The 1980s (pronounced "nineteen-eighties", shortened to "the '80s" or "the Eighties") was the decade that began on 1 January 1980, and ended on 31 December 1989.
The United Kingdom and the United States moved closer to supply-side economic policies, beginning a trend towards global instability of international trade that would pick up more steam in the following decade as the fall of the USSR made right-wing economic policy more powerful.
The final decade of the Cold War opened with the US–Soviet confrontation continuing largely without any interruption. Superpower tensions escalated rapidly as President Reagan scrapped the policy of détente and adopted a new, much more aggressive stance on the Soviet Union. The world came perilously close to nuclear war for the first time since the Cuban Missile Crisis in 1962, but the second half of the decade saw a dramatic easing of superpower tensions and ultimately the total collapse of Soviet communism.
Developing countries across the world faced economic and social difficulties as they suffered from multiple debt crises in the 1980s, requiring many of these countries to apply for financial assistance from the International Monetary Fund (IMF) and the World Bank. Ethiopia witnessed widespread famine in the mid-1980s during the corrupt rule of Mengistu Haile Mariam, resulting in the country having to depend on foreign aid to provide food to its population and worldwide efforts to address and raise money to help Ethiopians, such as the Live Aid concert in 1985.
By 1986, nationalism was making a comeback in the Eastern Bloc, and the desire for democracy in socialist states, combined with economic recession, resulted in Mikhail Gorbachev's glasnost and perestroika, which reduced Communist Party power, legalized dissent and sanctioned limited forms of capitalism such as joint ventures with companies from capitalist countries. After tension for most of the decade, by 1988 relations between the communist and capitalist blocs had improved significantly and the Soviet Union was increasingly unwilling to defend its governments in satellite states.
The 1980s was an era of tremendous population growth around the world, surpassing the 1970s and 1990s, and arguably being the largest in human history. During the 1980s, the world population grew from 4.4 to 5.3 billion people. There were approximately 1.33 billion births and 480 million deaths. Population growth was particularly rapid in a number of African, Middle Eastern, and South Asian countries during this decade, with rates of natural increase close to or exceeding 4% annually. The 1980s saw the advent of the ongoing practice of sex-selective abortion in China and India as ultrasound technology permitted parents to selectively abort baby girls.
The 1980s saw great advances in genetic and digital technology. After years of animal experimentation since 1985, the first genetic modification of 10 adult human beings took place in May 1989, a gene tagging experiment which led to the first true gene therapy implementation in September 1990. The first "designer babies", a pair of female twins, were created in a laboratory in late 1989 and born in July 1990 after being sex-selected via the controversial assisted reproductive technology procedure preimplantation genetic diagnosis. Gestational surrogacy was first performed in 1985 with the first birth in 1986, making it possible for a woman to become a biological mother without experiencing pregnancy for the first time in history.
The global internet took shape in academia by the second half of the 1980s, as well as many other computer networks of both academic and commercial use such as USENET, Fidonet, and the bulletin board system. By 1989, the Internet and the networks linked to it were a global system with extensive transoceanic satellite links and nodes in most developed countries. Based on earlier work, from 1980 onwards Tim Berners-Lee formalized the concept of the World Wide Web by 1989. Television viewing became commonplace in the Third World, with the number of TV sets in China and India increasing by 15 and 10 times respectively.
The 1988 Summer Olympics (Korean:1988년 하계 올림픽), officially the Games of the XXIV Olympiad (제24회 올림픽경기대회) and officially branded as Seoul 1988 (서울 1988), were an international multi-sport event held from 17 September to 2 October 1988 in Seoul, South Korea. 159 nations were represented at the games by a total of 8,391 athletes (6,197 men and 2,194 women). 237 events were held and 27,221 volunteers helped to prepare the Olympics.
The 1988 Seoul Olympics were the second summer Olympic Games held in Asia, after the 1964 Summer Olympics in Tokyo, and the first held in South Korea. As the host country, South Korea ranked fourth overall, winning 12 gold medals and 33 medals in the competition. 11,331 media (4,978 written press and 6,353 broadcasters) showed the Games all over the world. These were the last Olympic Games of the Cold War, as well as for the Soviet Union and East Germany, as both ceased to exist before the next Olympic Games in 1992. The Soviet Union won the most gold and overall medals at the 1988 Games, with 55 and 132 respectively. East Germany was second, and the United States third. (Full article...)
... that, during the 2012 Weezer Cruise, band members oversaw wedding vow renewals, a shuffleboard contest, a midnight movie screening, and a 1980s-themed prom?
