This article is about the Irish-born film director. For the actor of the same name, see Rex Ingram (actor).

Rex Ingram (born Reginald Ingram Montgomery Hitchcock; 15 January 1893 – 21 July 1950) was an Irish film director, producer, writer, and actor.[1] Director Erich von Stroheim once called him "the world's greatest director".[2]

Early life

Born 15 January 1893[3] in 58 Grosvenor Square, Rathmines, Dublin, Ireland, (where a plaque commemorates his birth), Ingram was educated at Saint Columba's College, near Rathfarnham, County Dublin. He spent much of his adolescence living in the Old Rectory, Kinnitty, Birr, County Offaly, where his father, Reverend Francis Hitchcock, was the Church of Ireland rector. Ingram emigrated to the United States in 1911.[2]

His brother Francis joined the British Army and fought during World War I, during which he was awarded the Military Cross.[4]

Career

Ingram studied sculpture at the Yale University School of Art, where he contributed to campus humour magazine The Yale Record.[5] He soon moved into film, first taking acting work in 1913 and then writing, producing and directing. His first work as producer-director was in 1916 on the romantic drama The Great Problem. He worked for Edison Studios, Fox Film Corporation, Vitagraph Studios, and then MGM, directing mainly action or supernatural films.[2]

He moved to Metro in 1920, where he was under the supervision of executive June Mathis. Mathis and Ingram would go on to make four films together: Hearts Are Trumps, The Four Horsemen of the Apocalypse, The Conquering Power, and Turn to the Right. It is believed the two were romantically involved. Ingram and Mathis had begun to grow distant when her new find, Rudolph Valentino, began to overshadow Ingram's own fame. Their relationship ended when Ingram eloped with Alice Terry in 1921.

Ingram at work with Ralph Lewis, Rudolph Valentino, and his wife, Alice Terry, on the set of The Conquering Power

Ingram married twice, first to actress Doris Pawn in 1917; this ended in divorce in 1920.[2] He then married Alice Terry in 1921, with whom he remained for the rest of his life. Both marriages were childless. He and Terry relocated to the French Riviera in 1923. They formed a small studio in Nice and made several films on location in North Africa, Spain, and Italy, for MGM and others.[6]

Among those who worked for Ingram at MGM on the Riviera during this period was the young Michael Powell, who later directed (with Emeric Pressburger) The Red Shoes and other classics, and technician Leonti Planskoy. By Powell's own account, Ingram was a major influence on him, especially in regard to the themes of illusion, dreaming, magic and the surreal. David Lean said he was indebted to Ingram. MGM studio chief Dore Schary listed the top creative people in Hollywood as D. W. Griffith, Ingram, Cecil B. DeMille and Erich von Stroheim (in declining order of importance).[2]

Ingram working on the set of The Four Horsemen of the Apocalypse

Carlos Clarens writes: "As Rex Ingram's films became more esoteric, his career declined. The coming of sound forced him to relinquish his studios in Nice. Rather than equip them for talking pictures, he chose instead to travel and pursue a writing career."[7]

Ingram made only one sound film: Baroud, filmed for Gaumont British Pictures in Morocco. The film was not a commercial success; he then left the movie business, returning to Los Angeles to work as a sculptor and writer.

Ingram converted to Islam in 1933, having held an interested in the religion as early as 1927.[8]

For his contribution to the motion picture industry, he has a star on the Hollywood Walk of Fame at 1651 Vine Street.

Death

Ingram died of a cerebral hemorrhage in North Hollywood on 21 July 1950, aged 58.[1][9] He was interred in the Forest Lawn Memorial Park Cemetery in Glendale, California.

