French films released in 1932
A list of films produced in France in 1932:
A-L
Title
|
Director
|
Cast
|
Genre
|
Notes
|
Abduct Me |
Léonce Perret |
Jacqueline Francell, Roger Tréville, Arletty |
Comedy |
[1]
|
The Accomplice |
Giuseppe Guarino |
Jean Bradin, Philippe Richard |
Comedy |
[2]
|
Aces of the Turf |
Serge de Poligny |
Jeanne Fusier-Gir, Marcel Barencey, Paul Pauley |
Sports |
[3]
|
Amourous Adventure |
Wilhelm Thiele |
Albert Préjean, Marie Glory, Jeanne Boitel |
Romantic comedy |
Tobis[4]
|
Antoinette |
Herbert Selpin |
Jeanne Boitel, Armand Bernard, Rolla Norman |
Comedy |
[5]
|
Baleydier |
Jean Mamy |
Michel Simon, Josseline Gaël, Jean Gehret |
Comedy |
[6]
|
Baroud |
Rex Ingram, Alice Terry |
Pierre Batcheff, Colette Darfeuil, Andrews Engelmann |
Adventure |
[7]
|
The Beautiful Sailor |
Harry Lachman |
Pierre Blanchar, Madeleine Renaud, Jean Gabin |
Drama |
[8]
|
Beauty Spot |
Pierre Caron, Léonce Perret |
Simone Cerdan, Marfa d'Hervilly, Roger Tréville |
Musical |
[9]
|
Billeting Order |
Charles-Félix Tavano |
André Berley, Jeanne Helbling, Georges Melchior |
Comedy |
[10]
|
The Blaireau Case |
Henry Wulschleger |
Bach, Alice Tissot, Renée Passeur |
Comedy |
[11]
|
Boudu Saved from Drowning |
Jean Renoir |
Michel Simon, Charles Granval, Marcelle Hainia |
Comedy |
[12]
|
Buridan's Donkey |
Alexandre Ryder |
René Lefèvre, Colette Darfeuil, Mona Goya |
Comedy |
[13]
|
The Champion Cook |
Karl Anton |
Pierre Bertin, Jeanne Helbling, Lucien Baroux |
Comedy |
[14]
|
The Chocolate Girl |
Marc Allégret |
Simone Simon, Pierre Bertin, Raimu |
Comedy drama |
[15]
|
Clochard |
Robert Péguy |
Georges Biscot, Simone Cerdan, Marcel Barencey |
Comedy |
[16]
|
Cognasse |
Louis Mercanton |
Thérèse Dorny, Marguerite Moreno, André Roanne |
Comedy |
[17]
|
Companion Wanted |
Joe May |
Jean Murat, Annabella, José Noguero |
Comedy |
[18]
|
Côte d'Azur |
Roger Capellani |
Simone Héliard, Robert Burnier, Robert Arnoux |
Comedy |
[19]
|
Danton |
André Roubaud |
Jacques Grétillat, Andrée Ducret, Jacques Dumesnil |
Historical |
[20]
|
Dainah the Mulatto |
Jean Grémillon |
Charles Vanel, Habib Benglia, Gaston Dubosc |
Drama |
[21]
|
A Dog That Pays Off |
Jean Choux |
René Lefèvre, Arletty, Christiane Dor |
Comedy |
[22]
|
The Dressmaker of Luneville |
Harry Lachman |
Madeleine Renaud, Pierre Blanchar, Armand Lurville |
Comedy |
[23]
|
Fanny |
Marc Allégret, Marcel Pagnol |
Raimu, Pierre Fresnay, Orane Demazis |
Drama, romance |
[24]
|
Fantômas |
Paul Fejos |
Jean Galland, Thomy Bourdelle, Tania Fédor |
Crime horror |
[25]
|
A Father Without Knowing It |
Robert Wyler |
Noël-Noël, Pierre Brasseur, Françoise Rosay |
Comedy |
[26]
|
Fifty Fathoms Deep |
Jack Forrester |
Jeanne Helbling, Thomy Bourdelle |
Drama |
[27]
|
Fun in the Barracks |
Maurice Tourneur |
Henry Roussell, Mady Berry, Fernandel |
Comedy drama |
[28]
|
A Gentleman of the Ring |
Robert Bibal |
Vanda Gréville, Gaston Dubosc |
Sports |
[29]
|
Happy Hearts |
Hanns Schwarz, Max de Vaucorbeil |
Josseline Gaël, Gabriel Gabrio, Jean Gabin |
Comedy |
[30]
|
A Happy Man |
Antonin Bideau |
Claude Dauphin, Alice Tissot |
Comedy |
[31]
|
Heart of Paris |
Marie Epstein |
Simone Mareuil, Jimmy Gaillard |
Comedy |
[32]
|
He Is Charming |
Louis Mercanton |
Meg Lemonnier, Henri Garat |
Musical |
[33]
|
Here's Berlin |
