The 1990s (pronounced "nineteen-nineties"; shortened to "the '90s") was a decade of the Gregorian calendar that began on 1 January 1990, and ended on 31 December 1999.
In the absence of world communism, which collapsed in the first two years of the decade, the 1990s was politically defined by a movement towards the right-wing, including increase in support for far-right parties in Europe[1] as well as the advent of the Hindu nationalist Bharatiya Janata Party[2] and cuts in social spending in the United States,[3] Canada,[4] New Zealand,[5] and the UK.[6] The United States also saw a massive revival in the use of the death penalty in the 1990s, which reversed in the early 21st century.[7] During the 1990s the character of the European Union and Euro were formed and codified in treaties.
A combination of factors, including the continued mass mobilization of capital markets through neo-liberalism, the thawing of the decades-long Cold War, the beginning of the widespread proliferation of new media such as the Internet from the middle of the decade onwards, increasing skepticism towards government, and the dissolution of the Soviet Union led to a realignment and reconsolidation of economic and political power across the world and within countries. The dot-com bubble of 1997–2000 brought wealth to some entrepreneurs before its crash between 2000 and 2001.
The 1990s saw extreme advances in technology, with the World Wide Web, the first gene therapy trial, and the first designer babies[8] all emerging in 1990 and being improved and built upon throughout the decade.
... that the Polish subgenre of speculative fiction known as klerykal fiction emerged in the 1990s as a response to societal fears of church influence in politics?
Image 31Rwandan genocide: Bones of genocide victims in Murambi Technical School. Estimates put the death toll of the Rwandan genocide as high as 800,000 people. (from 1990s)
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The Mask of Zorro is a 1998 American Westernswashbuckler film based on the fictional character Zorro by Johnston McCulley. Directed by Martin Campbell from a screenplay by John Eskow, Ted Elliott, and Terry Rossio, it stars Antonio Banderas in the main role, with Anthony Hopkins, Catherine Zeta-Jones, and Stuart Wilson co-starring in supporting roles. The film features the original Zorro, Don Diego de la Vega (Hopkins), escaping from prison to find his long-lost daughter (Zeta-Jones) and avenge the death of his wife at the hands of the corrupt governor Rafael Montero (Wilson). He is aided by his successor (Banderas), who is pursuing his own vendetta against the governor's right-hand man while falling in love with de la Vega's daughter.
Set in 2029 in the fictional New Port City, the film follows Major Motoko Kusanagi, a cyborg public-security agent who hunts an enigmatic hacker/ghost known as "the Puppet Master". The narrative incorporates philosophical themes that focus on self and identity in a technologically advanced world. The music, composed by Kenji Kawai, includes vocals in classical Japanese. The film's visuals were created through a combination of traditional cel animation and CGI animation. (Full article...)
Isabelle Eberhardt was screened at the 1991 Melbourne International Film Festival and was also released in cinemas in Australia, though did not have a home media release. The film received generally negative reviews. (Full article...)
After numerous unsuccessful attempts to develop a Fantasia sequel, The Walt Disney Company revived the idea shortly after Michael Eisner became chief executive officer in 1984. Development paused until the commercial success of the 1991 home video release of Fantasia convinced Eisner that there was enough public interest and funds for a sequel, to which he assigned Disney as executive producer. The music for six of the film's eight segments is performed by the Chicago Symphony Orchestra conducted by James Levine. The film includes The Sorcerer's Apprentice from the 1940 original. Each new segment was produced by combining traditional animation with computer-generated imagery. Fantasia 2000 is part of the Disney Renaissance, and also commemorates Walt Disney's third animated feature film. (Full article...)
Alex Cox had tried to make a Mars Attacks film in the 1980s before Burton and Gems began development in 1993. When Gems turned in his first draft in 1994, Warner Bros. Pictures commissioned rewrites from Gems, Burton, and Scott Alexander and Larry Karaszewski in an attempt to lower the budget to $60million. The final production budget came to $80million, while Warner Bros. spent another $20million on the Mars Attacks! marketing campaign. Filming took place from February to June 1996. The film was shot in California, Nevada, Kansas, Arizona, and Argentina. (Full article...)
