Daniel Mandell (August 13, 1895 – June 8, 1987) was an American film editor with more than 70 film credits.[1][2][3] His first editing credit was for The Turmoil in 1924. From Dodsworth (1936) to Porgy and Bess (1959), Mandell worked for Samuel Goldwyn Productions. He had notable collaborations with directors William Wyler (1933–1946) and Billy Wilder (1957–1966). Mandell's last credit was for The Fortune Cookie in 1966.

Mandell won the Academy Award for Best Film Editing for The Pride of the Yankees (1942; directed by Sam Wood), The Best Years of Our Lives (1946; directed by William Wyler), and The Apartment (1960; directed by Billy Wilder). No editor has won more than three Academy Awards, and only three others have won three times: Ralph Dawson, Michael Kahn, and Thelma Schoonmaker.[4] Mandell was nominated for the Academy Award for two additional films, The Little Foxes (1941; directed by William Wyler) and Witness for the Prosecution (1957; directed by Billy Wilder).

Additional credits include Holiday (1930), Counsellor at Law (1933), Dodsworth (1936), Wuthering Heights (1939), Meet John Doe (1941), The North Star (1943), Enchantment (1948), Roseanna McCoy (1949), Guys and Dolls (1955), and Kiss Me, Stupid (1964).

Filmography

Editor
Year Film Director Notes Other notes
1924 The Turmoil Hobart Henley
1925 California Straight Ahead Harry A. Pollard First collaboration with Harry A. Pollard
1926 Poker Faces Second collaboration with Harry A. Pollard
1927 Love Me and the World Is Mine E. A. Dupont
Beware of Widows Wesley Ruggles
Uncle Tom's Cabin Harry A. Pollard Third collaboration with Harry A. Pollard
1929 Man, Woman and Wife Edward Laemmle First collaboration with Edward Laemmle
Silks and Saddles Robert F. Hill First collaboration with Robert F. Hill
Show Boat Harry A. Pollard Fourth collaboration with Harry A. Pollard
Melody Lane Robert F. Hill Second collaboration with Robert F. Hill
Uncredited
1930 Undertow Harry A. Pollard Fifth collaboration with Harry A. Pollard
Swing High Joseph Santley
Holiday Edward H. Griffith First collaboration with Edward H. Griffith
Sin Takes a Holiday Paul L. Stein First collaboration with Paul L. Stein
1931 Beyond Victory John S. Robertson
Rebound Edward H. Griffith Second collaboration with Edward H. Griffith
Devotion Robert Milton
1932 A Woman Commands Paul L. Stein Second collaboration with Paul L. Stein
The Animal Kingdom Edward H. Griffith Third collaboration with Edward H. Griffith
1933 Emergency Call Edward L. Cahn
Saturday's Millions Edward Sedgwick First collaboration with Edward Sedgwick
Uncredited
Counsellor at Law William Wyler First collaboration with William Wyler
1934 Love Birds William A. Seiter
I'll Tell the World Edward Sedgwick Second collaboration with Edward Sedgwick
Embarrassing Moments Edward Laemmle Second collaboration with Edward Laemmle
Wake Up and Dream Kurt Neumann
There's Always Tomorrow Edward Sloman
1935 The Good Fairy William Wyler Second collaboration with William Wyler
Diamond Jim A. Edward Sutherland
His Night Out William Nigh
King Solomon of Broadway Alan Crosland
1936 These Three William Wyler Third collaboration with William Wyler
Dodsworth Fourth collaboration with William Wyler
1937 You Only Live Once Fritz Lang
Woman Chases Man John G. Blystone
Dead End William Wyler Fifth collaboration with William Wyler
1939 Wuthering Heights Sixth collaboration with William Wyler
The Real Glory Henry Hathaway
1940 The Westerner William Wyler Seventh collaboration with William Wyler
1941 Meet John Doe Frank Capra First collaboration with Frank Capra
The Little Foxes William Wyler Eighth collaboration with William Wyler
Ball of Fire Howard Hawks First collaboration with Howard Hawks
1942 The Pride of the Yankees Sam Wood
1943 They Got Me Covered David Butler First collaboration with David Butler
The North Star Lewis Milestone
1944 Up in Arms Elliott Nugent
Arsenic and Old Lace Frank Capra Second collaboration with Frank Capra
The Princess and the Pirate David Butler Second collaboration with David Butler
1945 Wonder Man H. Bruce Humberstone
1946 The Kid from Brooklyn Norman Z. McLeod
The Best Years of Our Lives William Wyler Ninth collaboration with William Wyler
1948 A Song Is Born Howard Hawks Second collaboration with Howard Hawks
Enchantment Irving Reis First collaboration with Irving Reis
1949 Roseanna McCoy Second collaboration with Irving Reis
My Foolish Heart Mark Robson First collaboration with Mark Robson
1950 Edge of Doom Second collaboration with Mark Robson
1951 Valentino Lewis Allen
A Millionaire for Christy George Marshall
I Want You Mark Robson Third collaboration with Mark Robson
1952 Hans Christian Andersen Charles Vidor
1953 Return to Paradise Mark Robson Fourth collaboration with Mark Robson
1955 Guys and Dolls Joseph L. Mankiewicz
1956 The Sharkfighters Jerry Hopper
1957 Witness for the Prosecution Billy Wilder First collaboration with Billy Wilder
1959 Porgy and Bess Otto Preminger
1960 The Apartment Billy Wilder Second collaboration with Billy Wilder
1961 One, Two, Three Third collaboration with Billy Wilder
1963 Irma la Douce Fourth collaboration with Billy Wilder
1964 Kiss Me, Stupid Fifth collaboration with Billy Wilder
1966 The Fortune Cookie Sixth collaboration with Billy Wilder
Editorial department
Year Film Director Role Notes
1922 Foolish Wives Erich von Stroheim Assistant editor
Uncredited
1956 Hot Rod Girl Leslie H. Martinson Assistant film editor
1964 Kiss Me, Stupid Billy Wilder Assistant editor
Shorts
Editor
Year Film Director
1932 Parlor, Bedroom and Wrath Harry Sweet
A Firehouse Honeymoon George Marshall
Sham Poo, the Magician Harry Sweet
Jitters the Butler Mark Sandrich
1933 Art in the Raw Harry Sweet
The Gay Nighties Mark Sandrich

