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Size of this preview: 421 × 599 pixels. Other resolutions: 168 × 240 pixels | 337 × 480 pixels | 539 × 768 pixels | 719 × 1,024 pixels | 1,405 × 2,000 pixels.
Original file (1,405 × 2,000 pixels, file size: 869 KB, MIME type: image/jpeg)
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 14:45, 22 September 2023 | ![]() | 1,405 × 2,000 (869 KB) | Ipr1 | upload somehow ended up being smaller than previous |
14:42, 22 September 2023 | ![]() | 843 × 1,200 (347 KB) | FinnaUploadBot | Overwriting image with better resolution version of the image from https://finna.fi/Record/musketti.M012:H30058: ; Licence in Finna CC BY 4.0 | |
06:29, 1 September 2021 | ![]() | 1,405 × 2,000 (869 KB) | Fenn-O-maniC | Higher resolution from https://www.finna.fi/Record/museovirasto.F2F8D896100D99DD9557C4EAA08DF56E?imgid=1 | |
12:45, 14 February 2020 | ![]() | 1,120 × 1,575 (492 KB) | Tungsten | Much higher quality and fidelity to the orginal | |
20:45, 16 June 2019 | ![]() | 1,478 × 2,020 (1.99 MB) | Roxanna | Reverted to version as of 20:24, 16 September 2015 (UTC) | |
19:52, 10 February 2019 | ![]() | 1,120 × 1,575 (492 KB) | Tungsten | {{Art Photo |wikidata=Q11864003 |artist={{Creator:Edvard Isto}} |title={{title|fi=Hyökkäys|en=The Attack}} |Description={{en|1=''Hyökkäys'' (The Attack). Oil on canvas. In the painting, the Russian doubleheaded eagle is attacking the maiden symbolizing Finland, tearing a law book. Immediately after the painting was finalized, it became the symbol of protest against russification, spreading throughout Finland in thousands of prints.}} {{fi|1=Hyökkäys. Öljy kankaalle. Venäjän kaksipäinen kotka... | |
20:24, 16 September 2015 | ![]() | 1,478 × 2,020 (1.99 MB) | Roxanna | more brightness | |
05:22, 11 October 2010 | ![]() | 1,478 × 2,020 (834 KB) | Tungsten | {{Information |Description={{en|1=''Hyökkäys'' (The Attack). Oil on canvas. In the painting, the Russian doubleheaded eagle is attacking the maiden symbolizing Finland, tearing a law book. Immediately after the painting was finalized, it became the sym |
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