... that people in the 1980s expressed interest in buying Chicago's James Charnley House only because they wanted to see the interior?
... that the Fighting Vanguard waged a guerrilla war against the Syrian government in the 1970s and 1980s?
... that Madonna's new film features Debi Mazar, with whom she used to party in the 1980s before either of them was famous?
Image 5The Grateful Dead in 1980. Left to right: Jerry Garcia, Bill Kreutzmann, Bob Weir, Mickey Hart, Phil Lesh. Not pictured: Brent Mydland. (from Portal:1980s/General images)
Image 18Stage view of the Live Aid concert at Philadelphia's JFK Stadium in the United States in 1985. The concert was a major global international effort by musicians and activists to sponsor action to send aid to the people of Ethiopia who were suffering from a major famine. (from Portal:1980s/General images)
Image 19The world map of military alliances in 1980: NATO & Western allies, Warsaw Pact & other Soviet allies, Non-aligned countries, China and Albania (communist countries, but not aligned with USSR), ××× Armed resistance (from Portal:1980s/General images)
Image 20The fall of the Berlin Wall in 1989 marked the beginning of German reunification (from Portal:1980s/General images)
Parker initially turned down an opportunity to direct, believing that the complex book could not be successfully adapted for a feature film. The project resurfaced in 1982 when A&M Films, a subsidiary of A&M Records, acquired the film rights and commissioned Sandy Kroopf and Jack Behr to write the screenplay. Upon reading the script, Parker returned as director, and the film continued development at Tri-Star Pictures. Principal photography began in May 1984 and concluded in August of that year. Filming took place on locations in Philadelphia and Santa Clara, California. The film is notable for being the first to be partially shot with the Skycam, a computer-controlled camera system created by Steadicam inventor Garrett Brown. The score was composed by Peter Gabriel. (Full article...)
Set in rural Yorkshire during the summer of 1920, the film follows a destitute World War I veteran employed to carry out restoration work on a medieval mural discovered in a rural church while coming to terms with the after-effects of the war. (Full article...)
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Kids Can Say No!, stylized as Kids Can Say No, is a 1985 Britishshorteducational film produced and directed by Jessica Skippon and written by Anita Bennett. It is intended to teach children between ages five and eight how to avoid situations where they might be sexually abused, how to escape such situations, and how to get help if they are abused. In the film, Australian celebrity Rolf Harris (who was later convicted of such crimes) is in a park with a group of four children and tells them about proper and improper physical intimacy, which he calls "yes" and "no" feelings. The film has four role-playing scenes in which children encounter paedophiles, with Harris and the children discussing each scene.
Harris said that he came up with the idea for the film on a 1982 Canadian tour when he saw Vancouver's Green Thumb Theatre production of Feeling Yes, Feeling No, a play about child sexual abuse. Kids Can Say No!, released in October 1985 on VHS in the United Kingdom, was the first British children's film about sexual abuse and was purchased by police forces, educational institutions, and libraries across Europe. Upon the film's release, The Times obtained opinions from four sexual-abuse experts, who unanimously opposed using Kids Can Say No! or any other film to teach children about the subject; among other objections, experts cited the necessary vagueness of the terminology in the film as well as concerns about inspiring false accusations. The Australian Broadcasting Corporation received a positive response to its 1988 broadcast of Kids Can Say No! and therefore broadcast it a second time that year. Harris and Skippon collaborated on the 1986 sequel Beyond the Scare, which advises teachers about what to do if a child discloses abuse. Showings of Kids Can Say No! eventually decreased as VHS became less popular in favour of DVD in the late 1990s and early to mid-2000s. (Full article...)
Hughes wrote the screenplay in less than a week. Filming began in September 1985 and finished in November, featuring many Chicago landmarks including the Sears Tower, Wrigley Field, and the Art Institute of Chicago. The film was Hughes's love letter to Chicago: "I really wanted to capture as much of Chicago as I could. Not just in the architecture and landscape, but the spirit." (Full article...)
Producer David De Silva conceived the premise in 1976, partially inspired by the musical A Chorus Line. He commissioned playwright Gore to write the script, originally titled Hot Lunch, before selling it to Metro-Goldwyn-Mayer (MGM). After he was hired to direct the film, Parker rewrote the script with Gore, aiming for a darker and more dramatic tone. Due to the script's subject matter, the New York Board of Education prevented the production from filming in the actual High School of Performing Arts. The film was shot on location in New York City, with principal photography beginning in July 1979 and concluding after 91 days. Parker encountered a difficult filming process, which included conflicts with U.S. labor unions. (Full article...)
