The 1980s (pronounced "nineteen-eighties", shortened to "the '80s" or "the Eighties") was the decade that began on 1 January 1980, and ended on 31 December 1989.
The United Kingdom and the United States moved closer to supply-side economic policies, beginning a trend towards global instability of international trade that would pick up more steam in the following decade as the fall of the USSR made right-wing economic policy more powerful.
The final decade of the Cold War opened with the US–Soviet confrontation continuing largely without any interruption. Superpower tensions escalated rapidly as President Reagan scrapped the policy of détente and adopted a new, much more aggressive stance on the Soviet Union. The world came perilously close to nuclear war for the first time since the Cuban Missile Crisis in 1962, but the second half of the decade saw a dramatic easing of superpower tensions and ultimately the total collapse of Soviet communism.
Developing countries across the world faced economic and social difficulties as they suffered from multiple debt crises in the 1980s, requiring many of these countries to apply for financial assistance from the International Monetary Fund (IMF) and the World Bank. Ethiopia witnessed widespread famine in the mid-1980s during the corrupt rule of Mengistu Haile Mariam, resulting in the country having to depend on foreign aid to provide food to its population and worldwide efforts to address and raise money to help Ethiopians, such as the Live Aid concert in 1985.
By 1986, nationalism was making a comeback in the Eastern Bloc, and the desire for democracy in socialist states, combined with economic recession, resulted in Mikhail Gorbachev's glasnost and perestroika, which reduced Communist Party power, legalized dissent and sanctioned limited forms of capitalism such as joint ventures with companies from capitalist countries. After tension for most of the decade, by 1988 relations between the communist and capitalist blocs had improved significantly and the Soviet Union was increasingly unwilling to defend its governments in satellite states.
The 1980s was an era of tremendous population growth around the world, surpassing the 1970s and 1990s, and arguably being the largest in human history. During the 1980s, the world population grew from 4.4 to 5.3 billion people. There were approximately 1.33 billion births and 480 million deaths. Population growth was particularly rapid in a number of African, Middle Eastern, and South Asian countries during this decade, with rates of natural increase close to or exceeding 4% annually. The 1980s saw the advent of the ongoing practice of sex-selective abortion in China and India as ultrasound technology permitted parents to selectively abort baby girls.
The 1980s saw great advances in genetic and digital technology. After years of animal experimentation since 1985, the first genetic modification of 10 adult human beings took place in May 1989, a gene tagging experiment which led to the first true gene therapy implementation in September 1990. The first "designer babies", a pair of female twins, were created in a laboratory in late 1989 and born in July 1990 after being sex-selected via the controversial assisted reproductive technology procedure preimplantation genetic diagnosis. Gestational surrogacy was first performed in 1985 with the first birth in 1986, making it possible for a woman to become a biological mother without experiencing pregnancy for the first time in history.
The global internet took shape in academia by the second half of the 1980s, as well as many other computer networks of both academic and commercial use such as USENET, Fidonet, and the bulletin board system. By 1989, the Internet and the networks linked to it were a global system with extensive transoceanic satellite links and nodes in most developed countries. Based on earlier work, from 1980 onwards Tim Berners-Lee formalized the concept of the World Wide Web by 1989. Television viewing became commonplace in the Third World, with the number of TV sets in China and India increasing by 15 and 10 times respectively.
As of December 2023, CNN had 68,974,000 television households as subscribers in the United States, according to Nielsen. This is down from 80 million in March 2021. In June 2021, CNN ranked third in viewership among cable news networks, behind Fox News and MS NOW (formerly MSNBC), averaging 580,000 viewers throughout the day, down 49% from a year earlier, amid sharp declines in viewers across all cable news networks. While CNN ranked 14th among all basic cable networks in 2019, then jumped to 7th during a major surge for the three largest cable news networks (completing a rankings streak of Fox News at number 5 and MS NOW at number 6 for that year), it settled back to number 11 in 2021 and had further declined to number 21 in 2022. (Full article...)
... that the 1980s J-pop song "Aoi Sangoshou" appeared on music charts in Korea 44 years after its release?
... that in the 1980s, when Moturoa Island lost all its endangered kiwi to pests, experts reintroduced seven birds– today there could be as many as 300 kiwi on the island?
... that people in the 1980s expressed interest in buying Chicago's James Charnley House only because they wanted to see the interior?
