Hélène Robert-Mazel (active 1832-1857)[1] was a French composer, pianist, singer and teacher.[2] She composed songs, a cantata, and educational pieces for children. Her works were listed through at least opus 9.[3][4][5]
Little is known about Robert-Mazel other than her concert appearances and publications. She performed as a pianist and singer, frequently using her own compositions, at the Strasbourg Theater; “Mrs. Long’s” residence in Berkeley Square in London; and at the Salons de Pape and other venues in Paris. Contemporary reviews noted that she “. . . achieved incredible feats as a singer, as well as a piano player and composer."[6]
Robert-Mazel set texts by several authors to music and collaborated (probably in performance) with the brothers Alexandre and Théophile Tilmant (cello and violin), the horn player Louis-François Dauprat, and the singer Laure Cinti-Damoreau. She settled in Montpellier, France, around 1850, where she taught voice and piano, mainly to children.[6] Her textbooks for teaching children were frequently reprinted and were highly recommended by the French composer and music critic Adolphe Adam.[7]
Robert-Mazel’s works were published by Alexandre Cotelle[5] and Schott Music.[8] They included:
Books
- Guide Musical de L’enfance[6]
Music
Chamber
- L’etoile (arranged for guitar)[8]
Orchestra
- Le Jugement Dernier (cantata)[9]
Piano
- Album (1839)[5]
- L’enthousiasme, opus 9[5]
- Les Souvenirs de Bade[5]
- Six Waltzes, opus 4[5]
- Variations opus 1, 2 and 3[5]
Voice
- Children’s Concerts (collection; text by Thérèse Marie Augusta Élie de Beaumont)[11]
- Eight Romances (published as Album de Mlle. H. Robert-Mazel)[3]
- “Garde à toi, Fleurette” (text by Mme. Du Bouchet)[11]
- “Jeanne d’Harvilliers” (text by Felix Solar)[12]
- “L’arabe et Xon Coursier”[3]
- “L’aspect des Bois”[3]
- “L’esprit de Marais” (text by Felix Solar)[13]
- “L’etoile” (text by Felix Solar)[1]
- “L’orage a la Grande Chartreuse” (text by Felix Solar)[1]
- “La Luciole”[3]
- “Le Douanier et le Dogue” (text by Felix Solar)[1]
- “Le Duel” (text by Felix Solar)[12]
- “Le Saule-pleureur!” (text by Paul Ferrier)[11]
- “Les Deux Ames” (text by Felix Solar)[12]
- “Les Deux Captifs” (soprano and alto)[3]
- “Les Deux Etoiles ou les Yeux de Nella!” (text by Auguste Bressier)[11]
- “Les Violettes” (text by Felix Solar)[12]
- “Marie” (text by Felix Solar)[12]
- “Un Souvenir”[7]
References
- ^ a b c d "Hélène Robert-Mazel Song Texts | LiederNet". www.lieder.net. Retrieved 2025-03-21.
- ^ Wier, Albert E. (1938). The Macmillan Encyclopedia of Music and Musicians. New York: The Macmillan Company. p. 1558.
- ^ a b c d e f Cohen, Aaron I. (1987). International Encyclopedia of Women Composers. Books & Music (USA). p. 587. ISBN 978-0-9617485-1-7.
- ^ Stern, Susan (1978). Women composers: a handbook. Metuchen, N.J: Scarecrow Press. p. 142. ISBN 978-0-8108-1138-6.
- ^ a b c d e f g "Robert-Mazel, Hélène - Ernest Reyer" (in French). Retrieved 2025-03-21.
- ^ a b c "Robert-Mazel, Hélène - Sophie Drinker Institut". www.sophie-drinker-institut.de. Retrieved 2025-03-21.
- ^ a b Laurance, Anya (1978). Women of Notes: 1,000 Women Composers Born Before 1900. New York: Richards Rosen Press Inc. p. 62.
- ^ a b c "Hélène Robert-Mazel - Deutsche Digitale Bibliothek". www.deutsche-digitale-bibliothek.de (in German). Retrieved 2025-03-21.
- ^ Elson, Arthur (1903). Woman's Work in Music: Being an Account of Her Influence on the Art, in Ancient as Well as Modern Times; a Summary of Her Musical Compositions, in the Different Countries of the Civilized World; and an Estimate of Their Rank in Comparison with Those of Men. L.C. Page. p. 190.
- ^ Stewart-Green, Miriam (1980). Women composers: A checklist of works for the solo voice. A reference publication in women's studies. Boston, Mass: Hall. p. 61. ISBN 978-0-8161-8498-9.
- ^ a b c d "Hélène Robert-Mazel". data.bnf.fr (in French). Retrieved 2025-03-21.
- ^ a b c d e Les ouvertures de parties du jeu des échecs (in French). Dentu. 1889.
- ^ L' esprit des marais: Ballade : à Madame de Lavenay (in French). Alessandre Cotelle, Editeur. 1830.
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