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Mystery Train is a 1989 comedy-dramaanthology film written and directed by Jim Jarmusch and set in Memphis, Tennessee. A co-production between the United States and Japan, the film is a triptych of stories involving foreign protagonists, unfolding over the course of the same night. "Far from Yokohama" features a Japanese couple (Youki Kudoh and Masatoshi Nagase) on a cultural pilgrimage, "A Ghost" focuses on an Italian widow (Nicoletta Braschi) stranded in the city overnight, and "Lost in Space" follows the misadventures of a newly single and unemployed Englishman (Joe Strummer) and his reluctant companions (Rick Aviles and Steve Buscemi). The narratives are linked by a run-down flophouse overseen by a night clerk (Screamin' Jay Hawkins) and his disheveled bellboy (Cinqué Lee), the use of Elvis Presley's song "Blue Moon", and a gunshot.
The starting point for the script was the ensemble cast of friends and previous collaborators Jarmusch had conceived characters for, while the tripartite formal structure of the film was inspired by his study of literary forms. Cinematographer Robby Müller and musician John Lurie were among the many contributors who had been involved in earlier Jarmusch projects and returned to work on the film. Mystery Train's US$2.8 million budget (financed by Japanese conglomerate JVC) was considerable compared to what the director had enjoyed before, and allowed him the freedom to rehearse many unscripted background scenes. It was the first of Jarmusch's feature films since Permanent Vacation to depart from his trademark black-and-white photography, though the use of color was tightly controlled to conform with the director's intuitive sense of the film's aesthetic. (Full article...)
An expensive film to produce, Granpa is hand-illustrated with coloured pencil, imitating Burningham's style in the book. It was directed by Dianne Jackson, who previously adapted The Snowman by Raymond Briggs (1978), a wordless picture book as an exceptionally successful family-oriented animated film (1982). Howard Blake, who wrote the music for The Snowman, wrote the music and the script for Granpa, which is referred to as an "animated children's opera". The voices of Granpa and Emily are by Peter Ustinov and Emily Osborne. Granpa won the Prix Jeunesse Special Prize in children's television programming in 1990. (Full article...)
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The Fabulous Baker Boys is a 1989 American romanticcomedy dramamusical film written and directed by Steve Kloves. The film follows a piano act consisting of two brothers, who hire an attractive female singer to help revive their waning career. After a period of success, complications ensue when the younger brother develops romantic feelings for the singer. Brothers Jeff Bridges and Beau Bridges star as the eponymous Baker Boys, while Michelle Pfeiffer plays lounge singer Susie Diamond.
The Fabulous Baker Boys was Kloves's directorial debut and second screenplay. He conceived the story based on Ferrante & Teicher, a piano duo he had grown up watching perform on The Ed Sullivan Show, which inspired him to write a film about working class musicians who are also siblings. Determined to direct the film himself, Kloves sold the script to producers Paula Weinstein and Mark Rosenberg. It was subsequently rotated among several production companies before it was ultimately obtained by 20th Century Fox in 1986. Pfeiffer underwent several months of voice training to perform all of her character's songs, which largely consist of jazz and pop standards. While both Bridges brothers play their instruments on camera, their audio was dubbed by the film's composer, Dave Grusin, and musician John F. Hammond, respectively. Although primarily set in Seattle, Washington, the film was shot mostly in Los Angeles, California, from December 1988 to March 1989. (Full article...)
Labyrinth started as a collaboration between Henson and Brian Froud following their previous collaboration The Dark Crystal (1982). Jones of Monty Python wrote the first draft of the film's script early in 1984, drawing on Froud's sketches for inspiration. The screenplay underwent several revisions by Laura Phillips, Lucas, Lee, and Elaine May—although Jones received the film's sole screenwriting credit. It was shot from April to September 1985 on location in Upper Nyack, Piermont, and Haverstraw, New York, and at Elstree Studios and West Wycombe Park in the United Kingdom. The film's fantastical creatures were designed by Froud and created by Jim Henson's Creature Shop. (Full article...)
Who's That Girl is a 1987 American screwball comedy film directed by James Foley, and written by Andrew Smith and Ken Finkleman. It stars Madonna and Griffin Dunne, and depicts the story of Nikki Finn, a street-smart girl who is falsely accused of murdering her boyfriend Johnny and is sent to jail. After release, she meets Loudon Trott, who is supposed to make sure she gets on her bus back to Philadelphia, and convinces him to help her catch those responsible for her confinement. While searching for an embezzler, they fall in love with each other.
