- each album's best tracks mentioned in parentheses
- Midnights — Her most cohesive album yet ("Lavender Haze", "Anti-Hero", "You're on Your Own, Kid", "Midnight Rain", "Question...?", "Labyrinth", "The Great War", "High Infidelity", "You're Losing Me")
- evermore — Sometimes we all want to indulge in and get hurt by our own tragic fantasies. ("gold rush", "'tis the damn season", "tolerate it", "happiness", "cowboy like me", "evermore", "right where you left me")
- 1989 — Sleek pop melodies and sad stories. Her best vault yet. ("Blank Space", "Style", "Out of the Woods", "I Wish You Would", "Clean", "New Romantics", "Slut!", "Is It Over Now?")
- THE TORTURED POETS DEPARTMENT — Critics complained that this album needed an editor, but to me that's exactly the point. ("Down Bad", "But Daddy I Love Him", "Fresh Out the Slammer", "loml", "The Smallest Man Who Ever Lived", "The Black Dog", "How Did It End?", "Chloe or Sam or Sophia or Marcus", "Peter")
- Red — She parties and yearns during the heyday of Tumblr, what a time to be alive. ("State of Grace", "Treacherous", "I Knew You Were Trouble.", "All Too Well", "22", "Holy Ground", "Starlight", "Begin Again", "Forever Winter", "The Very First Night")
- folklore — Perfect for summertime hallucinations ("cardigan", "mirrorball", "seven", "august", "this is me trying", "betty")
- Speak Now — Can we please have a solo-written album from Ms. Swift again? ("Sparks Fly", "Back to December", "Dear John", "The Story of Us", "Last Kiss")
- Lover — Heart-on-her-sleeves, business as usual ("Cruel Summer", "Lover", "I Think He Knows", "False God", "Afterglow")
- reputation — I kinda want Ms. Swift to put out a full on hip-hop album, featuring 21 Savage or J. Cole ("Delicate", "Getaway Car", "King of My Heart", "New Year's Day")
- Fearless — Everything comes out teenage petulance ("Love Story", "Hey Stephen", "You Belong with Me")
- Taylor Swift — Yeehaw ladies ("Tim McGraw", "Our Song")
- The Life of a Showgirl — The rhymes are lazy, the imagery convoluted, the narrative questionable, and the overall message incomprehensible. Sure, she can still write a catchy melody, but songwriting is not just that (take "The Fate of Ophelia", a brilliant song in structure, but "Pledge allegiance to your hands, your team, your vibes seriously...? And don't get me started on "Cancelled!" or "Eldest Daughter", lord no). This is the first Swift album that got me facepalm so hard, even after I gave it many tries... probably the only Swift album I wouldn't buy on physical. (Ps: the online debates over "Opalite" and "Actually Romantic" are just stupid, but given Swift is a savvy businesswoman who knows how to stay relevant for nearly 20 years now, it might have served its purpose...) ("The Fate of Ophelia", "Ruin the Friendship")
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