Tadashi Imai (今井正, Imai Tadashi, January 8, 1912 – November 22, 1991) was a Japanese film director known for social realist filmmaking informed by a left-wing perspective.[2] His most noted films include An Inlet of Muddy Water (1953) and Bushido, Samurai Saga (1963).
Life
Although leaning towards left-wing politics already at Tokyo University, where he joined a Communist student group, Imai's directing career, after serving as continuity writer at J.O. studios (later Toho), started in 1939 with a series of films promoting the war efforts of the militarist regime.[3] Later calling these films "the biggest mistake of my life", he soon turned to socially conscious themes after the war.[4] Aoi sanmyaku (1949), although a light comedy, observed the educational system, and was successful both with moviegoers and critics.[5] While his 1950 drama Until We Meet Again portrayed a young couple's doomed love against the backdrop of the Pacific War, the 1953 anti-war film Tower of Lilies was a stark account of untrained female students forced into aiding military troops during the final stage of the Battle of Okinawa. Other films addressed the present-day struggles of day labourers (And Yet We Live), troubled youths (Jun'ai monogatari), poor farmers (The Rice People) and children of interracial relationships (Kiku to Isamu). Yet the films regarded his most important of this era had a historical instead of a contemporary setting: An Inlet of Muddy Water (1953), based on stories by Ichiyō Higuchi, took a look at the fate of a group of women during the Meiji era, Night Drum (1958), scripted by Kaneto Shindo, denounced the Samurai honour codex in a tale about adultery and revenge during the Edo period.[3][4] Imai returned to the latter subject in the critically acclaimed Bushido, Samurai Saga (1963) and in Revenge (1964).
Legacy
Japanese critics tended to define Imai's way of storytelling as "nakanai realism", a "realism without tears", a fact questioned by film historian Joan Mellen who saw his work repeatedly "close to the sentimental".[4] In an interview, Imai himself summed up his films as "centered on human tragedies", which locates them close to the works of Keisuke Kinoshita who addressed similar topics (though in a less political manner) and whom Imai admired.[6] While film historians acknowledge Imai's solid directorial skills, the lack of a consistent style, and tendency to focus more on consequences than analysis of his themes, have been recurring subjects of criticism.[3][4]
Selected filmography
- 1946: Minshū no Teki
- 1949: Aoi sanmyaku
- 1950: Until We Meet Again (Mata au hi made)
- 1951: And Yet We Live (Dokkoi ikiteru)
- 1953: Tower of Lilies (Himeyuri no tō)
- 1953: An Inlet of Muddy Water (Nigorie)
- 1956: Mahiru no ankoku
- 1957: Jun'ai monogatari
- 1957: The Rice People (Kome)
- 1958: Night Drum (Yoru no tsuzumi)
- 1959: Kiku to Isamu
- 1963: Bushido, Samurai Saga (Bushidō zankoku monogatari)
- 1964: Revenge (Adauchi)
- 1967: Satōgashi ga kowareru toki
- 1976: Brother and Sister (Ani imōto)
- 1981: Yuki
Awards
Imai received the Kinema Junpo Award for Best Director for Mahiru no ankoku, The Rice People and Kiku to Isamu. All three films plus Until We Meet Again and An Inlet of Muddy Water were also awarded Best Film.
Year of Award | Name of Award | Awarding Organization | Country of Origin | Film Title (if applicable) |
---|---|---|---|---|
1946 | Best Director[7] | Mainichi Film Awards | Japan | Minshū no Teki |
1950 | Best Film[8] | Blue Ribbon Awards | Until We Meet Again | |
Best Director[8] | ||||
Best Film[9] | Mainichi Film Awards | |||
1953 | Best Film[10] | Blue Ribbon Awards | An Inlet of Muddy Water | |
Best Director[10] |
| |||
Best Film[11] | Mainichi Film Awards | An Inlet of Muddy Water | ||
Best Director[11] | ||||
1956 | Best Film[12] | Blue Ribbon Awards | Mahiru no ankoku | |
Best Director[12] | ||||
Best Film[13] | Mainichi Film Awards | |||
Best Director[13] | ||||
1957 | Best Film[14] | Blue Ribbon Awards | Rice | |
Best Director[14] |
| |||
Best Film[15] | Mainichi Film Awards | Rice | ||
Best Director[15] |
| |||
1958 | Best Director[16] | Berlin International Film Festival | Germany | Jun'ai monogatari |
1959 | Best Film[17] | Blue Ribbon Awards | Japan | Kiku to Isamu |
Best Film[18] | Mainichi Film Awards | |||
1963 | Golden Bear[19] | Berlin International Film Festival | Germany | Bushido, Samurai Saga |
1991 | Special Award[20] | Mainichi Film Awards | Japan |
References
- ^ "Film Director Tadashi Imai Dead at 79". Associated Press (in Japanese). 22 November 1991. Retrieved 19 December 2020.
