leafy46 (talk) 17:46, 28 March 2025 (UTC)[reply]
@Leafy46, it has been six days since you last responded. I am willing to give you seven more to address a significant chunk of the comments so far; if the page still is idle, I will have to close the nomination. Elias 🦗🐜 [Chat, they chattin', they chat] 04:58, 4 April 2025 (UTC)[reply]
@PSA: Sorry about that, I completely missed that there were comments made because I didn't receive a ping abt it (combined with the aforementioned schoolwork). I'll get right to them! Leafy46 (talk) 16:17, 4 April 2025 (UTC)[reply]
I have just addressed all the spotchecks you've put below. Leafy46 (talk) 17:39, 4 April 2025 (UTC)[reply]
@PSA: I am terribly sorry to send another courtesy ping (especially since I missed your preliminary review), but I've addressed the spotchecks you've made and am awaiting further comments. Do you have any updates? Leafy46 (talk) 16:34, 11 April 2025 (UTC)[reply]
Sending out another message, given that it's been another week since I've last heard a response. Leafy46 (talk) 22:02, 18 April 2025 (UTC)[reply]

Hello @Leafy46, I am on a holy week vacation, so my capacity to do labor-intensive work like reviews is greatly diminished. Apologies for that. Looking at the spotchecks, I see that the comments have sufficiently been addressed.

However, as I was about to conduct the prose review, I noticed that this article has what I call "overquoting syndrome". This is really common in articles related to contemporary music, and they make articles --- especially reception sections --- hard to read. Articles being well-written and easy to understand is a big component of the first GA criterion, so this is a pretty major issue.

The overquoting problem is most obvious in the first paragraph of the Critical reception section, where every sentence (sans the first) has a quotation. Other instances can be found in Composition and lyrics. Quotations should be used only if rephrasing them would necessarily change the meaning of the sentence. The article's reception section also simply lists what reviewers have said about the song. This is not the most ideal structure for understanding the essence of how "Teenagers" was received. The article should give us a narrative, so to speak, synthesizing similar reviews and quotations to make the common talking points in reviews more apparent. It should not just list a series of quotations, divorced from the wider context of how critics as a whole commented on "Teenagers". There is some great advice here about how to improve reception sections.

I understand that there are a lot of quotations in the article, so paraphrasing and synthesizing a majority of them will be a Herculean task that might best be done outside of GAN. My mind is split on the decision, however, because I don't think this is an issue egregious enough to make this nomination unsuccessful. So I'll give you the option of whether you still want this nomination open and address the comments in the meantime, or addressing them outside of the GAN process is the less stressful option. Elias 🦗🐜 [Chat, they chattin', they chat] 04:49, 19 April 2025 (UTC)[reply]

That's fine, I can address that. I don't think that it'll be too difficult, but I'd also like a bit more specificity on where else you think there are too many quotations so I know where to focus; after all, I'd say that the idea of "overquoting" here is inherently a bit subjective to begin with, so I'd rather not guess blindly as to where you want to see changes (which is to say, are you only looking for me to rephrase the first 'Reception' paragraph and the 'Composition and lyrics' sections, or are there other spots you want me to look at too?). Thanks! Leafy46 (talk) 15:23, 19 April 2025 (UTC)[reply]
Just as an update of sorts, I have paraphrased many of the direct quotes in both sections. I think that it's definitely helped the 'Composition and lyrics' section considerably, but unfortunately I'm struggling to really make the 'Critical reception' section much better. Let me know what you think, enjoy your holy week! Leafy46 (talk) 16:56, 19 April 2025 (UTC)[reply]
Thanks for your efforts, @Leafy46. Unfortunately, after a lot of ruminating, I feel compelled to fail this article. I still think serious prose issues remain, and I will explain below. IMV, it is getting increasingly unlikely that we'll complete this review with a pass in the near future. I'm afraid we're deep down a fix loop, i.e. we're stuck in a cycle of "comment-improve-reply-improve-comment" throughout the duration of this nom. It's a drain for both the reviewer and the nominator to, even though the nom's been open for weeks, keep a review going in hopes that it is successful. Working on the article outside of GAN seems like a more time-efficient path to take here.
Believe me, this feeling is one of the worst for content-focused editors. Getting an oppose/fail because of prose issues even though you've worked really hard to make the article comprehensive and well-written can be discouraging. Regardless, there is always another opportunity to improve your work and make them as best as they can possibly be. And I believe you have the capacity to do exactly that. In this case, though, it's for the GAN process's best if the improvements are done outside of this nomination.
Good luck with improving the article, and I look forward to seeing it have the green plus sign someday Elias 🦗🐜 [Chat, they chattin', they chat] 10:21, 24 April 2025 (UTC)[reply]

