The Novels Portal

Title page of the 1628 edition of Bacon's New Atlantis
Title page of the 1628 edition of Bacon's New Atlantis

A novel is an extended work of narrative fiction usually written in prose and published as a book. The word derives from the Italian: novella for "new", "news", or "short story (of something new)", itself from the Latin: novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, Medieval Chivalric romance, and the tradition of the Italian Renaissance novella. The ancient romance form was revived by Romanticism, in the historical romances of Walter Scott and the Gothic novel. Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, and John Cowper Powys, preferred the term "romance". Such "romances" should not be confused with the genre fiction romance novel, which focuses on romantic love. M. H. Abrams and Walter Scott have argued that a novel is a fiction narrative that displays a realistic depiction of the state of a society, while the romance encompasses any fictitious narrative that emphasizes marvellous or uncommon incidents. Works of fiction that include marvellous or uncommon incidents are also commonly called novels, including Mary Shelley's Frankenstein, J. R. R. Tolkien's The Lord of the Rings, and Harper Lee's To Kill a Mockingbird.

The spread of printed books in China led to the appearance of the vernacular classic Chinese novels during the Ming dynasty (1368–1644), and Qing dynasty (1616–1911). An early example from Europe was Hayy ibn Yaqdhan by the Sufi writer Ibn Tufayl in Muslim Spain. Later developments occurred after the invention of the printing press. Miguel de Cervantes, author of Don Quixote (the first part of which was published in 1605), is frequently cited as the first significant European novelist of the modern era. Literary historian Ian Watt, in The Rise of the Novel (1957), argued that the modern novel was born in the early 18th century.

Recent technological developments have led to many novels also being published in non-print media: this includes audio books, web novels, and ebooks. Another non-traditional fiction format can be found in graphic novels. While these comic book versions of works of fiction have their origins in the 19th century, they have only become popular recently. (Full article...)

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Ernest Hemingway's 1923 passport photo taken a year before the publication of "Indian Camp"
"Indian Camp" is a short story written by Ernest Hemingway (pictured). The story was first published in 1924 in Ford Madox Ford's literary magazine Transatlantic Review in Paris and republished by Boni & Liveright in 1925 in the American edition of Hemingway's first volume of short stories In Our Time. The first of Hemingway's stories to feature the semi-autobiographical character Nick Adams—a child in this story—"Indian Camp" is told from his point-of-view. In the story, Nick Adams' father, a country doctor, has been summoned to an Indian camp to deliver a baby. At the camp, the father is forced to perform an emergency caesarean section using a jack-knife, with Nick as his assistant. Afterward, the woman's husband is discovered dead, having fatally slit his throat during the operation. The story is important because it shows the emergence of Hemingway's understated style and use of counterpoint. An initiation story, "Indian Camp" includes themes such as childbirth and fear of death, which permeate much of Hemingway's subsequent work. When the story was published, the quality of writing was noted and praised; scholars consider "Indian Camp" an important story in the Hemingway canon.

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  • It took me a long time and most of the world to learn what I know about love and fate and the choices we make, but the heart of it came to me in an instant, while I was chained to a wall and being tortured. I realized, somehow, through the screaming in my mind, that even in that shackled, bloody helplessness, I was still free: free to hate the men who were torturing me, or to forgive them. It doesn't sound like much, I know. But in the flinch and bite of the chain, when it's all you have got, that freedom is a universe of possibility. And the choice you make, between hating and forgiving, can become the story of your life.

Shantaram

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