Julien Duvivier |
Josette Day, Germaine Aussey |
Comedy |
Co-production with Germany[34]
|
His Best Client |
Pierre Colombier |
Elvire Popesco, René Lefèvre |
Comedy |
[35]
|
If You Wish It |
André Hugon |
Jeanne Boitel, Armand Bernard |
Comedy |
[36]
|
Imperial Violets |
Henry Roussel |
Raquel Meller, Suzanne Bianchetti |
Historical |
[37]
|
The Improvised Son |
René Guissart |
Fernand Gravey, Florelle |
Comedy |
[38]
|
In the Name of the Law |
Maurice Tourneur |
Marcelle Chantal, Gabriel Gabrio |
Crime |
[39]
|
King of the Hotel |
Carmine Gallone |
Jules Berry, Betty Stockfeld, Simone Simon |
Comedy |
Co-production with the United Kingdom[40]
|
Kiss Me |
Léon Mathot |
Abel Tarride, Tania Fédor |
Comedy |
[41]
|
The Last Blow |
Jacques de Baroncelli |
Jean Murat, Danièle Parola |
Drama |
[42]
|
L'affaire est dans le sac (It's in the Bag) |
Pierre Prévert |
Étienne Decroux, Jean-Paul Le Chanois, Julien Carette, Philippe Richard, Anthony Gildès, Jacques Brunius |
Comedy |
Pierre Prévert's first film; screenplay by Jacques Prévert.[43][44][45]
|
L'Atlantide |
G. W. Pabst |
Brigitte Helm, Pierre Blanchar, Tela Tschai |
Adventure, fantasy |
Co-production with Germany[46][47]
|
The Lacquered Box |
Jean Kemm |
Danielle Darrieux, René Alexandre |
Crime |
[48]
|
The Levy Department Stores |
André Hugon |
Léon Belières, Charles Lamy |
Comedy |
[49]
|
Lilac |
Anatole Litvak |
Marcelle Romée, Jean Gabin, André Luguet |
Crime drama |
[50]
|
Love and Luck |
Monty Banks |
Max Dearly, Ginette Gaubert Olga Valéry |
Comedy |
[51]
|
M-Z
Title
|
Director
|
Cast
|
Genre
|
Notes
|
The Mad Night |
Robert Bibal |
Marguerite Deval, Suzanne Bianchetti |
Comedy |
[52]
|
Make-Up |
Karl Anton |
Robert Burnier, Rosine Deréan, Edwige Feuillère |
Drama |
[53]
|
The Marriage of Mademoiselle Beulemans |
Jean Choux |
Pierre Alcover, Arthur Devère |
Comedy |
Co-production with Belgium[54]
|
Maurin of the Moors |
André Hugon |
Antonin Berval, Jeanne Boitel |
Comedy |
[55]
|
Miche |
Jean de Marguenat |
Suzy Vernon, Robert Burnier |
Drama |
[56]
|
Monsieur Albert |
Karl Anton |
Noël-Noël, Betty Stockfeld, Edwige Feuillère |
Comedy |
[57]
|
Monsieur, Madame and Bibi |
Jean Boyer, Max Neufeld |
René Lefèvre, Marie Glory |
Comedy |
Co-production with Germany[58]
|
Moonlight |
Henri Diamant-Berger |
Blanche Montel, Claude Dauphin, Henri Rollan |
Comedy |
[59]
|
My Priest Among the Rich |
Émile-Bernard Donatien |
Jim Gérald, Alice Roberts, André Roanne |
Comedy |
[60]
|
Nicole and Her Virtue |
René Hervil |
Alice Cocéa, André Roanne |
Drama |
[61]
|
Night at the Crossroads |
Jean Renoir |
Pierre Renoir, Winna Winifred |
Crime |
[62]
|
The Night at the Hotel |
Leo Mittler |
Jean Périer, Betty Stockfeld |
Drama |
[63]
|
Night Shift |
Henri Fescourt |
Marcel Barencey, Gaston Dupray, Paulette Dubost |
Comedy |
[64]
|
Nights in Port Said |
Leo Mittler |
Renée Héribel, Gustav Diessl |
Drama |
[65]
|
No Women |
Mario Bonnard |
Georgius, Fernandel, Raymond Aimos |
Comedy |
[66]
|
The Nude Woman |
Jean-Paul Paulin |
Florelle, Raymond Rouleau |
Drama |
[67]
|
Orange Blossom |
Henry Roussel |
André Lefaur, André Alerme |
Comedy |
[68]
|
Our Lord's Vineyard |
René Hervil |
Victor Boucher, Simone Cerdan |
Comedy |
[69]
|
Passionately |
René Guissart, Louis Mercanton |
Florelle, Fernand Gravey, Louis Baron |
Musical |