GA review – see WP:WIAGA for criteria

  1. Is it well written?
    A. The prose is clear and concise, and the spelling and grammar are correct:
    B. It complies with the manual of style guidelines for lead sections, layout, words to watch, fiction, and list incorporation:
  2. Is it verifiable with no original research, as shown by a source spot-check?
    A. It contains a list of all references (sources of information), presented in accordance with the layout style guideline:
    B. Reliable sources are cited inline. All content that could reasonably be challenged, except for plot summaries and that which summarizes cited content elsewhere in the article, must be cited no later than the end of the paragraph (or line if the content is not in prose):
    C. It contains no original research:
    D. It contains no copyright violations nor plagiarism:
  3. Is it broad in its coverage?
    A. It addresses the main aspects of the topic:
    B. It stays focused on the topic without going into unnecessary detail (see summary style):
  4. Is it neutral?
    It represents viewpoints fairly and without editorial bias, giving due weight to each:
  5. Is it stable?
    It does not change significantly from day to day because of an ongoing edit war or content dispute:
  6. Is it illustrated, if possible, by images?
    A. Images are tagged with their copyright status, and valid non-free use rationales are provided for non-free content:
    B. Images are relevant to the topic, and have suitable captions:
  7. Overall:
    Pass or Fail:
  • So I'll get the easy stuff out of the way first. Spotchecks will follow. Elias 🦗🐜 [Chat, they chattin', they chat] 23:23, 20 March 2025 (UTC)[reply]
    • Stability. Most of the editing history consists of improvements from the nom, so everything's fine in that regard.
    • Audio and visual media use.
    • (UTC)
      • The live performance image. The license is compatible; although these are not explicitly requested by the criteria, I do have some apprehensions. Do we have a better-quality image of any live performance for this song?
        • Unfortunately not. My Chemical Romance live performances are pretty notorious for being recorded on potatoes given how old they are, and I've definitely given it as good a look as I can across the internet.
      • I am a bit unsure about the use of the audio sample. Number one, we should not expect readers to be familiar with T. Rex and Status Quo's music. Without the context, we can't figure out why these comparisons are relevant. Second, lyrics are not covered under the NFUR criterion of "the subject can't be adequately conveyed by properly sourced text." Usually, the lyrics can be conveyed by text alone. Can we find a better rationale for this sample?
        • Hm. I'll chew on this, given that I see your concern here, but it's not exactly a quick fix unlike some of the other things you've spotted here.
          • I'm just going to get rid of it. I really hate to do it given that (alongside the removal of the image above) this leaves the article's body completely unillustrated, but I don't think that I can change the rationale for this specific sample to fix the issue you've brought up. If anything, I'll add in an audio sample of the song's guitar solo later, but as of now I think this is a lost cause. Leafy46 (talk) 01:59, 21 March 2025 (UTC)[reply]
    • References list. Technically, books count as sources. Consider changing "sources" to "citations"
      • This was not done. Any reason why? Elias 🦗🐜 [Chat, they chattin', they chat] 17:32, 28 March 2025 (UTC)[reply]
        • I don't usually do the source/citation way of labeling references, and I saw "consider" in your comment, so I just... didn't change it. Given that this doesn't seem like just a suggestion, however, I've made the change.
    • Use of sources.
      • The biography book doesn't raise any red flags for me. All of the online sources I see here are reliable for contemporary music topics.
      • The quotation "jauntily devilish vocal persona" is not cited. The same goes for "attacked without any regard for their safety", which is unattributed. "rebellious or comically dramatic" and "point out the tenacity of their generation" are also unattributed. Everything else is fine cited (will see later if these pass spotchecks).
