Pyun Hye-young (Korean편혜영, born 1972) is a South Korean writer.[1]

Life

Pyun Hye-young was born in Seoul in 1972.[2] She earned her undergraduate degree in creative writing and graduate degree in Korean literature from Hanyang University. After receiving these degrees, Pyun worked as an office worker, and many office workers appear in her stories.[3]

Work

Pyun began publishing in 2000 and published three collections of stories, Aoi Garden, To the Kennels, and Evening Proposal as well as the novel Ashes and Red. In 2007, To the Kennels won the Hankook Ilbo Literary Award, in 2009 the short story "O. Cuniculus" won the Yi Hyoseok Literature Prize and then the Today's Young Writer Award in 2010, while in 2011 Evening Proposal won the Dong-in Literary Award.[2] Her works have several themes including alienation in modern life and an apocalyptic world, and they are often infused with grotesque images. The novel Ashes and Red explores irony and the dual nature of humanity. [4]

About "O. Cuniculus"

The story follows an unnamed man temporarily assigned to work in the countryside. While visiting an abandoned park, he comes across a rabbit with red eyes and soiled white fur, a symbol of neglect and suffering. The rabbit, appearing weak and desperate, becomes the central figure in the story as the man grapples with his emotions of sympathy and revulsion.

The man’s struggle deepens as he realizes the inability of urban life to offer genuine compassion. The city's rigid and alienating environment leaves no space for nurturing or empathy, and the man contemplates the rabbit’s fate—whether to keep it, release it back into the wild, or abandon it entirely.

This contemplation forms the emotional and thematic core of the story, exploring the tension between human responsibility and society’s indifference. O. Cuniculus captures the essence of urban alienation through the protagonist's disillusionment with city life. Pyun paints a bleak picture of urban spaces, where individuals are trapped in repetitive, dehumanizing routines that dull their sensitivity to suffering—both human and animal, even saying the man had never felt more alone, not even in a crowded room. The protagonist’s internal dialogue and his encounter with the rabbit symbolize a yearning for connection, yet he remains trapped in a cycle of apathy. The city becomes a metaphor for a cold, indifferent world where genuine compassion and connection are increasingly difficult to find.

Works in English

Works in Korean (partial)

Fiction collections

  • 《아오이가든》(문학과지성사, 2005)
  • 《사육장 쪽으로》(문학동네, 2007)
  • 《저녁의 구애》(문학과지성사, 2011)
  • 《죽은 자로 하여금》 (현대문학, 2018)

Long fiction

  • 《재와 빨강》(창비, 2010)
  • 《서쪽 숲에 갔다》(문학과지성사, 2012)

Awards

References

  1. ^ "Pyun Hye-young" LTI Korea Datasheet available at LTI Korea Library or online at: http://klti.or.kr/ke_04_03_011.do# Archived 2013-09-21 at the Wayback Machine
  2. ^ a b Words without borders
  3. ^ Necessary or true
  4. ^ Witness to Solitude: Novelist Pyun Hye-young, by Yang Yun-eui LIST Magazine, Vol. 12, Summer 2011
  5. ^ “O. Cuniculus”
  6. ^ "The Law of Lines".
  7. ^ (in Korean) 제38회 이상문학상 대상에 소설가 편혜영. Yonhap, January 13, 2014.
  8. ^ "2017 Shirley Jackson Award Winners". The Shirley Jackson Awards. Archived from the original on 2022-04-25. Retrieved 2024-04-10.
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