[70]
|
The Picador |
Lucien Jaquelux |
Madeleine Guitty, Enrique Riveros |
Drama |
[71]
|
The Red Head |
Julien Duvivier |
Robert Lynen, Harry Baur |
Drama |
[72]
|
The Regiment's Champion |
Henry Wulschleger |
Bach, Georges Tréville |
Comedy |
[73]
|
Rouletabille the Aviator |
Steve Sekely |
Roland Toutain, Léon Belières, Germaine Aussey |
Thriller |
Co-production with Hungary[74]
|
Sailor's Song |
Carmine Gallone |
Albert Préjean, Jim Gérald |
Comedy |
[75]
|
The Sandman |
André Hugon |
Jean Toulout, Jean Worms, Alexandre Mihalesco |
Drama |
[76]
|
Sergeant X |
Vladimir Strizhevsky |
Ivan Mozzhukhin, Suzy Vernon, Jean Angelo |
Drama |
[77]
|
Shadows of Paris |
Maurice Sollin |
Dolly Davis, Ksenia Kuprina |
Drama |
[78]
|
Should We Wed Them? |
Pierre Billon, Carl Lamac |
Anny Ondra, Lucien Baroux |
Comedy |
[79]
|
A Son from America |
Carmine Gallone |
Albert Préjean, Annabella |
Comedy drama |
Co-production with Hungary[80]
|
Southern Cross |
André Hugon |
Charles de Rochefort, Suzanne Christy |
Drama |
[81]
|
A Star Disappears |
Robert Villers |
Suzy Vernon, Constant Rémy |
Comedy |
[82]
|
Student's Hotel |
Viktor Tourjansky |
Lisette Lanvin, Raymond Galle |
Drama |
[83]
|
Suzanne |
Léo Joannon, Raymond Rouleau |
Pauline Carton, Louis Florencie |
Drama |
[84]
|
Take Care of Amelie |
Marguerite Viel, Richard Weisbach |
Aimé Clariond, Arthur Devère |
Comedy |
[85]
|
That Scoundrel Morin |
Georges Lacombe |
Jacques Baumer, Rosine Deréan, José Noguéro |
Comedy |
|
A Telephone Call |
Georges Lacombe |
Jean Weber, Colette Darfeuil, Jeanne Boitel |
Comedy |
|
The Three Musketeers |
Henri Diamant-Berger |
Blanche Montel, Maurice Escande |
Adventure |
[86]
|
To Live Happily |
Claudio de la Torre |
Noël-Noël, Suzet Maïs, Pierre Etchepare |
Comedy |
[87]
|
To the Polls, Citizens |
Jean Hémard |
Claude Dauphin, Léon Belières |
Comedy |
[88]
|
Tossing Ship |
Jean de La Cour |
Max Dearly, Pierre Magnier |
Musical |
[89]
|
Transit Camp |
Max Reichmann |
Ivan Koval-Samborsky, Meg Lemonnier |
Drama |
Co-production with Germany[90]
|
The Triangle of Fire |
Edmond T. Gréville, Johannes Guter |
Jean Angelo, André Roanne |
Crime |
Co-production with Germany[91]
|
Under the Leather Helmet |
Albert de Courville |
Pierre Richard-Willm, Gina Manès |
Drama |
Co-production with the United Kingdom[92]
|
Vampyr |
Carl Theodor Dreyer |
Julian West, Maurice Schutz, Jan Hieronimko, Sybille Schmitz |
Horror |
Co-production with Germany[93]
|
Vive la classe |
Maurice Cammage |
Fernandel, Mireille Balin |
Comedy |
[94]
|
The Wandering Beast |
Marco de Gastyne |
Gabriel Gabrio, Maurice Maillot |
Drama |
[95]
|
The Woman Dressed As a Man |
Augusto Genina |
Carmen Boni, Armand Bernard |
Comedy |
[96]
|
The Wonderful Day |
Yves Mirande, Robert Wyler |
Frédéric Duvallès, Florelle |
Comedy |
[97]
|
Wooden Crosses |
Raymond Bernard |
Pierre Blanchar, Raymond Aimos, Gabriel Gabrio |
War |
[98]
|
The Yellow Dog |
Jean Tarride |
Abel Tarride, Rosine Deréan |
Crime |
[99]
|
You Will Be a Duchess |
René Guissart |
Marie Glory, Fernand Gravey |
Romantic comedy |
[100]
|
See also
References
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.395
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.393
- ^ Dayna Oscherwitz & MaryEllen Higgins. The A to Z of French Cinema. p.353
