George Joseph Ranalli (born 1946)[1] is an American modernist architect, scholar, curator, and fellow of the American Institute of Architects.[2] He is based in New York City.[3]

Early life and education

A native of The Bronx, New York,[4] of Italian American descent,[5] he was inspired to become an architect at the age of about 13 when he saw the then-unfinished Guggenheim Museum, which was designed by Frank Lloyd Wright.[6] Ranalli attended Mount Saint Michael Academy high school in New York City and graduated in 1964.[7] From 1967 to 1968, he attended New York Institute of Technology, and Pratt Institute, Brooklyn, New York, where he received a Bachelor of Architecture in 1972.[8] Thereafter, Ranalli attended Harvard Graduate School of Design, Cambridge, Massachusetts, earning a Master of Architecture in 1974. Upon graduation, he traveled on a research grant throughout Europe before returning to New York.[6]

Career

Ranalli founded his firm, "George Ranalli, Architect", in New York in 1977.[9] Early on, architecture critic Paul Goldberger described Ranalli in a New York Times article as one of the "better younger architects" working in the Modernist idiom.[10] Goldberger stated that Ranalli's designs were tied "as closely to the ancient craft of building as to the modern business of churning out huge commercial projects, yet they bespeak a consistent awareness of the realities of our age as well."[11] In 1991, Michael Sorkin described Ranalli as "a creator and preserver of worlds, a precisionist."[12] Ranalli is credited with carrying forward the lessons of Italian architect Carlo Scarpa into new settings.[13][14] Architecture critic Ada Louise Huxtable wrote that Ranalli's "purpose is to move modernism into an enriched and more deeply referenced style."[15] In 1996, Yale University granted Ranalli a Master of Arts degree, honoris causa. In 2015, Architectural Record described Ranalli's career as a Gesamtkunstwerk.[16] Ranalli's industrial design objects, such as door hardware, furniture, and glassware are recognized as art.[17][18][19][20][21] The firm George Ranalli Architect is credited with innovating total design concepts for interior architecture and furniture design.[22]

Selected architecture

Callender School, Newport, Rhode Island

Ranalli has been exhibited in New York City at the Metropolitan Museum of Art,[44] Whitney Museum of American Art,[45] MoMA, Cooper-Hewitt National Design Museum,[46] American Craft Museum,[47] Skyscraper Museum,[48] Architectural League of New York,[49] American Institute of Architects,[50] Sperone Westwater Fisher gallery,[51] Artists Space,[52] and The Drawing Center.[53]

Throughout the United States, Ranalli has contributed to exhibitions at Bass Museum,[54] Memphis Brooks Museum of Art,[55] Denver Art Museum,[56] Indianapolis Museum of Art, Yale University,[57] The Art Institute of Chicago,[58] Graham Foundation for Advanced Studies in the Fine Arts,[59] Museum of Contemporary Art, Chicago,[60] Otis Art Institute,[61] and the Library of Congress.[62]

International exhibitions of Ranalli's work include Centre Pompidou,[63] Canadian Centre for Architecture,[64] Museum of Finnish Architecture,[65] XVII Triennale di Milano, and Design Museum, Helsinki.[66]

Professional recognition

Ranalli has received professional awards from the College of Fellows of the American Institute of Architects in 2015,[67] the New York Society of Architects,[68] New York Foundation for the Arts,[69] and the Architectural League of New York.[70][71]

Between 1969 and 2015, Ranalli received design awards from the Society of American Registered Architects;[72][73] American Institute of Architects,[74][75][76][77] and Progressive Architecture.[78] In 2015, he received the Stanford White Award.[79]

Academia

Ranalli was a professor of architectural design and visual studies at Yale University School of Architecture & Environmental Design for 23 years, from 1976 to 1999.[80] From 1987 to 1999, Ranalli along belonged to the fellowship of Morse College at Yale University.[81][82]

Ranalli has been a visiting professor of architectural design and drawing at colleges and universities, such as Boston Architectural Center, Rhode Island School of Design,[83] University of Illinois at Chicago, Institute for Architecture and Urban Studies,[84] and Cooper Union.[85][86]

From 1999 to 2017, Ranalli ran the architecture department at the City College of New York.[87] In 2005, he was honored with the Renaissance Award from the Alumni Association of the City College School of Architecture.[88]

Curation

Ranalli is known for work in the areas of architecture curation.