Image 2Stage view of the Live Aid concert at Philadelphia's JFK Stadium in the United States in 1985. The concert was a major global international effort by musicians and activists to sponsor action to send aid to the people of Ethiopia who were suffering from a major famine. (from Portal:1980s/General images)
Image 9The world map of military alliances in 1980: NATO & Western allies, Warsaw Pact & other Soviet allies, Non-aligned countries, China and Albania (communist countries, but not aligned with USSR), ××× Armed resistance (from Portal:1980s/General images)
Image 10The fall of the Berlin Wall in 1989 marked the beginning of German reunification (from Portal:1980s/General images)
Image 19The Grateful Dead in 1980. Left to right: Jerry Garcia, Bill Kreutzmann, Bob Weir, Mickey Hart, Phil Lesh. Not pictured: Brent Mydland. (from Portal:1980s/General images)
Walt Disney Studios purchased the film rights to the novel shortly after its publication in 1981. Price and Seaman wrote two drafts of the script before Disney brought in executive producer Steven Spielberg and his production company, Amblin Entertainment. Zemeckis was brought on to direct and Canadian-British animator Richard Williams was hired to supervise the animation sequences. Production was moved from Los Angeles to Elstree Studios in England to accommodate Williams and his group of animators. While filming, the production budget rapidly expanded and the shooting schedule ran longer than expected. (Full article...)
Not wishing to feature the Nazis as the villains again, executive producer and story writer George Lucas decided to regard this film as a prequel. Three plot devices were rejected before Lucas wrote a film treatment that resembled the final storyline. As Lawrence Kasdan, Lucas's collaborator on Raiders of the Lost Ark, turned down the offer to write the script, Willard Huyck and Gloria Katz, who had previously worked with Lucas on American Graffiti (1973), were hired as his replacements. (Full article...)
Walt Disney planned to put the story in a proposed package film containing Andersen's stories, but he scrapped the project. In 1985, while working on The Great Mouse Detective (1986), Clements and Musker decided to adapt the fairy tale. They proposed it to Walt Disney Studios chairman Jeffrey Katzenberg, who initially declined because of its similarities to a proposed sequel to the 1984 film Splash, but ultimately approved it. Ashman became involved, and brought in Menken. With supervision from Katzenberg, they made a Broadway-style structure with musical numbers as the staff was working on Oliver & Company (1988). Katzenberg warned that the film would earn less since it appealed to female viewers, but he eventually became convinced that it would be another blockbuster hit for the company. (Full article...)
Nausicaä of the Valley of the Wind was released in Japan on 11 March 1984. The film received critical acclaim, with praise being directed at the story, themes, characters and animation. It is commonly regarded as one of the greatest animated films, and was the second-highest-ranked animation in a poll conducted by Japan's Agency for Cultural Affairs in 2006. Though it was released before Studio Ghibli was founded, it is often considered a Ghibli work due to its themes, and is usually released as part of DVD and Blu-ray collections of Ghibli work. (Full article...)
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Le Dernier Combat (French:[lədɛʁnjekɔ̃ba]; English: The Last Battle) is a 1983 French post-apocalyptic film. It was the first feature film to be directed by Luc Besson, and also features Jean Reno's first prominent role. Music for the film was composed by Éric Serra. The film was the first of many collaborations between Besson, Reno and Serra. A dark vision of post-apocalyptic survival, the film was shot in black and white and contains only two words of dialogue. It depicts a world where people have been rendered mute by some unknown incident. (Full article...)
Producer Martin Bregman acquired the film rights to the book in 1976 and hired Stone, also a Vietnam veteran, to co-write the screenplay with Kovic, who would be played by Al Pacino. When Stone optioned the book in 1978, the film adaptation became mired in development hell after Pacino and Bregman left, which resulted in him and Kovic putting the film on hold. After the success of Platoon, the project was revived at Universal Pictures, with Stone attached to direct. Shot on locations in the Philippines, Texas, and Inglewood, California, principal photography took place from October to December 1988, lasting 65 days of filming. The film went over its initial $14million production budget and ended up costing $17.8million after reshoots. (Full article...)
Payanangal Mudivathillai is Sundarrajan's directorial debut and the inaugural venture of Kovaithambi's Motherland Pictures. The film was produced by R. Elanchelian, Pollachi M. V. Rathinam and P. Muthusamy. Ilaiyaraaja composed the music and S. P. Balasubrahmanyam and S. Janaki performed the songs. Cinematography was handled by Kasthuri and the editing by R. Bhaskaran. (Full article...)
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Mr. India is a 1987 Indian Hindi-language science fictionsuperhero film directed by Shekhar Kapur and produced jointly by Boney Kapoor and Surinder Kapoor under the Narsimha Enterprises banner. The story and screenplay was written by the duo Salim–Javed in what was their last collaboration before their split. Starring Anil Kapoor, Sridevi, and Amrish Puri, the film tells the story of Arun Verma (Kapoor), a humble violinist and philanthropist. He receives a cloaking device that provides invisibility. While renting out his house to pay his debts, he meets a journalist Seema Sahni (Sridevi) and falls in love with her. Meanwhile, criminal Mogambo (Puri) has plans to conquer India.
