Baccheius the Elder

Baccheius (Ancient Greek: Βακχεῖος), also known as Baccheius the Elder or Baccheius Senior or Baccheius Geron (ὁ γέρων), was a writer on the musical system of ancient Greece.

We know nothing of his history. German classical scholar Johann Albert Fabricius gives a list of persons of the same name, and conjectures that he may have been the same Baccheius as was mentioned by 2nd-century Roman emperor and philosopher Marcus Aurelius as his first instructor.[1][2]

Works

He was the author of a short musical treatise in the form of a doctrine or catechism, called Introduction to the Art of Music (εἰσαγωγή τέχνης μουσικῆς). The treatise consists of brief and clear explanations of the principal subjects belonging to harmonics and rhythm.

Some writers consider his work a compilation of earlier texts, calling his work on harmonics a survey of the work of Greek philosophers Pythagoras and Aristoxenus.[3] Baccheius reckons seven musical modes, corresponding to the seven species of octave anciently called by the same names. The work is also notable for preserving some examples of early musical notation.[4]

Seventeenth-century Danish scholar Marcus Meibomius supposed that he lived after 2nd-century music theorist Ptolemy, who adopts the same system, and before 13th/14th-century Byzantine scholar Manuel Bryennios, in whose time an eighth (the Hypermixolydian) had been added.[5] There is not broad consensus about his century, though many publications refer to him as having lived in the 3rd or 4th century CE.[6]

Editions

The Greek text of Baccheius was first edited by 17th-century French polymath Marin Mersenne, in his Commentary on the first six chapters of the Book of Genesis.[7] It was also printed in a separate form, with a Latin version, by 17th-century scholar Frederic Morelli,[8] and lastly by Marcus Meibomius.[9] These were popularly circulated amongst late Renaissance and Baroque scholars, and held on par with those of works more renowned today such as those by Ptolemy.[10]

Epigram about Baccheius

An anonymous Greek epigram, in which Baccheius is mentioned, is printed by Meibomius in his preface, from the same manuscript which contained the text; also by Fabricius.[1]

References

  1. ^ a b Johann Albert Fabricius, Bibliotheca Graeca ii. p. 260, &c.
  2. ^ Marcus Aurelius, de Rebus suis 1.6
  3. ^ Pöhlmann, Egert (2020). "The tradition of Ancient Greek Music in the Middle Ages and the Renaissance". Ancient Music in Antiquity and Beyond: Collected Essays (2009-2019). De Gruyter. ISBN 9783110664607. Retrieved 2025-03-23.
  4. ^ Levin, Flora R. (1991). Fideler, David (ed.). "Aspects of Ancient Greek Music". Alexandria: The Journal of Western Cosmological Traditions. 1. Phanes Press: 274. Retrieved 2025-03-23.
  5. ^ Marcus Meibomius, praef in Arist. Quint.
  6. ^ Rousseau, Jean-Jacques (1998). Essay on the Origin of Languages and Writings Related to Music. University Press of New England. p. 593. ISBN 9781611681277. Retrieved 2025-03-23.
  7. ^ Marin Mersenne, Paris, 1623, fol., p. 1887
  8. ^ Frederic Morelli, Paris, 1623, 8vo.
  9. ^ Marcus Meibomius, Antiquae Musicae Auctores Septem, Amst. 1652.
  10. ^ Johnson, Paul (2007). The Renaissance: A Short History. Random House. p. 182. ISBN 9780307432551. Retrieved 2025-03-23.

 This article incorporates text from a publication now in the public domain: Donkin, William Fishburn (1870). "Baccheius". In Smith, William (ed.). Dictionary of Greek and Roman Biography and Mythology. Vol. 1. p. 450.

allikas: https://en.wikipedia.org/wiki/Baccheius_the_Elder