* [[Steve Miller (musician)|Steve Miller]] ([[Steve Miller Band]])
* [[Tom Morello]] ([[Rage Against the Machine]], [[Audioslave]])
* [[Tom Morello]] ([[Rage Against the Machine]], [[Audioslave]])
* [[Alan Amidon]] ([[Litter]])
* [[Sascha Gerstner]] ([[Helloween]])
* [[Mike D'antonio]] ([[Killswitch Engage]])
* [[Clint Norris]] ([[As I Lay Dying]])
* [[Clint Norris]] ([[As I Lay Dying]])
* [[ILike Donuts]] ([[yummmm!!!!]])
* [[Paul Romanko]] ([[Shadows Fall]])
* [[Verdine White]] ([[Earth, Wind, & Fire]])
* [[Steve Lukather]] ([[Toto (band)|Toto]], solo)
* [[Kole Grundy]] (solo)
==Effect pedals==
==Effect pedals==
Revision as of 14:40, 26 November 2006
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This article is about the guitar manufacturer. For a list of people named Ibáñez see Ibáñez (disambiguation)
The Hoshino Gakki company began in 1900 as a musical instrument sales division of the Hoshino Shotenbookstore company. In 1935 they began manufacturing their own stringed instruments. The company had little presence in the Western world until the mid-1960s.
By 1965 Rosenbloom had decided to stop manufacturing guitars and chose to become the exclusive North American distributor for Hoshino Gakki instruments. At the time, the phrase "made in Japan" was considered to have negative connotations of low quality, so Hoshino Gakki and Rosenbloom wanted to distribute the instruments under a "non-Japanese" name. Hoshino had recently acquired a small Spanish guitar company named Ibanez, and it was decided to market the instruments under this brand name. In 1971 Hoshino purchased Elger Guitars, renaming the company "Ibanez U.S.A." and retaining the company headquarters in Bensalem, Pennsylvania as a distribution and quality-control center.
In the early 1970s Ibanez began making guitars that were almost exact copies of popular models by Gibson, Fender and Rickenbacker. Using somewhat cheaper materials and greater automation in manufacturing, they were able to sell these guitars for a significantly lower price than the originals. The low price combined with the relatively high quality of the guitars made these models very popular. Many guitar aficionados feel that the early- and mid-70s mark a low point in the quality of guitars from the major manufacturers, which helped contribute to the popularity of the Ibanez copies. These guitars have become known as "lawsuit" guitars and have become somewhat collectible.
The actual lawsuit referred to was brought by the Norlin Corporation, the parent company of Gibson guitars, in 1977, and was based on an Ibanez headstock design that had been discontinued by 1976. Ibanez settled out of court, and by 1978 had begun making guitars from their own designs.
Abandoning the strategy of copying "classic" electric guitar designs, the newer models began incorporating more modern elements into their design, such as radical body shapes, slimmer necks and flatter fingerboards (which allowed for faster playing), higher-output electronics and colorful finishes. This led to an increasing popularity with heavy metal musicians. The company also began an extensive program of consulting with well-known guitar players, such as Joe Satriani and Steve Vai and creating signature models made to the players' specifications.
Guitars
Electric guitars
File:RGT42DX.jpg2006 Ibanez RGT42DX
GIO - The budget range have this name assigned to their headstock above the Ibanez logo. The GIO range consists of:
In the 1970's, the Maxon company developed and began selling a series of effect pedals in Japan. Ibanez licensed these for sale under their name outside of Japan. These two companies eventually began doing less and less business together until Maxon ceased manufacting the TS-9 reissue for Ibanez in 2002.
Tube Screamers - Based on the earlier Overdrive I and II pedals, Ibanez began releasing the first Tube Screamer, the TS-808 in the late 1970's. These contained the famed JRC4558D integrated circuit (IC). Many players consider this one of the best solid state pedals to emulate the sound produced by an overdrivenvacuum tubeguitar amplifier. Over the years, Ibanez released many different kinds of pedals bearing the Tube Screamer name. The first was the TS-9 Tube Screamer, which included only a few component changes and often, but not always, different ICs. In 1985 the Master or L series were introduced and sold only for a year. Many claim that in this series there's no Tubescreamer. Looking closer circuitwise shows that there is one but in the disguise of the Metal Screamer with slightly changed component values. The name change was most likely for marketing reasons. Based on the Master series but with slight changes in housing in 1986, the Power Series were introduced, which included the TS-10. Like many of the Master and Power Series pedals, there were not many differences in the circuitry between these and their 9-series counterparts. To make production cheaper, these pedals used circuit board-mounted potentiometers (pots) and jacks. In 1992, Ibanez began re-issuing the TS-9. Then in 1996, Ibanez added a CE mark to the back of the pedal, which is required for it to be sold in Europe. In the early 1990s, Ibanez released the Soundtank series, which, except for the first run which was metal, had cheap plastic enclosures and like the Power Series before it, used less expensive parts. Around 2000 came the Tone Lok series, and the TS-7, which included a switch for added gain. In 1998, the new TS-9DX was introduced, which included a 4-way switch for capacitor changes and changes in the clipping section. Then in 2002, Maxon stopped production of the TS-9 for Ibanez. Post-2002 circuit boards say Ibanez instead of Maxon. Due to popular demand, Ibanez reissued the TS-808 in 2004, complete with the JRC4558D chip. Original TS-808's, and to a lesser extent, TS-9s, have become highly collectible. Many overdrive pedals in production, especially those by "boutique" manufacturers, are a modified version of the Tube Screamer circuit.