- ^ Grange, William. Cultural Chronicle of the Weimar Republic. p.380
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929-1939. Indiana University Press, 2002. p.393
- ^ Bessy, Maurice & Chirat, Raymond. Histoire du cinéma français: 1929-1934. Pygmalion, 1988. p.198
- ^ Cook, Pam. Gainsborough Pictures. p.182
- ^ Dayna Oscherwitz & MaryEllen Higgins. The A to Z of French Cinema. p.177
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.391
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.393
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.84
- ^ Erickson, Hal. "Overview: Bondu Saved from Drowning". AllMovie. Retrieved January 21, 2010.
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.394
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.391
- ^ Erickson, Hal. "Overview: La Petite Chocolatière". AllMovie. Retrieved January 21, 2010.
- ^ Bessy, Maurice & Chirat, Raymond. Histoire du cinéma français: 1929–1934. p.304
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.393
- ^ Jonathan Driskell. The French Screen Goddess: Film Stardom and the Modern Woman in 1930s France. p.208
- ^ * Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929-1939. Indiana University Press, 2002. p.201
- ^ Stam, Robert & Raengo, Alessandra. A Companion to Literature and Film. p.195
- ^ Neupert, Richard. French Film History, 1895–1946. University of Wisconsin Pres, 2022. p.206
- ^ Rège, Philippe. Encyclopedia of French Film Directors, Volume 1. Scarecrow Press, 2009. p.799
- ^ Segrave, Kerry. Foreign Films in America: A History. p.65
- ^ Deming, Mark. "Overview: Fanny". AllMovie. Retrieved January 21, 2010.
- ^ Erickson, Hal. "Fantômas". AllMovie. Retrieved November 3, 2012.
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.392
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.395
- ^ Erickson, Hal. "Les Gaietés de l'escadron". AllMovie. Retrieved November 3, 2012.
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.393
- ^ Hans-Michael Bock and Tim Bergfelder. The Concise Cinegraph: An Encyclopedia of German Cinema. p.323
- ^ Waldman, Harry. Missing Reels: Lost Films of American and European Cinema. p.43
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.391
- ^ Waldman, Harry. Missing Reels: Lost Films of American and European Cinema. p.43
- ^ Nornes, Markus. Cinema Babel: Translating Global Cinema. p.132
- ^ Dayna Oscherwitz & MaryEllen Higgins. The A to Z of French Cinema. p.358
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.396
- ^ Dayna Oscherwitz & MaryEllen Higgins. The A to Z of French Cinema. p.123
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.395
- ^ Waldman, Harry. Maurice Tourneur: The Life and Films. p.145
- ^ Crisp, G.C. Genre, Myth, and Convention in the French Cinema, 1929–1939. p.309
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.393
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.393
- ^ "L'Affaire est dans le sac" [It's in the Bag]. AlloCine. Retrieved May 15, 2017. (in French)
- ^ "L'affaire est dans le sac" [It's in the Bag]. Télérama. Retrieved May 15, 2017. (in French)
- ^ "L'affaire est dans le sac de Pierre Prévert (1932)" [Pierre Prévert's "It's in the Bag" (1932)]. La Belle Equipe. 2016-06-02. Retrieved May 15, 2017. (in French)
- ^ Erickson, Hal. "L'Atlantide". AllMovie. Retrieved November 3, 2012.