After her 1986 film Shanghai Surprise failed, Madonna decided to sign on to another comedy, titled Slammer, later renamed Who's That Girl. However, she had to convince both Warner Bros. and the film's producers that she was ready. Madonna enlisted her friend Foley to direct. Shooting began in New York in October 1986, and continued until March 1987. Production was halted during December due to snowfall. Madonna utilized the time to work on her next tour and the film's soundtrack. (Full article...)
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White Dog is a 1982 American dramahorror film directed by Samuel Fuller and written by Fuller and Curtis Hanson, based on Romain Gary's 1970 novel of the same title. Executive Producers were Edgar J. Scherick and Nick Vanoff. The film depicts the struggle of a dog trainer named Keys (Paul Winfield), who is black, trying to retrain a stray dog found by a young actress (Kristy McNichol), that is a "white dog"—a dog trained to make vicious attacks upon, and to kill, any black person. Fuller uses the film as a platform to deliver a message against racism as it examines the question of whether racism is a treatable problem or an incurable condition.
The film's theatrical release was suppressed for a week in the United States by Paramount Pictures out of concern over negative press after rumors began circulating that the film was racist. Prior to the date, it was released internationally in France in July 1982. Its first official American home video release came in December 2008 when The Criterion Collection released the original uncut film to DVD. (Full article...)
Gale and Zemeckis conceived the idea for Back to the Future in 1980. They were desperate for a successful film after numerous collaborative failures, but the project was rejected more than forty times by various studios because it was not considered raunchy enough to compete with the successful comedies of the era. A development deal was secured with Universal Pictures following Zemeckis's success directing Romancing the Stone (1984). Fox was the first choice to portray Marty but was unavailable; Eric Stoltz was cast instead. Shortly after principal photography began in November 1984, Zemeckis determined Stoltz was not right for the part and made the concessions necessary to hire Fox, including re-filming scenes already shot with Stoltz and adding $4million to the budget. Back to the Future was filmed in and around California and on sets at Universal Studios, and concluded the following April. (Full article...)
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Wings of Desire (German: Der Himmel über Berlin, pronounced[deːɐ̯ˈhɪml̩ˈʔyːbɐbɛɐ̯ˈliːn]ⓘ; lit.'The Heaven/Sky over Berlin') is a 1987 romantic fantasy film written by Wim Wenders, Peter Handke and Richard Reitinger, and directed by Wenders. The film is about invisible, immortal angels who populate Berlin and listen to the thoughts of its human inhabitants, comforting the distressed. Even though the city is densely populated, many of the people are isolated or estranged from their loved ones. One of the angels, played by Bruno Ganz, falls in love with a beautiful, lonely trapeze artist, played by Solveig Dommartin. The angel chooses to become mortal so that he can experience human sensory pleasures, ranging from enjoying food to touching a loved one, and so that he can discover human love with the trapeze artist.
Inspired by art depicting angels visible around West Berlin, at the time encircled by the Berlin Wall, Wenders and author Peter Handke conceived of the story and continued to develop the screenplay throughout the French and German co-production. The film was shot by Henri Alekan in both colour and black-and-white, the latter being used to represent the world as seen by the angels. The cast includes Otto Sander, Curt Bois and Peter Falk. (Full article...)
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The Daicon III and IV Opening Animations are two 8mm film anime short films that were produced for the 1981 Daicon III and 1983 Daicon IV Nihon SF Taikai conventions. They were produced by a group of amateur animators known as Daicon Film, who would later go on to form the animation studio Gainax. The films are known for their unusually high production values for amateur works and for including numerous references to otaku culture, as well as its unauthorized appropriations of the Playboy Bunny costume. Usage of the songs "Runaway" by Bill Conti (from the soundtrack to the 1981 James Bond film For Your Eyes Only) as well as "Twilight" and "Hold On Tight" by English rock band Electric Light Orchestra were also unauthorized.
Daicon III was made by Hideaki Anno, Hiroyuki Yamaga and Takami Akai and Daicon IV credits twelve people, including Yamaga as the director and Anno and Akai as animation supervisors. Despite the questionable legal status of the works, the production of Daicon III resulted in debts that were repaid by selling video tapes and 8mm reels of the production, the profits of which went to the production of Daicon IV, which later received the "Local Works" award in the Minor Anime Grand Prix section of the 1983 Anime Grand Prix, organized by the anime magazine Animage. In 2001, Animage ranked the Daicon animations as the 35th of the "Top 100" anime of all time. (Full article...)
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