        • "Jauntily devilish..." was a case of a missing citation, good catch! "Attacked without..." was attributed in the citations of the next sentence, which I think is acceptable, but I've shifted it over to make it more obvious. Both "Rebellious or..." and "Tenacity of..." are directly quoted in the Billboard citation at the end of their respective sentences, so I'm confused what you mean by that.
          • "Attribution" is different from adding a citation/reference. Quotations like "tenacity of" require attribution to whoever wrote it, per WP:SUBSTANTIATE. Is it a guaranteed fact that everyone who was making TikToks soundtracked to "Teenagers" was doing it for the exact purpose detailed in the cited reference? It reads as an opinion by Goldberg, the article's author; as such, their opinion needs attribution. Elias 🦗🐜 [Chat, they chattin', they chat] 01:33, 21 March 2025 (UTC)[reply]
            • Okay, I understand where you're coming from now. I've removed the quotation from "Rebellious or..." altogether to avoid the issue, and added a bit about Goldberg to the other one to properly attribute the quote. Hopefully this should be fine? Leafy46 (talk) 01:59, 21 March 2025 (UTC)[reply]
  • Spotchecks. Ref numbers are from this version of the article. Elias 🦗🐜 [Chat, they chattin', they chat] 17:32, 28 March 2025 (UTC)[reply]
    • For now, I will do spotchecks of the online sources. I will also spotcheck the single offline source used here; please email me the relevant pages for the citations I wish to verify.
      • (2) - Please email me p. 149. Blue question mark?
        • I don't know how to email on Wikipedia, but the quote in question can be seen here — the beginning of the sentence that is chopped off from the preview is "This record, he decided, would be...". Hopefully this is adequate?
      • (5) - ok Green tickY
      • (9) - ok for both citations Green tickY
      • (15) - ok for both citations Green tickY
      • (17) - first citation is okay. However, it applies only on the sentence's first clause, so move this citation a little earlier. The current arrangement implies that both 16 and 17 support all facts in the sentence simultaneously, which is not the case. Second verifies the quotation, but 18 should be moved earlier in the sentence. For the third citation, the guitar riff and solo is not the point of praise. The sing-along nature is. Red XN
        •  Done: In the case of the third use, I've left the part about the simplicity of the guitar parts in given that it *is* a listicle about the band's guitar-playing, but I've added some other points so that it remains a review. Hopefully this is alright with you?
      • (21) - both citations are ok Green tickY
      • (28) - both citations are ok Green tickY
      • (33) - ok Green tickY
      • (40) - ok Green tickY
      • (42) - Chart history pages verify only the peak positions, not the debut positions. Red XN
        •  Fixed, whoops
      • (48) - ok Green tickY
      • (54) - ok Green tickY
      • (65) - ok Green tickY
      • (77) - This verifies the Reading Festival set list; was the song also performed on the Leeds set? Blue question mark?
        •  Done: For some reason, I assumed that the two were just... together, and that I didn't need to cite both festivals individually. I've added another citation for the Leeds festival, to play it safe
      • (89) - ehhhh I may be pedantic here but I am unsure of this. "adopted by Generation Z" implies that an entire generation is a monolith that collectively agreed to make this one song a protest anthem, which is patently untrue. Blue question mark?
        •  Done: I see your point, I've re-worded the sentence
      • (91) - "rebellious actions taken by their teenage children" is not verified. I think we should also use clearer wording here; "rebellious" can mean loads of things. Red XN
        • Blue question mark? I mean... the quote from the article reads "Some parents took to TikTok to share rebellious or comically dramatic things that their teenaged children had done", which verifies the quote in question imo. How would you suggest I go about re-wording this?
      • (92) - citation is ok, but it doesn't verify the 1b Spotify streams. Move this citation earlier in the sentence. Blue question mark?
        •  Done
The discussion above is closed. Please do not modify it. Subsequent comments should be made on the appropriate discussion page. No further edits should be made to this discussion.