Legacy

Critic Carlos Clarens wrote of Ingram: "A full-blown Irishman fascinated by the bizarre and the grotesque (he once employed a dwarf as a valet), Ingram was also a writer of some talent. Frequently pedestrian and pretentious, Ingram's films nevertheless contain splendid flashes of macabre fantasy, such as the ride of the Four Horsemen in the Valentino epic, or the 'ghoul visions' that bring about the death of the miser in The Conquering Power. His more or less mystical bent was apparent in Mare Nostrum and The Garden of Allah, which he filmed in the Mediterranean and North Africa, respectively."[7]

Filmography

Year Films Credit Notes
1914 The Symphony of Souls Director Survival status unknown,
one-reel Short film
1915 The Song of Hate Scenario Lost Film
1916 The Great Problem Director,
Scenario 		Extant at MoMA
1916 Broken Fetters Director,
Scenario 		Lost Film
1916 The Chalice of Sorrow Director,
Scenario 		Extant at UCLA and Filmarchiv Austria
1917 Black Orchids Director,
Scenario 		Lost Film
1917 The Little Terror Director,
Scenario 		Lost Film
1917 The Reward of the Faithless Director,
Scenario (with E. Magnus Ingleton) 		Survival status unknown
1917 The Pulse of Life Director,
Scenario (with E. Magnus Ingleton) 		Lost Film
1917 The Flower of Doom Director,
Scenario 		Extant at UCLA and Eastman House
1918 His Robe of Honor Director Lost Film
1918 Humdrum Brown Director Extant in part (more than one reel) at Eastman House
1919 The Day She Paid Director Lost Film
1920 Shore Acres Director Lost Film
1920 Under Crimson Skies Director Lost Film
1920 Hearts Are Trumps Director Lost Film
1921 The Four Horsemen of the Apocalypse Director,
Producer 		Extant, preserved by the Library of Congress
1921 The Conquering Power Director,
Producer 		Extant
1922 The Prisoner of Zenda Director,
Producer 		Extant
1922 Trifling Women Director,
Scenario,
Producer 		Lost Film
1922 Turn to the Right Director Extant at Eastman House
1923 Scaramouche Director,
Producer 		Extant
1923 Where the Pavement Ends Director,
Scenario 		Lost Film
1924 The Arab Director,
Scenario 		Extant at Gosfilmofond and at Cinematek
1926 Mare Nostrum Director,
Producer 		Extant
1926 The Magician Director,
Scenario,
Producer 		Extant
1927 The Garden of Allah Director,
Producer 		Extant in part
1928 The Three Passions Director,
Screenwriter,
Producer 		Extant,
First Sound Film
1932 Baroud Director,
Screenwriter (with Peter Spencer,Benno Vigny, and André Jaeger-Schmidt,
Producer,
Actor 		Extant,
Final Film

References

  1. ^ a b "Rex Ingram Dead, Film Director, 58. Screen Leader of Silent Era Credited With Discovery of Rudolph Valentino. Directed 'Four Horsemen' Handled Own Stories Scored Many Successes". The New York Times. Associated Press. 23 July 1950. Retrieved 13 March 2015. Rex Ingram, film director of the silent era, who was credited with the discovery of Rudolph Valentino, died last night of a cerebral hemorrhage after a brief illness. He was 58 years old.
  2. ^ a b c d e Soares, André. Beyond Paradise: The Life of Ramon Novarro, New York: Macmillan, 2002, p. 27; ISBN 0-312-28231-1
  3. ^ McCaffrey, Donald W.; Jacobs, Christopher P. (1999). Guide to the Silent Years of American Cinema. Westport, Conn.: Greenwood Press. p. 154. ISBN 9780313303456.
  4. ^ Barton, Ruth; Ford, Michael James (8 November 2014). "Irish brothers in arms: the soldier and the film director". The Irish Times. Retrieved 7 October 2021.
  5. ^ Gmur, Leonhard (14 November 2013). Rex Ingram: Hollywood Rebel of the Silver Screen. Germany: epubli GmbH. p. 473.
  6. ^ "New British Film Company; Alastair Mackintosh Leads London Firm – Rex Ingram Is Director", The New York Times, 8 May 1928.
  7. ^ a b Carlos Clarens. Horror Movies: An Illustrated Survey. London: Secker & Warburg, 1968 (revised and enlarged from the 1967 Putnam's edition published under the title An Illustrated History of the Horror Film), p. 73.
  8. ^ "Rex Ingram Embracing Mohammedan Faith; Announces Abandoning Motion-Picture Field", The New York Times, 2 July 1933. Retrieved 13 March 2015.
  9. ^ "NNDb profile". nndb.com. Retrieved 13 March 2015.
Allikas: Https://en.wikipedia.org/wiki/Rex_Ingram_(director)
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