Yale School of Architecture
Architecture Department, City College of New York

Monographic publications

References

  1. ^ ID: 500056726: Ranalli, George (American architect, born 1946). Getty Research: Union List of Artist Names Online. Accessed September 2015.
  2. ^ "2015 FAIA Announcement". The American Institute of Architects. Archived from the original on 2015-05-08.
  3. ^ Wright, Sylvia Hart (1989). Sourcebook of contemporary North American architecture from postwar to postmodern. New York: Van Nostrand Reinhold. pp. 200, :ill., 29 cm. ISBN 978-0442291907.
  4. ^ Solis, Gustavo (November 13, 2014). "Famed Architect George Ranalli Ditches Chelsea for Harlem". DNAInfo. Archived from the original on August 21, 2016.
  5. ^ Iannucci, Lisa (April 1, 2003). "HIGH PROFILE; Italian Americans making news". Italian America. VIII (2): 2. ISSN 1089-5043.
  6. ^ a b Szenasy, Susan S. (November 2010). "Q&A: George Ranalli".Metropolis. Bellerophon Publications, Inc.: New York, New York. Retrieved July 22, 2015
  7. ^ Mountaineer (high school yearbook: 1964) Mount Saint Michael Academy: Bronx, New York. p. 74 (viewable via e-yearbook.com. Digital Data Online, Inc: Burlingame, California).
  8. ^ Institute, Pratt (1995). "Alumni Directory". White Plains, New York: Bernard C. Harris Publishing Co., Inc.: 263. OCLC 33266982. {{cite journal}}: Cite journal requires |journal= (help)
  9. ^ "Profile: George Ranalli Architect". Architectural Digest. 48 (9): 196. August 15, 1991.
  10. ^ Goldberger, Paul (November 24, 1985). "Architecture View; Modernism Reaffirms Its Power". New York Times. ISSN 0362-4331. Retrieved July 22, 2015.
  11. ^ Goldberger, Paul (January 1, 1989). "ARCHITECTURE VIEW; Taking the Pulse of New American Architecture". The New York Times.
  12. ^ Sorkin, Michael (1991). Exquisite corpse: writing on buildings (1st ed.). London;New York: Verso. pp. x, 365p.:ill., 25cm. ISBN 978-0860913238.
  13. ^ Stern, Robert A M; Fishman, David; Tilove, Jacob (2006). New York 2000 : architecture and urbanism between the Bicentennial and the Millennium. New York: Monacelli Press. pp. 1520 pages: color illustrations, 29 cm. ISBN 978-1580931779.
  14. ^ Brooker, Graeme; Stone, Sally (2012). From organisation to decoration: an interiors reader (1st ed.). London: Routledge. pp. xvii, 294 pages: illustrations, 26 cm. ISBN 9780415436199.
  15. ^ Huxtable, Ada Louise (May 13, 2009). "Breaking All the Rules With New York's Public Building Design". The Wall Street Journal.
  16. ^ Gorlin, Alex (December 1, 2015). "Monographs in Disguise". architecturalrecord.com. Architectural Record.
  17. ^ Ranalli, George (1992). "Design Quarterly No. 155, 1992". Design Quarterly (155): 20–23. doi:10.2307/4091272. JSTOR 4091272.[dead link‍]
  18. ^ Lewin, Susan Grant (1991). Formica & design: from the counter top to high art. New York: Rizzoli. pp. 146–147. ISBN 978-0847813346. OCLC 924879797.
  19. ^ "Lock-It door handle". Indianapolis Museum of Art Online Collection. Retrieved 2018-05-31.
  20. ^ Tommasini, Maria Cristina; Barovier, Marino (2003). Architetture di vetro: la collezione Corolle d'Autore Rex. Rozzano, Milano: Domus. pp. 122–123. ISBN 978-8872124123. OCLC 932521297.
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  23. ^ "National Schoolhouse of Theatre Arts New York". National Schoolhouse of Theatre Arts New York. Retrieved 2018-05-31.
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  44. ^ Valentine 2 Chair (1990)
    Met Museum exhibition history:
    "Highlights from the Modern Design Collection: 1900–Present, Part II"
    May 23, 2011 – July 1, 2012
    "A Century of Design, Part IV: 1975–2000"
    June 25, 2001 – January 6, 2002
    OCLC 429605724
    Met Museum Accession N° 1990.306 (1990)
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  90. ^ Peters, Julie (January 18, 1980). "Architects' Post-Postmodernism Dazzles". New Haven, CT: The Yale Daily News Publishing Company.
  91. ^ Ranalli, George (1981). "Diana Agrest / Mario Gandelsonas: Exhibition: January 2–30, 1981". New Haven, Connecticut: Yale School of Architecture: 22 pages: illustrations, plans. OCLC 214299291. {{cite journal}}: Cite journal requires |journal= (help)