After watching his previous directorial venture Masoom, a 1983 family drama about children, Boney Kapoor approached Kapur to make another film with a similar theme. Principal photography was handled by Baba Azmi, and took place in Srinagar, Mumbai, and other locations in India, starting in July 1985, and finished after 350 days. Laxmikant–Pyarelal composed the soundtrack, while Akhtar wrote the lyrics. After filming ended, Waman Bhonsle and Gurudutt Shirali jointly edited it. Veteran cameraman Peter Pereira was responsible for the special effects in the movie. Arun Patil handled mechanical components of these effects. In the pre-digital era, these effects were achieved using masking techniques as well as traditional and in-camera tricks. (Full article...)
The plot follows the title character, Strawberry Shortcake, who lives in a fictional place called Strawberryland. In the special, narrated by Mr. Sun, she and her friends celebrate her sixth birthday, and with preparations for her party underway, a villain called the Peculiar Purple Pieman plots to steal the berries from Strawberry's home for making the "pies" that Strawberry baked. (Full article...)
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Jean de Florette (French pronunciation:[ʒɑ̃dəflɔʁɛt]) is a 1986 French perioddrama film directed by Claude Berri. It is the first part of a diptych with Manon of the Spring (Manon des Sources), released the same year. Both are the adaptation of Marcel Pagnol’s 1962 two-part novel The Water of the Hills, with the second part also being adapted from Pagnol's original 1952 film Manon of The Spring. Berri's version was the first attempt at adapting the whole saga, including the first part, Jean de Florette, which was originally written as a prequel to the novelization of Manon of The Spring.
The story takes place in rural Provence in the 1920s, where two local farmers plot to trick a newcomer out of his newly inherited property. The film starred three of France's most prominent actors – Gérard Depardieu, Daniel Auteuil, who won a BAFTA and a César award for his performance, and Yves Montand in one of his last roles. (Full article...)
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Mouna Ragam (/ˈmaʊnəˈrɑːɡəm/ transl.Silent Symphony) is a 1986 Indian Tamil-language romantic drama film written and directed by Mani Ratnam, and produced by G. Venkateswaran. The film stars Mohan and Revathi, with Karthik in a guest appearance. V. K. Ramasamy, Ra. Sankaran, Bhaskar, Kanchana, Vani, Kalaiselvi and Sonia play supporting roles. It narrates the life of Divya (Revathi), a free-spirited college girl who is forced into an arranged marriage with Chandrakumar (Mohan) by her father (Sankaran) though she still lives with the memory of her deceased lover Manohar (Karthik). The story follows Divya's inner conflict between holding on to her past and coming to terms with the present.
The film's development began when Ratnam began writing a short story titled "Divya" with no cinematic plans until he finished it. Since production on his directorial debut Pallavi Anu Pallavi (1983) was delayed, he took a break for a month and developed "Divya" into a film script, which would eventually be renamed Mouna Ragam. Although Ratnam began work on the script during Pallavi Anu Pallavi, it languished in development hell and ended up becoming his fifth film. Mouna Ragam was the first film produced by Venkateswaran's Sujatha Films, and was shot primarily in Madras, with additional filming taking place in Delhi and Agra. The music was composed by Ilaiyaraaja, with lyrics by Vaali. P. C. Sreeram was the cinematographer, and the art director was Thota Tharani. The film was edited by B. Lenin and V. T. Vijayan. (Full article...)
Meena Panchu Arunachalam produced Guru Sishyan under the production company P. A. Art Productions. The screenplay was written by her husband Panchu Arunachalam. The cinematography was handled by T. S. Vinayagam, the editing was by R. Vittal and C. Lancy, and the art direction was by B. Chalam. The film is Gautami's debut role in Tamil cinema, and the first film in which Rajinikanth and Prabhu co-starred. Filming took place primarily in Mysore and Chennai, and was completed in 25 days. (Full article...)
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The Killer (Chinese:喋血雙雄) is a 1989 Hong Kong action film directed by John Woo, and produced by Tsui Hark. The film stars Chow Yun-fat, Danny Lee, and Sally Yeh. Chow plays Ah Jong, a professional assassin for the Triads who wants to retire, but accidentally damages the eyes of singer Jennie (Yeh) during a shootout and sets out to perform one last hit to pay for her treatment.
After the financial backing from Hark became problematic following the release of Woo's film A Better Tomorrow 2, Woo had to find backing through Chow Yun-fat's and Danny Lee's financing companies. Woo went into filming The Killer with a rough draft whose plot was influenced by the films Le Samouraï, Mean Streets and Narazumono. Woo wanted to make a film about honour, friendship and the relationship of two seemingly opposite people. After finishing filming, Woo referred to The Killer as a tribute to directors Jean-Pierre Melville and Martin Scorsese. (Full article...)
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