- ^ "L'Atlantide". Filmportal.de. Retrieved November 3, 2012.
- ^ Philippe Rège. Encyclopedia of French Film Directors, Volume 1. p.561
- ^ Rège, Philippe. Encyclopedia of French Film Directors, Volume 1. p.511
- ^ "Review of the film Coeur de lilas (1932)". 2002.
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.394
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.393
- ^ Bessy, Maurice & Chirat, Raymond. Histoire du cinéma français: 1929-1934. Pygmalion, 1988. p.312
- ^ Goble, Alan. The Complete Index to Literary Sources in Film. p.161
- ^ Dayna Oscherwitz & MaryEllen Higgins. The A to Z of French Cinema. p.208
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.392
- ^ Oscherwitz, Dayna & Higgins, MaryEllen . The A to Z of French Cinema. p.167
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.395
- ^ Dayna Oscherwitz & MaryEllen Higgins. The A to Z of French Cinema. p.118
- ^ *Bessy, Maurice & Chirat, Raymond. Histoire du cinéma français: 1929-1934. Pygmalion, 1988. p.311
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.392
- ^ Erickson, Hal. "Night at the Crossroads". AllMovie. Retrieved November 3, 2012.
- ^ Dayna Oscherwitz & MaryEllen Higgins. The A to Z of French Cinema. p.113
- ^ Goble, Alan. The Complete Index to Literary Sources in Film. p.155
- ^ Waldman, Harry & Slide, Anthony. Hollywood and the Foreign Touch: A Dictionary of Foreign Filmmakers and Their Films from America, 1910–1995. p.72
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929-1939. Indiana University Press, 2002. p.396
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.395
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.395
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.397
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929-1939. Indiana University Press, 2002. p.396
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.396
- ^ "Overview:Poil de Carotte". AllMovie. Retrieved January 22, 2010.
- ^ Guy Hennebelle, Mouny Berrah & Benjamin Stora. La guerre d'Algérie à l'écran. p.19
- ^ Bessy, Maurice & Chirat, Raymond. Histoire du cinéma français: 1929-1934. Pygmalion, 1988. p.314
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.390
- ^ Bessy, Maurice & Chirat, Raymond. Histoire du cinéma français: 1929-1934. Pygmalion, 1988. p.205
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.394
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.418
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.395
- ^ * Jonathan Driskell. The French Screen Goddess: Film Stardom and the Modern Woman in 1930s France. p.208
- ^ Rège, Philippe. Encyclopedia of French Film Directors, Volume 1. p.511
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.459
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.395
- ^ Dayna Oscherwitz & MaryEllen Higgins. The A to Z of French Cinema. p.385
- ^ Goble, Alan. The Complete Index to Literary Sources in Film. p.891
- ^ "Les trois mousquetaires". AllMovie. Retrieved November 3, 2012.
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929-1939. Indiana University Press, 2002. p.396
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.393
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.391
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.390
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.396
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.394
- ^ Tybjerg, Casper (2008). Visual Essay: The ghostly presence (DVD). New York City, United States: The Criterion Collection.
- ^ Philippe Rège. Encyclopedia of French Film Directors, Volume 1. p.167
- ^ Philippe Rège. Encyclopedia of French Film Directors, Volume 1. p.1142
- ^ Andrews, Dudley. Mists of Regret: Culture and Sensibility in Classic French Film. p.364
- ^ Crisp, Colin. Genre, Myth and Convention in the French Cinema, 1929–1939. p.395
- ^ Erickson, Hal. "Overview: Wooden Crosses". AllMovie. Retrieved January 21, 2010.
- ^ Spicer, Andrew. European Film Noir. p.50
- ^ Dayna Oscherwitz & MaryEllen Higgins. The A to Z of French Cinema. p.293
External links
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