The Etching Club (also known as Etching Club, the London Etching Club, and the British Etching Club; or the Junior Etching Club for its younger membership grouped separately) was an artists' society founded in London, England, in 1838 by Charles West Cope. It was part of the Etching Revival in printmaking. The club published illustrated editions of works by authors such as Oliver Goldsmith, Shakespeare, John Milton and Thomas Gray in small editions, normally using actual etchings rather reproductions of them by other techniques. It effectively ceased to exist in 1878.^[1]

• Oliver Goldsmith. The Deserted Village (Joseph Cundall, 1855 with reproductions – first pub. 1841 with the original etchings).
• Oliver Goldsmith. The Vicar of Wakefield.
• Bolton Corney. Goldsmith's poetical works (1845).
• William Shakespeare. Songs of Shakespeare (1843).
• William Shakespeare. The Ballads of Shakespeare (1852).
• John Milton. L'Allegro and Il ponseroso (1849).
• Thomas Gray. Elegy written in a country churchyard (1847).
• The Etching Club. Etched thoughts (1844)
• The Etching Club. Etchings for the Art-Union of London by The Etching Club (London: Art Union of London, 1857).
• The Etching Club. A selection of etchings by the etchings club (Joseph Cundall, 1865).

• Junior Etching Club. Passages from Modern English Poets (Forty-Seven Etchings) (London: William Tegg, 1875); Alaric Alexander Watts.

• Cope, H. W. "Reminiscences of Charles West Cope, R. A." (London: Bentley, 1891) p. 35 ff.
• Ray, Gordon Norton. The Illustrator and the Book in England from 1790 to 1914 Dover Publications, 1992) p. 139 ff.
• Lang, Gladys Engel & Lang, Kurt. Etched in memory: the building and survival of artistic reputation (University of Illinois Press, 2001) p. 37 ff.
• Fredericksen, A. The Etching Club of London: a taste for painters' etchings (exhibition catalogue, 2002).

• The Etching Club.