- ^ "Imai Tadashi". Nihon jinmei jiten (in Japanese). Kōdansha. Retrieved 27 October 2010.
- ^ a b c Anderson, Joseph L.; Richie, Donald (1959). The Japanese Film – Art & Industry. Rutland, Vermont and Tokyo: Charles E. Tuttle Company.
- ^ a b c d Jacoby, Alexander (2008). Critical Handbook of Japanese Film Directors: From the Silent Era to the Present Day. Berkeley: Stone Bridge Press. ISBN 978-1-933330-53-2.
- ^ Hirano, Kyoko (1992). Mr. Smith Goes to Tokyo: Japanese Cinema Under the American Occupation, 1945–1952. Washington and London: Smithsonian Institution Press. ISBN 1-56098-157-1.
- ^ Richie, Donald (2005). A Hundred Years of Japanese Film (Revised ed.). Tokyo, New York, London: Kodansha International. ISBN 978-4-7700-2995-9.
- ^ 毎日映画コンクール 第1回(1946年) [1st Mainichi Film Awards (1946)]. Mainichi Film Awards (in Japanese). Archived from the original on December 3, 2024. Retrieved March 26, 2025.
- ^ a b "ブルーリボン賞ヒストリー" (in Japanese). Cinema Hochi. Archived from the original on 2013-04-15. Retrieved 2010-01-17.
- ^ 毎日映画コンクール 第5回(1950年) [5th Mainichi Film Awards (1950)]. Mainichi Film Awards (in Japanese). Archived from the original on February 21, 2025. Retrieved March 26, 2025.
- ^ a b "ブルーリボン賞ヒストリー" (in Japanese). Cinema Hochi. Archived from the original on 2009-02-07. Retrieved 2020-12-20.
- ^ a b "8th Mainichi Film Awards 1953" (in Japanese). Retrieved 19 December 2020.
- ^ a b "ブルーリボン賞ヒストリー" (in Japanese). Cinema Hochi. Archived from the original on 2010-12-27. Retrieved 2010-01-17.
- ^ a b 毎日映画コンクール 第11回(1956年) [11th Mainichi Film Awards (1956)]. Mainichi Film Awards (in Japanese). Archived from the original on January 14, 2025. Retrieved March 26, 2025.
- ^ a b "ブルーリボン賞ヒストリー" (in Japanese). Cinema Hochi. Archived from the original on 2008-10-22. Retrieved 2010-01-17.
- ^ a b 毎日映画コンクール 第12回(1957年) [12th Mainichi Film Awards (1957)]. Mainichi Film Awards (in Japanese). Archived from the original on February 25, 2025. Retrieved March 26, 2025.
- ^ "Berlin Film Festival: Prize Winners". berlinale.de. Retrieved 2010-01-02.
- ^ "ブルーリボン賞ヒストリー" (in Japanese). Cinema Hochi. Archived from the original on 2009-02-07. Retrieved 2020-12-20.
- ^ 毎日映画コンクール 第14回(1959年) [14th Mainichi Film Awards (1959)]. Mainichi Film Awards (in Japanese). Archived from the original on October 13, 2023. Retrieved March 26, 2025.
- ^ "Berlinale: Prize Winners". berlinale.de. Retrieved 2010-02-13.
- ^ 毎日映画コンクール 第46回(1991年) [46th Mainichi Film Awards (1991)]. Mainichi Film Awards (in Japanese). Archived from the original on January 26, 2025. Retrieved March 26, 2025.
External links
- Tadashi Imai at IMDb
- Tadashi Imai at the Japanese Movie Database (in Japanese)
- "今井正 (Tadashi Imai)". Kinenote (in Japanese). Retrieved 21 July 2021.
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