The 1990s (pronounced "nineteen-nineties"; shortened to "the '90s") was a decade of the Gregorian calendar that began on 1 January 1990, and ended on 31 December 1999.
In the absence of world communism, which collapsed in the first two years of the decade, the 1990s was politically defined by a movement towards the right-wing, including increase in support for far-right parties in Europe[1] as well as the advent of the Hindu nationalist Bharatiya Janata Party[2] and cuts in social spending in the United States,[3] Canada,[4] New Zealand,[5] and the UK.[6] The United States also saw a massive revival in the use of the death penalty in the 1990s, which reversed in the early 21st century.[7] During the 1990s the character of the European Union and Euro were formed and codified in treaties.
A combination of factors, including the continued mass mobilization of capital markets through neo-liberalism, the thawing of the decades-long Cold War, the beginning of the widespread proliferation of new media such as the Internet from the middle of the decade onwards, increasing skepticism towards government, and the dissolution of the Soviet Union led to a realignment and reconsolidation of economic and political power across the world and within countries. The dot-com bubble of 1997–2000 brought wealth to some entrepreneurs before its crash between 2000 and 2001.
The 1990s saw extreme advances in technology, with the World Wide Web, the first gene therapy trial, and the first designer babies[8] all emerging in 1990 and being improved and built upon throughout the decade.
... that before the Times Square Hotel was renovated in the 1990s, it was described as "a scene of complete social chaos", with 1,700 violations of building codes?
Limbaugh became one of the most prominent conservative voices in the United States during the 1990s and hosted a national television show from 1992 to 1996. He was among the most highly paid figures in American radio history; in 2018 Forbes listed his earnings at $84.5 million. In December 2019, Talkers Magazine estimated that Limbaugh's show attracted a cumulative weekly audience of 15.5 million listeners to become the most-listened-to radio show in the United States. Limbaugh also wrote seven books; his first two, The Way Things Ought to Be (1992) and See, I Told You So (1993), made The New York Times Best Seller list. (Full article...)
Image 14The catsuit became a trend in the late 1990s. Normally made of latex, PVC, or spandex, it was often worn with high-heeled boots. (from 1990s in fashion)
Image 15Typical late 1990s fashions, 1997. (from 1990s in fashion)
Image 18The Nasdaq Composite displaying the dot-com bubble, which ballooned between 1997 and 2000. The bubble peaked on Friday, 10 March 2000. (from 1990s)
Image 25Rwandan genocide: Bones of genocide victims in Murambi Technical School. Estimates put the death toll of the Rwandan genocide as high as 800,000 people. (from 1990s)
Disney initially envisioned Toy Story 2 as a direct-to-video sequel. The film began production in a building separated from Pixar, on a small scale, as most of the main Pixar staff were busy working on A Bug's Life (1998). When story reels proved promising, Disney upgraded the film to a theatrical release, but Pixar was unhappy with the film's quality. Lasseter and the story team redeveloped the entire plot in one weekend. Although most Pixar features take years to develop, the established release date could not be moved and the production schedule for Toy Story 2 was compressed into nine months. (Full article...)
The film is loosely inspired by the work of Raymond Chandler. Joel Coen said, "We wanted to do a Chandler kind of story—how it moves episodically and deals with the characters trying to unravel a mystery, as well as having a hopelessly complex plot that's ultimately unimportant." The score is by Carter Burwell, a longtime collaborator of the Coen brothers. (Full article...)
Set in 1938 Los Angeles, California, The Rocketeer tells the story of stunt pilotCliff Secord, who discovers a hidden rocket pack that he thereafter uses to fly without the need of an aircraft. His heroic deeds soon attract the attention of Howard Hughes and the FBI, who are hunting for the missing rocket pack, as well as the Nazi operatives who stole it from Hughes. (Full article...)
The film was initially conceived in 1994 as a musical with the involvement of Pete Townshend of the Who. In 1996, Bird signed on as director and McCanlies was hired to write the screenplay. The film was animated primarily using traditional animation, with computer-generated imagery used to animate the Giant and for other effects. The crew of the film was understaffed and completed it with half of the time and budget of other animated features. Michael Kamen composed the film's score, which was performed by the Czech Philharmonic. (Full article...)
Primarily centered on themes of censorship and scapegoating, the film also parodies and satirizes the animated films of the Disney Renaissance, musicals such as Les Misérables, and controversies surrounding the series itself. The film also heavily satirizes the Motion Picture Association of America; during production, Parker and Stone disputed with the MPAA, which returned the film multiple times with an NC-17 rating due to its frequent use of profanity. The film's songs were written by Parker and Marc Shaiman, the latter of whom composed the score. (Full article...)
