Driton Selmani
Driton Selmani | |
|---|---|
Selmani in 2023 | |
| Born | 8 February 1987 Kaçanik, Kosovo, Yugoslavia |
| Education | Arts University Bournemouth |
| Occupation | Artist |
| Known for | Conceptual art, drawing, photography, painting, sculpture, ready-made artist |
| Notable work | Love Letters (2018–2024) Manifesta 14 Prishtina |
| Website | dritonselmani |
Driton Selmani (born 8 February 1987) is a Kosovar contemporary visual artist whose practice spans across various media including installation, photography, text, and public art.
Early life and education
Driton Selmani was born in Doganaj, Kaçanik, during a period marked by political unrest and conflict in the Balkans. Growing up in a post-socialist environment, his early life was influenced by the cultural and socio-political changes that took place during the dissolution of Yugoslavia and the subsequent Kosovo War.[citation needed]
Selmani pursued his education in visual arts in Bournemouth, United Kingdom, at the Arts University Bournemouth.[citation needed]
Artistic practice
Selmani's artistic practice is characterized by its conceptual depth and versatility across different media. His work often blurs the boundaries between art and everyday life, challenging conventional perceptions of public and private spaces. A recurring theme in his work is the exploration of how history, memory, and identity are constructed and perceived, particularly within the context of Kosovo's complex political landscape.[1]
Site-specific projects and public art

One of his most prominent public artworks[citation needed] is "Eye to Eye" (2018), created for the Amsterdam Light Festival.
Key exhibitions
Selmani's work has been exhibited in various international exhibitions. Some of his notable exhibitions include:
- Everything We Do Is Really, Really Brilliant (2023): This solo exhibition at Kahan Art in Vienna showcased Selmani's exploration of the intersection between public and private spaces.[2]
- The Other Re-Imagine the Future (2023): Held at Kunsthaus Graz in Austria, this exhibition featured Selmani's work alongside other contemporary artists, exploring the theme of speculative futures.[3]
- Manifesta 14 Prishtina (2022): a significant edition of the Manifesta Biennial, which took place in his home city of Pristina. His work in the biennial engaged with local narratives and the broader geopolitical context of the Balkans, further establishing his relevance in both regional and international art discourses.[4]
The Barking of The Clouds Does Not Hurt The Dogs
Held at MSU Skopje from 4 April 2022 to 25 February 2023.[5]
Love Letters on plastic bags

Since 2018, Driton Selmani has been developing a distinctive, ongoing project in which he writes love letters on plastic bags. This work touches on themes such as politics, ecology, art, and philosophy.[6]
References
- ^ Caraccio, Camilla (23 January 2019). "Conceptual artist Driton Selmani is taking his work to the streets of Kosovo". New East Digital Archive. Retrieved 11 September 2024.
- ^ "Everything We Do is Really, Really Brilliant". Eva Kahan Foundation. Retrieved 10 September 2024.
- ^ Hribernik, Andreja (27 September 2023). "The Other. Re-Imagine the Future". Universalmuseum Joanneum. Retrieved 10 September 2024.
- ^ "Driton Selmani". Manifesta 14. Retrieved 10 September 2024.
- ^ Krasniqi, Erëmirë. "Driton Selmani". Art Forum. Retrieved 10 September 2024.
- ^ Bradley, Kimberly (11 August 2022). "Five Balkan Artists to Watch at Manifesta 14". Frieze. Retrieved 10 September 2024.