Landed is the sixth studio album by the German krautrock band Can, released in September 1975 by Virgin Records. It is the first Can album to get what producer Holger Czukay described as a "professional mix", marked by a more layered sound provided by the 16-track tape recording process.[1]

Recording and production

Can played a version of "Full Moon on the Highway" at Can Free Concert in February 1972.[2]

Landed was recorded in 1975 at Inner Space Studios in Weilerswist, near Cologne. Holger Czukay engineered the recording process and mixed side B at Inner Space. He teamed with Toby Robinson to mix side A at Studio Dierks in Stommeln. René Tinner assisted with the mix for both sides.[3]

Landed became the first Can album recorded with "MCI JH-16" 16-track tape recorder, replacing their previous two-track tape recorder. The new tape recorder doubled the productivity of their recording studio and allowed the production of composition layered with more overlapping sounds.[4]

The title "Landed" indicates a touchdown after Can's previous record, Soon Over Babaluma. Landed album cover was created by Christine Scholl, head of Can fan-club and Jaki Liebezeit's girlfriend at the time. Christine has been sending out promotional postcards and portraits of the band, printed on the backside cover of Soon Over Babaluma and autographed by Can. She piled up a number of these portraits and doodled on them, drawing beards, moustaches, rouged cheeks and lipstick, eyepatches, and elaborate bouffantes. She then assembled thirty of these six drawings into a collage.[5]

Music

The track "Red Hot Indians" features Amon Düül's Olaf Kübler [de] playing dual sax solos.[1]

"Unfinished" is a thirteen-minute edit of one prolonged session referred by the band as "the magic day". It was recorded in the studio conditions that let their instruments practically play themselves. Michael called it "one of those pieces where we let the atmosphere of the studio impress itself on the tape, it's really a piece composed by the studio". "Unfinished" was recorded with Selmer organ, which was broken and didn't make ordinary organ sounds. At the beginning of the "Unfinished" session the organ started producing a continuous noise all by itself. Irmin liked the noise, and the band used it as the basis of the track.[6]

Release

The song "Hunters and Collectors", backed by a shorter version of "Vernal Equinox", was released in Germany on the Harvest label that same year.[3]

Reception and legacy

Professional retrospective reviews
Review scores
SourceRating
AllMusic[7]
Encyclopedia of Popular Music[8]
Pitchfork6.1/10[9]
Spin Alternative Record Guide8/10[10]
The Rolling Stone Album Guide[11]
Tom Hull – on the WebB+ ((2-star Honorable Mention)(2-star Honorable Mention))[12]

In a mixed review, Pitchfork' Dominique Leone compared Landed to Can's previous discography, concluding that the new material lost the "epic, funky ambient songs or minimalist rock experiments in favor of some pretty straightforward jam-band tunes." In particular, Leone lauded the "deft pace" and the skillful guitar work, highlighting "Red Hot Indians" as more interesting song, "sounding like bizarre tropical jazz-pop". However, he didn't like Karoli's "thin, decidedly non-rock chipmunk chorus", and felt that the 13-minute closer track "Unfinished" doesn't really "fit with the rest of the record, but does at least give Can the chance to stretch out their most experimental ideas into 16 tracks, and is reminiscent of 'Cutaway' or some of the more out-there moments on Tago Mago".[1]

Spin Alternative Record Guide, on the other hand, called Landed the last great album released by Can, highlighting "the protozoan amorphousness" of "Unfinished".[10]

Irmin Schmidt, member of Can, described Toby Robinson's work on mixing the album as "listening so loud and mixing so loud and insisting that it's rock that we couldn't really judge what the fuck he was doing. So after that was mixed we came back to our studio, listened to the mixed tape properly in a civilised loudness, and were extremely disappointed. Of course, we had to use it, but it sounds like a satirical version of rock music, which we didn't mean at all. And still I think 'Full Moon on the Highway' is one of our worst pieces. Not because of the piece, but because of the sound."[3]