Blending science fiction with film noir conventions, Strange Days explores themes such as racism, abuse of power, rape and voyeurism. Although Cameron began work on the story around 1986, the film incorporates high-profile incidents from the early 1990s, such as the police violence against Rodney King and the 1992 Los Angeles riots. Principal photography began in Los Angeles on June 6, 1994, and concluded on October 14. Several of the film's scenes, which offer a point-of-view shot, required multi-faceted cameras and considerable technical preparation. (Full article...)
The film was conceived by Feldman in 1987, and was originally pitched as a film treatment in the style of a police procedural, entitled The Message. When The Message failed to attract the studios, Feldman re-wrote it as a spec script, which ultimately led to the making of the film. The extraterrestrial aspect of Sil's character was created by H. R. Giger, who was also responsible for the beings from the Alien franchise. The effects combined practical models designed by Giger collaborator Steve Johnson and XFX, with computer-generated imagery done by Richard Edlund's Boss Film Studios. Giger felt that the film and the character were too similar to Alien, so he pushed for script changes. (Full article...)
The Mask of Zorro is a 1998 American Westernswashbuckler film based on the fictional character Zorro by Johnston McCulley. Directed by Martin Campbell from a screenplay by John Eskow, Ted Elliott, and Terry Rossio, it stars Antonio Banderas in the main role, with Anthony Hopkins, Catherine Zeta-Jones, and Stuart Wilson co-starring in supporting roles. The film features the original Zorro, Don Diego de la Vega (Hopkins), escaping from prison to find his long-lost daughter (Zeta-Jones) and avenge the death of his wife at the hands of the corrupt governor Rafael Montero (Wilson). He is aided by his successor (Banderas), who is pursuing his own vendetta against the governor's right-hand man while falling in love with de la Vega's daughter.
Krissna initially refused to remake Allari Mogudu because he disliked it but agreed after Rajinikanth told him their next film after Annaamalai (1992) should be different to avoid comparisons. The screenplay of Veera was written to be substantially different from the original; it was tailored to Rajinikanth's style and had logic added to the scenario. Arunachalam, who made script changes, received sole screenwriting credit. The film was produced by Arunachalam's wife Meena, photographed by P. S. Prakash and edited by Ganesh–Kumar. (Full article...)
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Hard Target is a 1993 American action film directed by Hong Kong film director John Woo. The film stars Jean-Claude Van Damme as Chance Boudreaux, an out-of-work homeless Cajun merchant seaman and former United States Force Recon Marine who saves a young woman named Natasha Binder (Yancy Butler) from a gang of thugs in New Orleans. Chance learns that Binder is searching for her missing father (Chuck Pfarrer), and agrees to aid Binder in her search. They soon learn that Binder's father has died at the hands of hunt organisers Emil Fouchon (Lance Henriksen) and Pik van Cleaf (Arnold Vosloo), a ruthless businessman and his right-hand mercenary, who arrange the hunting of homeless men as a form of recreational sport. The screenplay was written by Pfarrer and is based on the 1932 film adaptation of Richard Connell's 1924 short story "The Most Dangerous Game". It is the first installment in the Hard Target film series.
Hard Target was Woo's first American and English-language film, and is widely regarded as the first major Hollywood studio production directed by a Chinese – and more broadly, Asian – filmmaker. Universal Pictures was nervous about having Woo direct a feature and sent in director Sam Raimi to look over the film's production and to take Woo's place as director if he were to fail. Woo went through several scripts finding mostly martial arts films with which he was not interested. After deciding on Pfarrer's script for Hard Target, Woo wanted to have actor Kurt Russell in the lead role, but found Russell too busy with other projects. Woo then went with Universal's initial choice of having Van Damme star. Woo got along with Van Damme during filming and raised the amount of action in the film as he knew that the actor was up for it. (Full article...)
In the film, set 200 years after Alien 3 (1992), Ellen Ripley is cloned and an Alien queen is surgically removed from her body. The United Systems Military (USM) hopes to breed Aliens to study and research on the spaceship USM Auriga, using human hosts abducted and delivered to them by a group of mercenaries. The Aliens escape their enclosures, and Ripley and the mercenaries attempt to escape and destroy the Auriga before it reaches Earth. Additional roles are played by Ron Perlman, Dan Hedaya, J. E. Freeman, Brad Dourif, and Michael Wincott. (Full article...)
Lyricist Howard Ashman pitched the film's idea to Disney president Jeffrey Katzenberg and the screenplay went through three drafts before Katzenberg agreed to its production. The animators based their designs on the work of caricaturist Al Hirschfeld, and computers were used to both finish the hand-drawn artwork and create some additional animated elements. Composed by Alan Menken, the film's musical score features six songs with lyrics written by both Ashman and Tim Rice (who took over following Ashman's death in 1991). (Full article...)
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