  92. ^ Ranalli, George (1981). "Diana Agrest/Mario Gandelsonas : exhibition Jan. 2-30, 1981, Yale School of Architecture". New Haven: Yale School of Architecture: 22, [2] pages: chiefly illustrations, 22 x 28 cm. OCLC 10109788. {{cite journal}}: Cite journal requires |journal= (help)
  93. ^ Ranalli, Curator, George (1981). Raimund Abraham, Collisions. Yale School of Architecture, Art and Architecture Gallery. p. 24.{{cite book}}: CS1 maint: location missing publisher (link)
  94. ^ Ranalli, George (1982). "Helmut Jahn: A Yale School of Architecture Exhibition: November 1 – October 3, Yale School of Architecture, Art and Architecture Gallery, New Haven, Connecticut 1982". New Haven, Connecticut: Yale University Press: 20. {{cite journal}}: Cite journal requires |journal= (help)
  95. ^ Ranalli, George (1982). "Gaetano Pesce: A Yale School of Architecture Exhibition: October 31 – December 2, 1982". New Haven, Connecticut: Yale University Press: 24. {{cite journal}}: Cite journal requires |journal= (help)
  96. ^ Martin, Douglas (April 22, 1984). "Spring In La Cite". The New York Times.
  97. ^ Charles, Eleanor (October 21, 1984). "Connecticut Guide". The New York Times.
  98. ^ "Architecture with and without Le Corbusier: José Oubrerie Architect". 2013. {{cite journal}}: Cite journal requires |journal= (help)
  99. ^ Filler, Martin (May 2012). "Dates & Events". Architectural Record. 200 (5): 216.
  100. ^ Menkin, James (June 7, 2013). "Review: The Mind In Hand". The Architect's Newspaper. Retrieved May 28, 2024.
  101. ^ George Ranalli (2013). City University of New York (ed.). "Building the modern Gothic: George Post at City College" (exh. cat.). New York, NY: CUNY: 53 pages: chiefly illustrations (some color), portraits, plans, facsimiles, 26 cm. OCLC 871036277. {{cite journal}}: Cite journal requires |journal= (help)
  102. ^ Bernstein, Fed A. (October 2, 2014). "Gaudi Isn't the Focus, and That's the Point". Architectural Record.
  103. ^ Jiménez, Vincent; País, El. "New York Falls in Love with Gaudí's Complexity". ArchNewsNow.
  104. ^ Abercrombie, Stanley (June 1, 2014). "Books: George Ranalli Works & Projects". Interior Design. 7.
  105. ^ Ranalli, George (September 2015). In Situ: George Ranalli Works & Projects (1st ed.). Shinzen China: Oscar Riera Ojeda. pp. 487 pages, [9] pages: colored illustrations, plans, 22 cm x 25 cm. + 1 CD (4 3/4 in.). ISBN 9789881619471.
  106. ^ "Community Building: Saratoga Avenue Community Center by George Ranalli, Architect". ArchNewsNow. January 14, 2009.
  107. ^ Ranalli, George (2009). Saratoga. San Rafael, Calif.: ORO Editions. pp. 111 pages: chiefly illustrations (some color), plans, 24 cm. ISBN 9780981462882.
  108. ^ Abercrombie, Stanley (July 1, 1999). "Casas Internacional: George Ranalli.(Review)". Interior Design. 70: 97.
  109. ^ Riera Ojeda, Oscar, ed. (1998). "Casa Internacional: George Ranalli". Casas (in Spanish and English). 57. Madrid, Spain: Kliczkowski Publisher: 71 pages: color illustrations, plans, 24 cm. OCLC 51379793. {{cite journal}}: Cite journal requires |journal= (help)
  110. ^ Nakamura, Toshio, ed. (1990). "Special Feature = George Ranalli". Architecture and Urbanism (in English and Japanese). 8 (239): 71–126. OCLC 23880409.
  111. ^ Ranalli, George (1990). Bauten und Projekte = Constructions et projets (in German). Zurich: Verl. für Architektur Artemis. pp. 116 S.: überwiegend ill., graph. Darst., 28 cm. ISBN 978-3760880747.
  112. ^ Abercrombie, Stanley (November 1, 1989). "George Ranalli: Buildings and Projects". Interior Design.
  113. ^ Ranalli, George (1988). George Ranalli: buildings and projects (1st ed.). New York, N.Y.: Princeton Architectural Press. pp. 107 p.: ill., 28 cm. ISBN 978-0910413428.
  114. ^ Ranalli, George (1988). George Ranalli: buildings and projects (1st ed.). New York: Princeton Architectural Press. pp. 107 pages: illustrations, 28 cm. ISBN 978-0910413428.
Allikas: http://en.wikipedia.org/wiki/George_Ranalli
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