GA review

The following discussion is closed. Please do not modify it. Subsequent comments should be made on the appropriate discussion page. No further edits should be made to this discussion.


This review is transcluded from Talk:Teenagers (song)/GA2. The edit link for this section can be used to add comments to the review.

Nominator: Leafy46 (talk · contribs) 02:16, 5 June 2025 (UTC)[reply]

Reviewer: Gommeh (talk · contribs) 16:43, 22 July 2025 (UTC)[reply]

@Gommeh: Thank you for your initial comments! I will take a look through them shortly. — Preceding unsigned comment added by Leafy46 (talk • contribs) 23:44, 22 July 2025 (UTC)[reply]

A few more comments:
  • Blogs are not reliable sources ([16]), see WP:RSPBBC. I doubt a section called "blogs" or the "Charts Blog" has much editorial oversight. However it does appear that the author is considered an expert and that the article is explicitly listed as a review, so this is an acceptable use.
  • In regard to the composition and lyrics section, I think the last paragraph would function a little better if you switched around the order of the last two sentences: In an interview with NME, Way acknowledged the severity of gun crime among teenagers in the United States, and explained how the track "almost didn't fit on the record, but it's a topic that's so important to our culture". Way also brought up the Smiths song "The Headmaster Ritual" within the interview, which Weingarten called a "direct lyrical influence" on "Teenagers" due to their similar lyrical depictions of violence in schools.In an interview with NME, Way brought up the Smiths song "The Headmaster Ritual" within the interview, which Weingarten called a "direct lyrical influence" on "Teenagers" due to their similar lyrical depictions of violence in schools. He also acknowledged the severity of gun crime among teenagers in the United States, and explained how the track "almost didn't fit on the record, but it's a topic that's so important to our culture".
  • I like this a lot, I've made the change you've suggested (though without the duplicated reference to the interview)
Gommeh 🎮 23:59, 22 July 2025 (UTC)[reply]

Initial observations

  • Form-wise the article looks good, and the sections in the article largely mirror those in Welcome to the Black Parade, which is a GA as of writing this.
  • YouTube videos (such as the Gerard Way interview) are not reliable sources. My opinion on citing the album itself as you do at [6] is neutral leaning toward accepting, since the only claim you are making is that the song was released alongside the album. I'll leave that up to you and other more experienced GA reviewers to decide though.
    • Per WP:RSPYT, "Content uploaded from a verified official account, such as that of a news organization, may be treated as originating from the uploader and therefore inheriting their level of reliability." In this case, the uploader is Take 40 Australia, which seems reliable enough to me (at least for the singer's self-description of the song's background). Let me know if you still think otherwise.
  • You are using some reliable sources, though, which is commendable (examples of which include NME at [8] and the BBC at [9], among others). There are some sources that I cannot find at WP:RSP such as [10] though, but it's possible they may be on another WikiProject Music page. Bryant ([1]) seems pretty reliable as far as I'm concerned.
    • There is one! WP:A/S is what you're looking for, but let me know if you have any specific questions.
  • It looks like the Critical Reception section flows well, and you transition almost seamlessly from talking about the song's lyrical content and how it was received by fans to how well it performed to other songs on the same album, as well as other MCR songs.
  • Splitting up the reception of the song by continent (Americas, then Europe/Australia/NZ) seems like a good idea but I'm unsure about broadness - were you able to see anything on how it was received in other parts of the world such as Asia? (What you have is perfectly fine though, just some food for thought.)
    • Nope. I did check after your request here, but I've been unable to find anything. Lots of English-language songs lack Asian representation, unfortunately; see, for instance the FA City of Blinding Lights, which received a Japanese release yet failed to chart in the country.
  • You may want to consider splitting up the music video section into one part that discusses the events that happen in the video and how it was received (in other words, start a new paragraph with "The music video pays homage..."). Has the music video been given any signficant awards? If it has, you should add that.
    • First point is done. As for the second, I've already listed the only award I could find which it was nominated for (though ultimately lost)
  • You may want to move up the last sentence in the "Live performances and legacy" section to an earlier part of the article such as the commercial performances section; I think it would make more sense there.
    • Done.
  • Wording aside, the credits and personnel section copies the form of the one used in Welcome to the Black Parade.
  • You may want to add a section on the song's use in pop culture and other media per WP:SONGTRIVIA if it meets the qualifications.
    • Unfortunately, I've been unable to find much about it. The most I found was that it was included as DLC in Guitar Hero II, but there's not much on it and doesn't merit inclusion imo.