Bound was the first film directed by the Wachowskis, and they took inspiration from Billy Wilder to tell a noir story filled with sex and violence. Financed by Dino De Laurentiis, the film was made on a tight budget with the help of frugal crew members including cinematographer Bill Pope. The directors initially struggled to cast the lesbian characters of Violet and Corky before securing Tilly and Gershon. To choreograph the sex scenes, the directors employed sex educator Susie Bright as an ad hocintimacy coordinator, and she also made a cameo appearance in the film. (Full article...)
Blending science fiction with film noir conventions, Strange Days explores themes such as racism, abuse of power, rape and voyeurism. Although Cameron began work on the story around 1986, the film incorporates high-profile incidents from the early 1990s, such as the police violence against Rodney King and the 1992 Los Angeles riots. Principal photography began in Los Angeles on June 6, 1994, and concluded on October 14. Several of the film's scenes, which offer a point-of-view shot, required multi-faceted cameras and considerable technical preparation. (Full article...)
The film is regarded as a classic independent film and a cult film. Although controversial at first for its depictions of violence and heavy use of profanity, Reservoir Dogs was generally well received, and the cast was praised by many critics. Despite not being heavily promoted during its theatrical run, the film became a modest success in the United States after grossing $2.9 million against its scant budget. It achieved higher popularity after the success of Tarantino's next film, Pulp Fiction (1994). A soundtrack was released featuring songs used in the film, which are mostly from the 1970s. It was named "Greatest Independent Film of All Time" by the British film magazine Empire, which in 2008 also named it the 97th-greatest film ever made. (Full article...)
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Zero Patience is a 1993 Canadian musical film written and directed by John Greyson. The film examines and refutes the urban legend of the alleged introduction of HIV to North America by a single individual, Gaëtan Dugas. Dugas, better known as Patient Zero, was the target of blame in the popular imagination in the 1980s in large measure because of Randy Shilts's American television film docudrama, And the Band Played On (1987), a history of the early days of the AIDS epidemic. Zero Patience tells its story against the backdrop of a romance between a time-displaced Sir Richard Francis Burton and the ghost of "Zero" (the character is not identified by Dugas' name).
The film was initially conceived in 1994 as a musical with the involvement of Pete Townshend of the Who. In 1996, Bird signed on as director and McCanlies was hired to write the screenplay. The film was animated primarily using traditional animation, with computer-generated imagery used to animate the Giant and for other effects. The crew of the film was understaffed and completed it with half of the time and budget of other animated features. Michael Kamen composed the film's score, which was performed by the Czech Philharmonic. (Full article...)
Simon Moore's script was purchased by Sony Pictures Entertainment in May 1993, and actress Sharon Stone signed on as both star and co-producer. Development was fast-tracked after director Sam Raimi's hiring, and principal photography began in Old Tucson Studios in Arizona on November 21, 1993. The film was distributed by TriStar Pictures and was released in the United States on February 10, 1995, to a dismal box-office performance, receiving mixed reviews from critics. In later years, however, the film earned critical praise, especially for the performances, direction, cinematography and musical score, with some critics noting it as underrated in Raimi's catalog. (Full article...)
The film was conceived by writers Scott Alexander and Larry Karaszewski. Alexander first proposed it as a documentary, when he was a student at the USC School of Cinematic Arts. Years later, irritated at being thought of solely as writers for family films with their work on Problem Child (1990) and its 1991 sequel, Alexander and Karaszewski struck a deal with Burton and Denise Di Novi to produce Ed Wood. Initially, Michael Lehmann was chosen to direct the project, but due to scheduling conflicts with his work on the film Airheads (1994), he had to vacate the director's position, which was taken over by Tim Burton. (Full article...)
Warner Bros. fast-tracked development for Batman & Robin following the box office success of Batman Forever; Schumacher was given a mandate to make the film more toyetic than its predecessor. Schumacher and Goldsman conceived the storyline during pre-production on A Time to Kill. After Val Kilmer decided not to reprise the role of Batman, Schumacher was interested in casting William Baldwin before Clooney won the role. Principal photography began in September 1996 and wrapped in January 1997, two weeks ahead of the shooting schedule. Batman & Robin is the only film in the initial Batman film series made without the involvement of Tim Burton in any capacity. (Full article...)
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![Image 24An "I Believe Anita Hill" button pin in support of her sexual harassment allegations against U.S. Supreme Court nominee Clarence Thomas. Hill testified before the Senate Judiciary Committee arguing against the confirmation of Thomas. (from 1990s)](https://en.wikipedia.org/wiki/File:"I_Believe_Anita_Hill"_Button.jpg)
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