Rob Young, author of Can's biography, described the album as "both more detailed and more dry, claustrophobic in places, as if the group members have drawn themselves into a huddle in the middle of the studio." Young added that the new "MCI JH-16" multitrack tape recorder brought unpaved difficulties. The technology of the new tape recorder allowed the band to record in isolation and exponentially add sound layers, which produced a more "fragmented and solitary" album.[13]

Musician Barry Adamson included the album in a list of his 13 favorite albums.[14] Australian rock band Hunters & Collectors took their name from the song of the same title.[15]

Track listing

Side one
No.TitleLyricsMusicLength
1."Full Moon on the Highway"Czukay, Karoli, Liebezeit, Schmidt, Peter GilmourCzukay, Karoli, Liebezeit, Schmidt3:32
2."Half Past One"Czukay, Karoli, Liebezeit, Schmidt, Peter GilmourCzukay, Karoli, Liebezeit, Schmidt4:39
3."Hunters and Collectors"Czukay, Karoli, Liebezeit, SchmidtCzukay, Karoli, Liebezeit, Schmidt4:19
4."Vernal Equinox"noneCzukay, Karoli, Liebezeit, Schmidt8:48
Side two
No.TitleLyricsMusicLength
5."Red Hot Indians"Czukay, Karoli, Liebezeit, SchmidtCzukay, Karoli, Liebezeit, Schmidt5:38
6."Unfinished"noneCzukay, Karoli, Liebezeit, Schmidt13:21
Total length:40:18

Notes

  • Recorded at Inner Space Studio (Weilerswist, near Cologne) by Holger Czukay 1975, assisted by Bob Hickmott
  • Tracks 1 to 4 mixed by Toby Robinson and Holger Czukay at Studio Dierks, Stommeln, Germany
  • Tracks 5 and 6 mixed by Holger Czukay at Inner Space Studio, Weilerswist, Germany
  • Composed, written and produced by Can.

Personnel

References

  1. ^ a b c Leone, Dominique. "Can: Future Days / Soon Over Babaluma / Unlimited Edition / Landed Album Review - Pitchfork". Pitchfork.com. Retrieved 10 September 2018.
  2. ^ Young & Schmidt 2018, p. 167.
  3. ^ a b c Young & Schmidt 2018, p. 230.
  4. ^ Young & Schmidt 2018, p. 226.
  5. ^ Young & Schmidt 2018, pp. 233–234.
  6. ^ Young & Schmidt 2018, pp. 230–231.
  7. ^ Boisen, Myles. "Can: Landed > Review" at AllMusic. Retrieved 2 November 2011.
  8. ^ Larkin, Colin (2011). "Can". Encyclopedia of Popular Music (5th ed.). Omnibus Press. ISBN 978-0857125958.
  9. ^ Leone, Dominique (12 July 2005). "Can: Landed". Pitchfork Media. Retrieved 2 November 2011.
  10. ^ a b Spin Alternative Record Guide. Vintage Books. 1995. p. 73.
  11. ^ Nathan Brackett; Christian David Hoard (2004). The new Rolling Stone album guide. New York: Simon & Schuster. p. 134. ISBN 978-0-7432-0169-8.
  12. ^ Hull, Tom (July 5, 2021). "Music Week". Tom Hull – on the Web. Retrieved July 7, 2021.
  13. ^ Young & Schmidt 2018, p. 227.
  14. ^ "The Quietus - Features - Baker's Dozen - Experimentalism Wrapped Around Pop: Barry Adamson's Favourite LPs". Thequietus.com. Retrieved 10 September 2018.
  15. ^ McFarlane, Ian (1999). "Encyclopedia entry for 'Hunters & Collectors'". Encyclopedia of Australian Rock and Pop. Allen & Unwin. ISBN 1-86448-768-2. Archived from the original on 29 August 2004. Retrieved 25 November 2008.
  16. ^ a b "Finding The Lost Can Tapes: Jono Padmore, Irmin Schmidt & Daniel Miller". Soundonsound.com. Retrieved 16 June 2021.

Source

Allikas: https://en.wikipedia.org/wiki/Landed_(album)
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