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[[File:Kurskaya korennaya.jpg|thumb|350px|''Easter Procession in the District of Kursk'', [[Tretyakov Gallery]], Moscow. |
[[File:Kurskaya korennaya.jpg|thumb|350px|''Easter Procession in the District of Kursk'', [[Tretyakov Gallery]], Moscow. 175 × 280 cm]] |
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'''''Easter Procession in the District of Kursk''''' is an oil on canvas painting by the Russian [[Realism (visual arts)|realist]] painter and sculptor [[Ilya Repin]] (1844–1930). Completed between 1880 |
'''''Easter Procession in the District of Kursk''''' is an oil on canvas painting by the Russian [[Realism (visual arts)|realist]] painter and sculptor [[Ilya Repin]] (1844–1930). Completed between 1880 and 1883, the work shows a seething, huddled mass attending the annual religious procession to the [[Kursk|Korennaya]] monastery in southern Russia, founded in 1612 after an [[Marian apparition|apparition]] of the [[Mary (mother of Jesus)|Virgin Mary]]. The procession is led through a dusty landscape by robed, [[Ortodox]] priests who hold religious icons, [[festoons]] and banners over their heads.<ref name="B146">Brinton, Christian. "Modern Artists", 2007. 146. ISBN 1-4067-3795-X</ref> Behind them follow beggars and cripples, alongside police and military officers. |
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''Easter Procession'' is representative of Repin's style from the period, in that it |
''Easter Procession'' is representative of Repin's style from the period, in that it first appears to be a scene from everyday life in Russia. In fact, it pointedly shows people from a range of social strata united and moving collectively towards their destination at Korennaya. As a painter in the late [[Tzar]]ist period, Repin was preoccupied by ideas of class, and often worked in an immense, monumental scale which he saw as befitting his subject matter. By showing each social class working alongside one another, Repin implies that all the people of Russia share responsibility for their, and their country's, faith. |
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The writer |
The writer Richard Brettell summarised the painting as "a sort of ''[[summa]]'' of Russian society, diverse members of which move uneasily but restlessly together down a dusty path through a naked landscape towards a future that cannot be seen even by the painter."<ref name="B160">Brettell, Richard. "Modern art, 1851–1929: capitalism and representation". Oxford Paperbacks, 1999. 160. ISBN 0-1928-4220-X</ref> Critic Christian Brinton saw a mixture of "fat, gold-robed priests, stupid peasants, wretched cripples, cruel mouthed officials, and inflated rural dignitaries".<ref name="B146" /> Repin's target, in fact, is the privileged members of the procession, whom he depicts as uncaring and indifferent to their struggling fellow travelers. The disenfranchised members of Russian society are represented by, amongst others, two crippled [[serf]]s in the left foreground, who are allowed to stand before military officers riding on horseback. |
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==See also== |
==See also== |
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{{DEFAULTSORT:Easter Procession in the District of Kursk}} |
{{DEFAULTSORT:Easter Procession in the District of Kursk}} |
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[[Category:1880 paintings]] |
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[[Category:1883 paintings]] |
[[Category:1883 paintings]] |
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[[Category:Ilya Repin paintings]] |
[[Category:Ilya Repin paintings]] |
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[[pl:Procesja w guberni kurskiej]] |
Revision as of 00:59, 23 February 2010

Easter Procession in the District of Kursk is an oil on canvas painting by the Russian realist painter and sculptor Ilya Repin (1844–1930). Completed between 1880 and 1883, the work shows a seething, huddled mass attending the annual religious procession to the Korennaya monastery in southern Russia, founded in 1612 after an apparition of the Virgin Mary. The procession is led through a dusty landscape by robed, Ortodox priests who hold religious icons, festoons and banners over their heads.[1] Behind them follow beggars and cripples, alongside police and military officers.
Easter Procession is representative of Repin's style from the period, in that it first appears to be a scene from everyday life in Russia. In fact, it pointedly shows people from a range of social strata united and moving collectively towards their destination at Korennaya. As a painter in the late Tzarist period, Repin was preoccupied by ideas of class, and often worked in an immense, monumental scale which he saw as befitting his subject matter. By showing each social class working alongside one another, Repin implies that all the people of Russia share responsibility for their, and their country's, faith.
The writer Richard Brettell summarised the painting as "a sort of summa of Russian society, diverse members of which move uneasily but restlessly together down a dusty path through a naked landscape towards a future that cannot be seen even by the painter."[2] Critic Christian Brinton saw a mixture of "fat, gold-robed priests, stupid peasants, wretched cripples, cruel mouthed officials, and inflated rural dignitaries".[1] Repin's target, in fact, is the privileged members of the procession, whom he depicts as uncaring and indifferent to their struggling fellow travelers. The disenfranchised members of Russian society are represented by, amongst others, two crippled serfs in the left foreground, who are allowed to stand before military officers riding on horseback.
See also
References
Bibliography
- Bolton, Roy. Russia & Europe in the Nineteenth Century. Sphinx Books, 1999. ISBN 1-9072-0002-9
- Sternin, Grigory. Ilya Efimovitch Repin: Painter of Russian History. USSR, 1995. ISBN 0-5690-8846-1
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