Small note: this is my first time reviewing a music GA article, so I'll ask another editor who has experience in reviewing music GAs to weigh in too. Gommeh 🎮 16:43, 22 July 2025 (UTC)[reply]

Drive-by comment - "Wording aside, the credits and personnel section copies the form of the one used in Welcome to the Black Parade." Well, the two songs are from the same album. I'm not sure if that's meant to be a criticism or not. λ NegativeMP1 16:50, 22 July 2025 (UTC)[reply]
Nope, that was a compliment. WTTBP is a GA after all. To me it means Teenagers is at least on the right track. Gommeh 🎮 16:54, 22 July 2025 (UTC)[reply]
Oh alright, sorry. Misinterpreted. λ NegativeMP1 17:22, 22 July 2025 (UTC)[reply]
All good! Gommeh 🎮 17:23, 22 July 2025 (UTC)[reply]
I have just responded to all the comments which needed one. Let me know of the next steps :) Leafy46 (talk) 00:11, 23 July 2025 (UTC)[reply]
GA review
  1. Is it well written?
    1. Prose is clear and concise, and I see a noticeable improvement in terms of how the reception section was worded compared to the last nomination.
    2. Complies with the relevant manual of style guidelines.
  2. Is it verifiable?
    1. It contains a complete reference list which is presented in accordance with the relevant guidelines.
    2. Reliable sources are cited inline. IMO there isn't a whole lot that can be reasonably challenged in the article besides things that are cited to a reliable source, and all the relevant citations are cited where they should be. I suppose there could be more reviews, etc. but this isn't enough of an issue to negatively affect it given how many there are already.
    3. Neither the original reviewer nor myself see any original research.
    4. Copyvio detector gave a 17.4% similarity to this New York Times article which is cited 4 times in the article. To me, that's not enough similarity to warrant a failure. I sincerely doubt this is plagiarism.
  3. Is it broad?
    1. It covers what I'd expect for an article about a song: background and release, lyrics, reception, performance, the music video, and its performance on the charts. You said you made an effort to expand the sections I commented on although you were not able to find the sources to be able to do so, so I'd say this is broad enough.
    2. It also stays focused and doesn't stray too far away from the topic of the article.
  4. Is it neutral?
    1. I don't see much editorial bias. Comparatively few critics had a negative viewpoint of the song compared to those who didn't, and this is reflected well. Despite this, you make an effort to at least mention both points of view.
  5. Is it stable?
    1. No edit wars are present.
  6. Is it illustrated by images?
    1. Yes, image-wise the article has not changed since the last nomination. The cover is fair use and the only other image in the article is released under a compatible license. However, I question the need to include the image of Marc Webb. Although he is a "frequent collaborator" of MCR (making him relevant), I am not sure if his image is necessary for this article. Additionally, sadly I have to agree with PSA's statement in the last GAN; the live performance image wasn't high enough quality to stay in the article and you made the right choice in removing it. Shame, if it had been higher quality I think it would have been excellent...
    2. All the images included are relevant to the topic.
Gommeh 🎮 14:24, 23 July 2025 (UTC)[reply]
Forgot to mention - I spot checked the sources and they are all good from what I can see. Gommeh 🎮 16:53, 23 July 2025 (UTC)[reply]
The discussion above is closed. Please do not modify it. Subsequent comments should be made on the appropriate discussion page. No further edits should be made to this discussion.