See also

References

  1. ^ "Daniel Mandell, Won 3 Film Editing Oscars". The New York Times. June 13, 1987. This article incorrectly indicates that Mandell was nominated for an Academy Award for Wuthering Heights (1939).
  2. ^ Birth and death information checked at the Social Security Death Index, where it is listed as unverified.
  3. ^ See Daniel Mandell at IMDb for list of film credits.
  4. ^ "Film Editing Facts". Academy of Motion Picture Arts & Sciences. March 2010. Archived from the original on 2009-10-19. Retrieved 2010-07-18.

Further reading

  • Hanson, Patricia King (2000). "Daniel Mandell". In Pendergast, Tom; Pendergast, Sara (eds.). International Dictionary of Film and Filmmakers (4 ed.). St. James Press. ISBN 978-1-55862-449-8. OCLC 44818539. His second Oscar, again for Goldwyn, was for the magnificent work he did on The Best Years of Our Lives. Although the film was an almost actionless drama, the superb editing of the climactic sequence at the deserted airfield was an outstanding achievement. It still stands up well against the more modern, technologically advanced work of films like the Terminator series, in which technique dominates artistry.
  • Armstrong, Richard (2004). Billy Wilder, American Film Realist. McFarland. p. 100. ISBN 9780786421190. Daniel Mandell's editing [of The Apartment] reinforces Wilder's critique and even appears to reinstall a sense of continuity into lives reduces to moments of material and sexual gratification.


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